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Terrorism Before the Letter - Mythography and Political Violence in England, Scotland, and France 1559-1642 (Hardcover)
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Terrorism Before the Letter - Mythography and Political Violence in England, Scotland, and France 1559-1642 (Hardcover)
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Beginning around 1559 and continuing through 1642, writers in
England, Scotland, and France found themselves pre-occupied with an
unusual sort of crime, a crime without a name which today we call
'terrorism'. These crimes were especially dangerous because they
were aimed at violating not just the law but the fabric of law
itself; and yet they were also, from an opposite point of view,
especially hopeful, for they seemed to have the power of unmaking a
systematic injustice and restoring a nation to its 'ancient
liberty'. The Bible and the annals of classical history were full
of examples: Ehud assassinating King Eglon of Moab; Samson bringing
down the temple in Gaza; Catiline arousing a conspiracy of terror
in republican Rome; Marcus Brutus leading a conspiracy against the
life of Julius Caesar. More recent history provided examples too:
legends about Mehmed II and his concubine Irene; the assassination
in Florence of Duke Alessandro de 'Medici, by his cousin Lorenzino.
Terrorism Before the Letter recounts how these stories came
together in the imaginations of writers to provide a system of
'enabling fictions', in other words a 'mythography', that made it
possible for people of the sixteenth and seventeenth centuries to
think (with and about) terrorism, to engage in it or react against
it, to compose stories and devise theories in response to it, even
before the word and the concept were born. Terrorist violence could
be condoned or condemned, glorified or demonised. But it was a
legacy of political history and for a while an especially menacing
form of aggression, breaking out in assassinations, abductions,
riots, and massacres, and becoming a spectacle of horror and hope
on the French and British stage, as well as the main theme of
numerous narratives and lyrical poems. This study brings to life
the controversies over 'terrorism before the letter' in the early
modern period, and it explicates the discourse that arose around it
from a rhetorical as well as a structural point of view. Kenneth
Burke's 'pentad of motives' helps organise the material, and show
how complex the concept of terrorist action could be. Terrorism is
usually thought to be a modern phenomenon. But it is actually a
foundational figure of the European imagination, at once a reality
and a myth, and it has had an impact on political life since the
beginnings of Europe itself. Terrorism is a violence that
communicates, and the dynamics of communication itself reveal it
special powers and inevitable failures.
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