More than one hundred works are catalogued in the second of two
volumes devoted to the National Gallery of Art's holdings of
nineteenth-century American paintings, including virtually all of
the important portraits in the collection. Distinguished in part by
the concentration of works by three preeminent artists, Thomas
Sully, John Singer Sargent, and James McNeill Whistler, this
collection also includes John Quidor's "The Return of Rip van
Winkle," Albert Pinkham Ryder's "Siegfried and the Rhine Maidens,"
and Rembrandt Peale's "Rubens Peale with a Geranium." The author
has skillfully untangled the misattributions, misidentifications,
and inaccurate provenances surrounding many of the paintings.
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