The fascist Ustasha regime and its militias carried out a
ruthless campaign of ethnic cleansing that killed an estimated half
million Serbs, Jews, and Gypsies, and ended only with the defeat of
the Axis powers in World War II.
In "Visions of Annihilation, " Rory Yeomans analyzes the Ustasha
movement's use of culture to appeal to radical nationalist
sentiments and legitimize its genocidal policies. He shows how the
movement attempted to mobilize poets, novelists, filmmakers, visual
artists, and intellectuals as purveyors of propaganda and
visionaries of a utopian society. Meanwhile, newspapers, radio, and
speeches called for the expulsion, persecution, or elimination of
"alien" and "enemy" populations to purify the nation. He describes
how the dual concepts of annihilation and national regeneration
were disseminated to the wider population and how they were
interpreted at the grassroots level.
Yeomans examines the Ustasha movement in the context of other
fascist movements in Europe. He cites their similar appeals to
idealistic youth, the economically disenfranchised, racial purists,
social radicals, and Catholic clericalists. Yeomans further
demonstrates how fascism created rituals and practices that
mimicked traditional religious faiths and celebrated martyrdom.
"Visions of Annihilation" chronicles the foundations of the
Ustasha movement, its key actors and ideologies, and reveals the
unique cultural, historical, and political conditions present in
interwar Croatia that led to the rise of fascism and contributed to
the cataclysmic events that tore across the continent.
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