An exploration of Turner's final, vital years, including new
readings of some of his most significant paintings The paintings
and drawings Joseph Mallord William Turner (1775-1851) produced
from 1835 to his death are seen by many as his most audacious and
compelling work, a highly personal final vision that ranks with the
late styles of the greatest artists. In this study, Sam Smiles
shows how a richer account of Turner's achievement can be presented
once his historical circumstances are given proper attention. He
discusses the style and subject matter of Turner's later oil
paintings and watercolours, his commercial dealings and his
relations with patrons; he examines the artist's critical reception
and scrutinises accounts of his physical and mental health to see
what can be reliably said about this last phase of creative
endeavour. Emerging from this study is an artist who used his final
years to consolidate the principles that had motivated him
throughout his career. Distributed for the Paul Mellon Centre for
Studies in British Art
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