There is no world of thought that is not a world of language,
Walter Benjamin remarked, and one only sees in the world what is
preconditioned by language. In this book, Samuel Weber, a leading
theorist on literature and media, reveals a new and productive
aspect of Benjamin s thought by focusing on a little-discussed
stylistic trait in his formulation of concepts.
Weber s focus is the critical suffix -ability that Benjamin so
tellingly deploys in his work. The -ability ("-barkeit," in German)
of concepts and literary forms traverses the whole of Benjamin s
oeuvre, from impartibility and criticizability through the
well-known formulations of citability, translatability, and, most
famously, the reproducibility of The Work of Art in the Age of Its
Technological Reproducibility. Nouns formed with this suffix, Weber
points out, refer to a possibility or potentiality, to a capacity
rather than an existing reality. This insight allows for a
consistent and enlightening reading of Benjamin s writings.
Weber first situates Benjamin s engagement with the -ability of
various concepts in the context of his entire corpus and in
relation to the philosophical tradition, from Kant to Derrida.
Subsequent chapters deepen the implications of the use of this
suffix in a wide variety of contexts, including Benjamin s
"Trauerspiel" book, his relation to Carl Schmitt, and a reading of
Wagner s "Ring." The result is an illuminating perspective on
Benjamin s thought by way of his language and one of the most
penetrating and comprehensive accounts of Benjamin s work ever
written.
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