Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects
|
Buy Now
The Properties of Violence - Claims to Ownership in Representations of Lynching (Hardcover, New)
Loot Price: R3,252
Discovery Miles 32 520
|
|
The Properties of Violence - Claims to Ownership in Representations of Lynching (Hardcover, New)
Expected to ship within 10 - 15 working days
|
A study in the representative forms of lynching violence and their
effects The Properties of Violence focuses on two connected issues:
representations of lynching in late-nineteenth and
twentieth-century American photographs, poetry, and fiction; and
the effects of those representations. Alexandre compellingly shows
how putting representations of lynching in dialogue with the
history of lynching uncovers the profound investment of African
American literature--as an enterprise that continually seeks to
create conceptual spaces for the disenfranchised culture it
represents--in matters of property and territory. Through studies
ranging from lynching photographs to Toni Morrison's Pulitzer
Prize-winning novel, Beloved, the book demonstrates how
representations of lynching demand that we engage and discuss
various forms of possession and dispossession. The multiple
meanings of the word "representation" are familiar to literary
critics, but Alexandre's book insists that its other key term,
"effects," also needs to be understood in both its primary senses.
On the one hand, it indicates the social and cultural repercussions
of how lynching was portrayed, namely, what effects its
representations had. On the other hand, the word signals, too, the
possessions or what we might call the personal effects conjured up
by these representations. These possessions were not only
material--as for example property in land or the things one owned.
The effects of representation also included diverse, less tangible
but no less real possessions shared by individuals and groups: the
aura of a lynching site, the ideological construction of white
womanhood, or the seemingly default capacity of lynching
iconography to encapsulate the history of ostensibly all forms of
violence against black people. Sandy Alexandre, Cambridge,
Massachusetts, is Assistant Professor of Literature at the
Massachusetts Institute of Technology.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
You might also like..
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.