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Santa Barraza, Artist of the Borderlands - Artist of the Borderlands (Hardcover, 1st ed)
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Santa Barraza, Artist of the Borderlands - Artist of the Borderlands (Hardcover, 1st ed)
Series: Rio Grande/Rio Bravo: Borderlands Culture and Traditions
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Santa Barraza paints bold representations of Nepantla, the Land
Between. Her work depicts the historical, emotional, and spiritual
land between Mexico and Texas, between the familiar and the sacred,
between present reality and the mythic world of the ancient Aztecs
and Mayas. More than thirty of her most powerful and characteristic
works are offered in full color and considered in this
ground-breaking study of a nationally important Tejana artist. Over
the last twenty-five years of her career as a visual artist,
Barraza has explored what it is to be a Chicana and a mestiza in
this country. Utilizing a variety of media, she has embarked on an
artistic journey full of family portraits, watercolor dream scenes,
mixed media artist books, and murals that harken back to a
pre-Columbian past. By tapping into pre-conquest symbols, personal
memories, and traditional sacred art forms such as the retablo and
the Codices, she incorporates the value of Mexican artistic
traditions and their power to nurture and sustain cultural identity
on this side of the border. Barraza's art, which includes public
art in the form of murals and children's workshops, has
increasingly drawn on the colors and forms of Mesoamerica. Most
recently, the Aztec Codices offer her a symbolic form to claim her
roots and to invoke much of the cosmology of her ancestors. Within
the form, however, she adapts by drawing on contemporary figures
such as her own mother, or labor leader Ema Tenayucca, or Barraza's
sister with a physical heart (representing a heart transplant she
had received) in place of the Virgen de Guadalupe and the
Immaculate Heart. Scholars Maria Herrera-Sobek, Antonia Castaneda,
Shifra M. Goldman, Tomas Ybarra-Frausto, and Dori Grace Udeagbor
Lemeh contribute distinctive insights to the analysis of the forces
that have shaped Barraza as a Chicana artist and the images and
aesthetics that characterize the corpus of her work. Their
perspectives also contribute to an understanding of the Chicano/a
artists (including Barraza) who began their rise to prominence
during the Chicano Movement of the 1960s and 1970s. Moreover, the
text invites readers to view the Chicano/a as the "New American
artist," suggesting that the elements of Barraza's painting are
important not only to Chicanos/as, but to all Americans in our
increasingly bicultural and even mestizo society.
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