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Words Made Flesh - Formations of the Postsecular in British Romanticism (Hardcover)
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Words Made Flesh - Formations of the Postsecular in British Romanticism (Hardcover)
Series: Studies in Religion and Culture
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Religion is not merely a different way of thinking but is rather an
alternative manner of being-it is both a way of attending to the
world and a form of embodiment. Literature provides another key to
legislating new ways of being in the world. Some of the best
Romantic literature can be understood as experimental attempts to
access and harness infrasensible energy-affects and dispositions
operating beneath the threshold of consciousness-in the hope that
by so doing it may become possible to project elusive affects into
the practical world of conscious thinking and judgment. Words Made
Flesh demonstrates how the Romantic poets Samuel Taylor Coleridge,
John Keats, and Percy Bysshe Shelley and the novelist Jane Austen
affect, mediate, and ultimately alter our very sense of embodiment
in ways that have lasting effects on readers' affective, political,
and spiritual lives. Such works, which unsettle habitual ways of
seeing, are perennially valuable because they not only call
attention to the dispositions we normally inhabit, but they also
suggest ways of forging new patterns and forms of life through the
medium of embodiment.Drawing on the work of these writers, Dempsey
argues that Romanticism's contribution to our understanding of the
postsecular becomes clearer when considered in relation to three
timely scholarly conversations not previously synthesized: secular
and postsecular studies, affect theory, and media studies. By
weaving together these three strands, Words Made Flesh clarifies
how Romanticism provides a useful field guide to the new geography
of the self ushered in by secular modernity, while also pointing
toward potential postsecular futures. Ultimately, Dempsey argues
for a view of literature that recognizes it as an essential
component to ethical practice.
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