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Victorian Visions of War and Peace - Aesthetics, Sovereignty, and Violence in the British Empire (Hardcover)
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Victorian Visions of War and Peace - Aesthetics, Sovereignty, and Violence in the British Empire (Hardcover)
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A study of how artists and photographers shaped imperial visions of
war and peace in the Victorian period In an era that saw the birth
of photography (c. 1839) and the rise of the illustrated press (c.
1842), the British experience of their empire became increasingly
defined by the processes and products of image-making. Examining
moments of military and diplomatic crisis, this book considers how
artists and photographers operating "in the field" helped to define
British visions of war and peace. The Victorians increasingly
turned to visual spectacle to help them compose imperial
sovereignty. The British Empire was thus rendered into a spectacle
of "peace," from world's fairs to staged diplomatic rituals. Yet
this occurred against a backdrop of incessant colonial
war-campaigns which, far from being ignored, were in fact
unprecedentedly visible within the cultural forms of Victorian
society. Visual media thus shaped the contours of imperial
statecraft and established many of the aesthetic and ethical frames
within which the colonial violence was confronted. Distributed for
the Paul Mellon Centre for Studies in British Art
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