Using a reader-oriented approach, Shadi Bartsch reconsiders the
role of detailed descriptive accounts in the ancient Greek novels
of Heliodorus and Achilles Tatius and in so doing offers a new view
of the genre itself. Bartsch demonstrates that these passages,
often misunderstood as mere ornamental devices, form in fact an
integral part of the narrative proper, working to activate the
audience's awareness of the play of meaning in the story. As the
crucial elements in the evolution of a relationship in which the
author arouses and then undermines the expectations of his
readership, these passages provide the key to a better
understanding and interpretation of these two most sophisticated of
the ancient Greek romances.
In many works of the Second Sophistic, descriptions of visual
conveyors of meaning--artworks and dreams--signaled the presence of
a deeper meaning. This meaning was revealed in the texts themselves
through an interpretation furnished by the author. The two novels
at hand, however, manipulate this convention of hermeneutic
description by playing upon their readers' expectations and luring
them into the trap of incorrect exegesis. Employed for different
ends in the context of each work, this process has similar
implications in both for the relationship between reader and author
as it arises out of the former's involvement with the text.
Originally published in 1989.
The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These paperback editions preserve the original texts of these
important books while presenting them in durable paperback
editions. The goal of the Princeton Legacy Library is to vastly
increase access to the rich scholarly heritage found in the
thousands of books published by Princeton University Press since
its founding in 1905.
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