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Books > Language & Literature > Literature: history & criticism > Literary theory
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From Text to Hypertext - Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media (Paperback, Illustrated Ed)
Loot Price: R703
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From Text to Hypertext - Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media (Paperback, Illustrated Ed)
Series: Penn Studies in Contemporary American Fiction
Expected to ship within 18 - 22 working days
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It is a tenet of postmodern writing that the subject-the self-is
unstable, fragmented, and decentered. One useful way to examine
this principle is to look at how the subject has been treated in
various media in the premodern, modern, and postmodern eras. Silvio
Gaggi pursues this strategy in From Text to Hypertext, analyzing
the issue of subject construction and deconstruction in selected
examples of visual art, literature, film, and electronic media.
Gaggi concentrates on a few paradigmatic works in each chapter; he
contrasts van Eyck's Wedding of Arnolfini with the photography of
Cindy Sherman and Barbara Kruger; examines fiction that centers on
an elusive subject in works by Conrad, Faulkner, and Calvino; and
explores the ability of such films as Coppola's One from the Heart
and Altman's The Player to emancipate the subject through
cinematography and editing. In considering electronic media, Gaggi
takes his argument to an entirely new level. He focuses on
computer-controlled media, specifically examples of hypertextual
fiction by Michael Joyce and Stuart Moulthrop. Besides recognizing
how the computer has enabled artists to create works of fiction in
which readers themselves become decentered, Gaggi also observes the
impact of literature created on computer networks, where even the
limitations of CD-ROM are lifted and the notion of individual
authorship may for all practical purposes be lost.
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