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Queering the Color Line - Race and the Invention of Homosexuality in American Culture (Paperback)
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Queering the Color Line - Race and the Invention of Homosexuality in American Culture (Paperback)
Series: Series Q
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"Queering the Color Line" transforms previous understandings of how
homosexuality was "invented" as a category of identity in the
United States beginning in the late nineteenth century. Analyzing a
range of sources, including sexology texts, early cinema, and
African American literature, Siobhan B. Somerville argues that the
emerging understanding of homosexuality depended on the context of
the black/white "color line," the dominant system of racial
distinction during this period. This book thus critiques and
revises tendencies to treat race and sexuality as unrelated
categories of analysis, showing instead that race has historically
been central to the cultural production of homosexuality.
At about the same time that the 1896 Supreme Court "Plessy v.
Ferguson" decision hardened the racialized boundary between black
and white, prominent trials were drawing the public's attention to
emerging categories of sexual identity. Somerville argues that
these concurrent developments were not merely parallel but in fact
inextricably interrelated and that the discourses of racial and
sexual "deviance" were used to reinforce each other's terms. She
provides original readings of such texts as Havelock Ellis's late
nineteenth-century work on "sexual inversion," the 1914 film "A
Florida Enchantment," the novels of Pauline E. Hopkins, James
Weldon Johnson's "Autobiography of an Ex-Coloured Man," and Jean
Toomer's fiction and autobiographical writings, including "Cane."
Through her analyses of these texts and her archival research,
Somerville contributes to the growing body of scholarship that
focuses on discovering the intersections of gender, race, and
sexuality.
"Queering the Color Line" will have broad appeal across
disciplines including African American studies, gay and lesbian
studies, literary criticism, cultural studies, cinema studies, and
gender studies.
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