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Transfiguration - The Religion of Art in Nineteenth-Century Literature Before Aestheticism (Hardcover)
Loot Price: R3,190
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Transfiguration - The Religion of Art in Nineteenth-Century Literature Before Aestheticism (Hardcover)
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Transfiguration explores the work of John Ruskin, Robert Browning,
Dante Gabriel Rossetti, and Walter Pater, treating in particular
the ways in which they engaged with the Christian content of their
subject, and, in Pater's case, how the art of Christianity was
contrasted with classical sculpture. Stephen Cheeke examines two
related phenomena: idolatry (a false substitution, a sexual
betrayal), and the poetics of transfiguration (to elevate or
glorify subject matter not thought of as conventionally poetic, to
praise). Central to the book is the question of the 'translation'
of religion into art and aesthetics, a process which supposedly
undergirds the advent of the museum age and makes possible the idea
of a 'religion of art' as a phenomenon of late century
Aestheticism. Such a phenomenon is prepared for, however, through
the engagement with Christian painting and classical sculpture in
the work of these four writers. All four thought carefully about
the ways in which a particular mimetic impulse of 'making-live' in
artworks could be connected to religious experience. This meant
exploring the nature of the link between seeing and
believing-visualising in order to conceive, to verify, but also in
the sense of being acted upon by the visible. All four wrote about
the great power of artworks to transfigure the objects of their
attention. In each case, there emerges the possibility of a secret
sexual knowledge hiding within, or lying on the other side of the
sensuous knowledge of aesthesis. All four wondered whether this was
inherently hostile to Christianity, or whether it may, finally, be
an accommodation within it.
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