While the rise of the charmingly simple, brilliantly evocative
"haiku" is often associated with the seventeenth-century Japanese
poet Matsuo Basho, the form had already flourished for more than
four hundred years before Basho even began to write. These early
poems, known as "hokku," are identical to "haiku" in syllable count
and structure but function differently as a genre. Whereas each
"haiku" is its own constellation of image and meaning, a "hokku"
opens a series of linked, collaborative stanzas in a sequence
called "renga."
Under the mastery of Basho, "hokku" first gained its modern
independence. His talents contributed to the evolution of the style
into the "haiku" beloved by so many poets around the world--Richard
Wright, Jack Kerouac, and Billy Collins being notable devotees.
"Haiku Before Haiku" presents 320 "hokku" composed between the
thirteenth and early eighteenth centuries, from the poems of the
courtier Nijo Yoshimoto to those of the genre's first
"professional" master, Sogi, and his disciples. It features 20
masterpieces by Basho himself. Steven D. Carter introduces the
history of "haiku" and its aesthetics, classifying these poems
according to style and context. His rich commentary and notes on
composition and setting illuminate each work, and he provides brief
biographies of the poets, the original Japanese text in romanized
form, and earlier, classical poems to which some of the "hokku"
allude.
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