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The Power of Women - A "Topos" in Medieval Art and Literature (Hardcover)
Loot Price: R2,119
Discovery Miles 21 190
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The Power of Women - A "Topos" in Medieval Art and Literature (Hardcover)
Series: Anniversary Collection
Expected to ship within 10 - 15 working days
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Donate to Against Period Poverty
Total price: R2,139
Discovery Miles: 21 390
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Eve tempting Adam with the apple, Delilah shearing Samson's hair,
Phyllis riding the philosopher Aristotle like a horse-from the
patristic period through the sixteenth century, examples of
disorderly women such as these from the Bible, antiquity, and
romance were cited to prove beyond any doubt that women exercise a
power that no man, however superior his moral and physical
qualities, can resist. An example of Latin topica, loci, or loci
communes central to ancient rhetoric and medieval literature, the
Power of Women topos illustrated how a woman could dominate,
humiliate, and even destroy the man who loved her too well. Two or
more infamous female figures were brought together to exemplify a
cluster of interrelated themes: the wiles of women, the power of
love, and the trials of marriage. Susan L. Smith's comprehensive
study of the Power of Women topos in written texts and in art
emphasizes the critical phase of its development from the late
twelfth to the end of the fourteenth century. During this period ,
she argues, traditional employment of the topos exclusively to
condemn women and justify male authority underwent a dramatic shift
as new voices (some of them female voices) appropriated the Power
of Women to contest and relativize the misogynistic views it had
been created to promote. The Power of Women analyzes the topos's
shifting operations in the context of ancient and medieval theories
of rhetoric, particularly with respect to the practice of
exemplification, which presuppose the possibility of conflicting
judgments on disputed topics. Smith further supports her argument
by reference to a wide range of recent theoretical writings by
Mikhail Bakhtin and others.
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