Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600
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Late Medieval Panel Paintings - Materials, Methods, Meanings: Volume II (Paperback)
Loot Price: R999
Discovery Miles 9 990
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Late Medieval Panel Paintings - Materials, Methods, Meanings: Volume II (Paperback)
Series: Late Medieval Panel Paintings
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This beautiful and extensively illustrated catalogue presents
in-depth case studies of twenty-four rare and remarkable Late
Medieval panel paintings, many from the German-speaking regions of
Europe, but also from Spain, France and the Southern Netherlands.
These works - often fragments of larger altarpieces designed for
liturgical performance and communal or private devotion - can be
monumental and dramatic or small and intimate, but all on close
examination prove to be rich in meaning - even in cases where the
painters remain anonymous, and the precise contexts of their
creation have become obscured or fragmented. The collected essays
will encompass a broad spectrum of artistic styles, techniques, and
interests, including in some instances the works' original frames,
and the attendant meanings they give to the imagery housed within.
The group will also be augmented by a rare and important
small-scale tapestry altarpiece with close links to panel painting.
The inclusion of such a piece, one of the many newly resurfaced
works to be included in the catalogue, will offer an innovative
approach to the scholarship of Medieval paintings, and enrich our
understanding of the cross-pollination of ideas between mediums and
the role played by painters in tapestry production at the turn of
the sixteenth century. The book, a follow-up to Susie Nash's
important 2011 catalogue, considers the physical history, original
form, condition and technique of the assembled works, using wood
analysis and dendrochronology, paint samples, infra-red, x-rays and
macro photography to document the materials and methods involved in
their making and the alterations and transformations they have
undergone with time. This new information is combined with close
readings of their imagery and its presentation to explore issues of
meaning, creative process, patronal intervention and artistic
intention, leading in many cases to new reconstructions,
attributions, dates and iconographic readings. The text is
extensively illustrated with a series of images of all of the
works, along with technical photographs and comparative material.
General
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