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Peter Lindbergh. Azzedine Alaia (English, French, German, Hardcover, Multilingual edition)
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Peter Lindbergh. Azzedine Alaia (English, French, German, Hardcover, Multilingual edition)
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Peter Lindbergh and Azzedine Alaia, the photographer and the
couturier, were united by their love of black, a love that they
would cultivate alike in silver print and solid color garments.
Lindbergh ceaselessly turned to black and white to signify his
search for authenticity in the faces he brought to light. Alaia
drew on the monochrome of timeless clothes to create veritable
sculptures for the body. In this book, the unique dialogue between
the two artists is immortalized in print. Illustrating their
community of spirit, its images are a celebration of their artistic
partnership and testament to their history-making achievements in
photography and fashion. Despite their geographically opposed
origins, Lindbergh and Alaia pursued similar horizons. At the same
time as Lindbergh's reputation in Germany was growing thanks to his
work in Stern magazine, and he set up his studio in Paris in 1978,
Alaia was the couturier shrouded in discretion whose sophisticated
techniques were a treasured secret amongst the most important
clients of Haute Couture. Alaia became the architect of bodies,
revealing and unveiling them, while Lindbergh distinguished them by
shining a light on their soul and personality. Step by step, they
became the creators that dominated their respective disciplines.
Both rejected any artifice that distracted from their true subject,
and it is with great ease that they came together for a number of
powerful collaborations. Shared inspirations and aesthetic values
are visible throughout their work. A beach in Le Touquet and the
streets of old Paris reference a mutual love of black and white
cinema and vast panoramas. The backdrop of an engine room
illustrates the memory of an industrial German landscape for one
and references the inordinate passion for functional design and
architecture held by the other. Alaia's clothes act as pedestals
for the smiles and eyes of the women who wear them: Nadja Auermann,
Mariacarla Boscono, Naomi Campbell, Anna Cleveland, Dilone, Lucy
Dixon, Vanessa Duve, Helene Fischer, Pia Frithiof, Jade Jagger,
Maria Johnson, Milla Jovovich, Lynne Koester, Ariane Koizumi,
Yasmin Le Bon, Madonna, Kristen McMenamy, Tatjana Patitz, Linda
Spierings, Tina Turner, Marie-Sophie Wilson, Lindsey Wixson. For
Lindbergh, who built his notoriety on the images of these
supermodels, the authenticity of their traits is all that matters.
The result is a potent black and white catalogue that reverberates
with truthfulness and beauty. The book accompanies the exhibition
Azzedine Alaia, Peter Lindbergh at the Fondation Azzedine Alaia, 18
rue de la verrerie, Paris, France. With contritutions by Fabrice
Hergott, director of the Musee d'Art Moderne de la Ville de Paris,
Paolo Roversi, photographer, and Olivier Saillard, fashion
historian and director of the Fondation Azzedine Alaia, Paris.
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