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William Carlos Williams and the Ethics of Painting (Hardcover)
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William Carlos Williams and the Ethics of Painting (Hardcover)
Series: Princeton Legacy Library
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In Peter Brueghel's painting The Adoration of the Kings, the
depiction of Joseph and Mary suggested to William Carlos Williams a
paradigm for the relationship between poem and painting, reader and
text, man and woman, that he had sought throughout his life to
establish: a marriage that can acknowledge and withstand
infidelity. Here Terence Diggory explores the meaning of this
paradigm within the context of Williams's career and also of recent
critical and cultural debate, which frequently assumes violence and
oppression to be inherent in all forms of relationship. Williams's
special attention to the art of painting, Diggory shows, put him in
a position to challenge such assumptions. In contrast to the
"ethics of reading" deduced by J. Hillis Miller from the premises
of deconstruction, Diggory illuminates Williams's "ethics of
painting" by applying Julia Kristeva's concepts of psychoanalytic
transference and nonoppressive desire. The abstract or "objectless"
space in which such desire operates is typified by modernist
painting, for both Kristeva and Williams, but foreshadowed in the
work of earlier artists such as Bellini and Brueghel. Originally
published in 1991. The Princeton Legacy Library uses the latest
print-on-demand technology to again make available previously
out-of-print books from the distinguished backlist of Princeton
University Press. These editions preserve the original texts of
these important books while presenting them in durable paperback
and hardcover editions. The goal of the Princeton Legacy Library is
to vastly increase access to the rich scholarly heritage found in
the thousands of books published by Princeton University Press
since its founding in 1905.
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