Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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The American Impressionists in the Garden (Paperback)
Loot Price: R1,040
Discovery Miles 10 400
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The American Impressionists in the Garden (Paperback)
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At the end of the nineteenth century, American artists demonstrated
a preference for gardens as artistic motifs as well as a growing
appreciation of the art of gardening itself. The range of color and
the variation in form and silhouette made the garden a compelling
subject for a large number of painters inclined toward the
Impressionist style. Early twentieth-century America witnessed a
mania for the garden, and the interest in the art of gardening
dominated many aspects of domestic life. Publications and articles
offered gardening advice for Americans, while also asserting that
the art of gardening paralleled the art of painting.
The exhibition catalog "The American Impressionists in the Garden"
explores the theme of the garden in American art and society of the
late nineteenth and early twentieth centuries. May Brawley Hill's
essay discusses a range of themes, including the Impressionist
fascination for gardens, the history of garden design, comparisons
between European and American garden paintings, images of women,
and the art colony movement, as well as providing detailed readings
of the specific gardens painted and cultivated by these
artists.
Besides the forty-four color plates depicting European and
American gardens by American artists, the catalog includes some
historic photographs of artists in garden settings. These allow the
reader to examine the relationship between the garden as
photographed and the garden as painted. The catalog looks at garden
paintings from Holland, France, Italy, and England and from
different regions in the United States, including the Northeast,
Southeast, Southwest, and West Coast. Garden sculpture was an
essential element of garden design, and the catalog also features
images of a number of small-scale bronzes and other statuary for
garden environments.
This book has been developed to accompany a 2010 exhibition at
Cheekwood Botanical Garden & Museum of Art.
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