"Repossessions "was first published in 1998. Minnesota Archive
Editions uses digital technology to make long-unavailable books
once again accessible, and are published unaltered from the
original University of Minnesota Press editions.
A double-edged critical forum, this volume brings early modern
culture and psychoanalysis into revisionist dialogue with each
other. The authors reflect on how psychoanalysis remains"possessed"
by its incorporation of early modern mythologies, visions, credos,
and phantasms. Their essays explore the conceptual and ideological
foundations of psychoanalysis while articulating fresh insights
into the vicissitudes of autobiography, translation, mourning, and
eroticism in the transitional period from the waning of feudalism
to the emergence of capitalism.
Employing a broad spectrum of the most recent, Continental
psychoanalytic approaches, the book covers topics and figures
ranging from King James to Leonardo, demonology to cartography,
astronomy to cross-dressing, and mythology to biology. Its detailed
readings of Boccaccio, Ficino, Fine, Michelangelo, Montaigne, and
others dramatically reassess the foundational concepts of cultural
history, secularization, autobiography, reason, and government.
Through a sustained focus on visual and verbal residues of personal
and cultural trauma, the essays generate innovative analyses of the
interrelation of writing, graphic space, self, and social
identification in early modern texts, paintings, maps, and other
artifacts.
Contributors: Elizabeth J. Bellamy, Tom Conley, Mitchell
Greenberg, Kathleen Perry Long, Julia Reinhard Lupton, Christopher
Pye, Juliana Schiesari.
Timothy Murray is professor of English and director of graduate
studies in Film and Video at Cornell University. Alan K. Smith is
assistant professor in the Department of Languages and Literature
at the University of Utah.
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