This book addresses itself to the concept of the implied author,
which has been the cause of controversy in cultural studies for
some fifty years. The opening chapters examine the introduction of
the concept in Wayne C. Bootha (TM)s a oeRhetoric of Fictiona and
the discussion of the concept in narratology and in the theory and
practice of interpretation.The final chapter develops proposals for
clarifying or replacing the concept.
General
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