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Clackamas Chinook Performance Art - Verse Form Interpretations (Hardcover)
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Clackamas Chinook Performance Art - Verse Form Interpretations (Hardcover)
Series: Studies in the Anthropology of North American Indians
Expected to ship within 12 - 17 working days
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Published through the Recovering Languages and Literacies of the
Americas initiative, supported by the Andrew W. Mellon Foundation
Victoria Howard was born around 1865, a little more than ten years
after the founding of the Confederated Tribes of Grand Ronde in
western Oregon. Howard's maternal grandmother, Wagayuhlen
Quiaquaty, was a successful and valued Clackamas shaman at Grand
Ronde, and her maternal grandfather, Quiaquaty, was an elite
Molalla chief. In the summer of 1929 linguist Melville Jacobs,
student of Franz Boas, requested to record Clackamas Chinook oral
traditions with Howard, which she enthusiastically agreed to do.
The result is an intricate and lively corpus of linguistic and
ethnographic material, as well as rich performances of Clackamas
literary heritage, as dictated by Howard and meticulously
transcribed by Jacobs in his field notebooks. Ethnographical
descriptions attest to the traditional lifestyle and environment in
which Howard grew up, while fine details of cultural and historical
events reveal the great consideration and devotion with which she
recalled her past and that of her people. Catharine Mason has
edited twenty-five of Howard's spoken-word performances into verse
form entextualizations, along with the annotations provided by
Jacobs in his publications of Howard's corpus in the late 1950s.
Mason pairs performances with biographical, family, and historical
content that reflects Howard's ancestry, personal and social life,
education, and worldview. Mason's study reveals strong evidence of
how the artist contemplated and internalized the complex meanings
and everyday lessons of her literary heritage.
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