The "new" realism of Italian cinema after World War II represented
and in many ways attempted to contain the turmoil of a society
struggling to rid itself of Fascism while fighting off the threat
of radical egalitarianism at the same time. In this boldly
revisionist book, Vincent F. Rocchio combines Lacanian
psychoanalysis with narratology and Marxist critical theory to
examine the previously neglected relationship between Neorealist
films and the historical spectators they address.
Rocchio builds his analysis around case studies of the films
Rome: Open City, Bicycle Thieves, La Terra Trema, Bitter Rice, and
Senso. Through the lens of psychoanalysis, he challenges the
traditional understanding of Neorealism as a progressive cinema and
instead reveals the anxieties it encodes: a society in political
turmoil, an economic system in collapse, and a national cinema in
ruins; while war, occupation, collaboration, and retaliation remain
a part of everyday life.
These case studies demonstrate how Lacanian psychoanalysis can
play a key role in analyzing the structure of cinematic discourse
and its strategies of containment. As one of the first books
outside of feminist film theory to bring the ideas of Lacan to
theories of cinema, this book offers innovative methods that
reinvigorate film analysis. Clear and detailed insights into both
Italian culture and the films under investigation will make this
engaging reading for anyone interested in film and cultural
studies.
Vincent F. Rocchio is a film scholar and independent filmmaker
whose work has been shown in America and Italy. He currently
teaches media studies and production at Suffolk University in
Boston.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!