Hamlin's study provides the first full-scale account of the
reception and literary appropriation of ancient scepticism in
Elizabethan and Jacobean England (c. 1570-1630). Offering abundant
archival evidence as well as fresh treatments of Florio's Montaigne
and Bacon's career-long struggle with the challenges of
epistemological doubt, Hamlin's book explores the deep connections
between scepticism and tragedy in plays ranging from Doctor Faustus
and Troilus and Cressida to The Tragedy of Mariam , The Duchess of
Malfi , and 'Tis Pity She's a Whore .
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