Rhetorical Aesthetics approaches Chinese art and literature from a
novel perspective with special interest and influence in Chinese
theory since the 1990s. The author works out a practice of reading
through fine literary, cinematic, and visual art examples. The
monograph focuses on important literary texts from the 1950s
onward, analyzes Zhang Yimou's acclaimed early films, and proposes
how to understand that much vaunted and maligned of attributes:
Chinese creativity. It surveys artistic production in ways that
provide direct access to an entirely uncharted universe for those
who cannot read Chinese.
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