Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > Pre-Raphaelite art
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Critics, Coteries, and Pre-Raphaelite Celebrity (Hardcover)
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Critics, Coteries, and Pre-Raphaelite Celebrity (Hardcover)
Series: Gender and Culture Series
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Founded by a band of young iconoclasts, the Pre-Raphaelite
Brotherhood stunned Victorian England with its revaluation of
culture and lifestyle. With Pre-Raphaelitism ascendant in the 1850s
and canonical by the 1880s, the movement's refractory reception
history is an object lesson in how avant-gardes burst upon the
scene, dispense with their antagonistic posture, and become a
mainstay of tradition. Wendy Graham traces the critical discourses
that greeted the Pre-Raphaelites' debut, shaped their contemporary
reception, and continued to inform responses to them well after
their heyday. She explains the mechanics of fame and the politics
of scandal contributing to the rise of aestheticism, providing a
new interpretation of the place of aesthetic counterculture in
Victorian England. Critics, Coteries, and Pre-Raphaelite Celebrity
sheds new light on Victorian discourses on sexuality and
masculinity through a thick description of literary bravado, the
emotions of male bonding within cliques, and homoerotic frissons
among the creators and reviewers of Pre-Raphaelitism. She threads
together the qualities that made William Holman Hunt, John Everett
Millais, and Gabriel Rossetti exemplary figures of aesthetic
celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in
the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s.
The book documents the symbiotic relationship between periodical
writers and the artists and poets they helped make famous,
demonstrating that the origin myth of Bohemian artistic
transcendence was connected with the rise of a professional class
of journalists. Graham shows that the Pre-Raphaelites innovated
many of the phenomena now associated with Oscar Wilde, arguing that
they were foundational for him in forging an artistic and personal
identity with a full-blown publicity apparatus. Wilde had models.
This book is about them.
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