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The Art of Grafted Song - Citation and Allusion in the Age of Machaut (Hardcover)
Loot Price: R2,912
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The Art of Grafted Song - Citation and Allusion in the Age of Machaut (Hardcover)
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Just as our society delights in citations, quotations, and
allusions in myriad contexts, not least in popular song, late
medieval poets and composers knew well that such references could
greatly enrich their own works. In The Art of the Grafted Song:
Citation and Allusion in the Age of Machaut, author Yolanda Plumley
explores the penchant for borrowing in chansons and lyrics from
fourteenth-century France, uncovering a practice integral to the
experiments in form, genre, and style that ushered in a new school
of lyric.
Working across disciplinary boundaries, Plumley traces creative
appropriations in the burgeoning "fixed forms" of this new
tradition to build a more intimate understanding of the shared
experience of poetry and music in the generations leading up to,
and including, Guillaume de Machaut. Exploring familiar and less
studied collections of songs as well as lyrics without music, this
book sheds valuable light on the poetic and musical knowledge of
authors and their audiences, and on how poets and composers devised
their works and engaged their readers or listeners. It presents
fresh insights into when and in which milieus the classic Ars nova
polyphonic chanson took root and flourished, and into the artistic
networks of which Machaut formed a part. As Plumley reveals, old
songs lingered alongside the new in the collective imagination well
beyond what the written sources imply, reminding us of the
continued importance of memory and orality in this age of
increasing literacy.
The first detailed study of citational practice in the French
fourteenth-century song-writing tradition, The Art of Grafted Song
will appeal to students and scholars of medieval French music and
literature, cultural historians, and others interested in the
historical and social context of music and poetry in the late
Middle Ages.
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