.,."this fascinating book provides the reader with a new and vivid description of a number of prototypes of temple oracles in China and beyond."--Journal of Chinese Religions
"This work will undoubtedly achieve for the Chinese temple oracle the recognition it deserves in histories of divination. More importantly, as Strickmann demonstrates, the study of such divination sequences has a great deal to tell us of the history of the book, the study of morality books, and the history of cultural contact." --Stephen R. Bokenkamp, Indiana University

This book argues that the most profound and far-reaching effects of Buddhism on Chinese culture occurred at the level of practice, specifically in religious rituals designed to cure people of disease, demonic possession, and bad luck. This practice would leave its most lasting imprint on the liturgical tradition of Taoism. In focusing on religious practice, it provides a corrective to traditional studies of Chinese religion, which overemphasize metaphysics and spirituality.
A basic concern with healing characterizes the entire gamut of religious expression in East Asia. By concentrating on the medieval development of Chinese therapeutic ritual, the author discovers the germinal core of many still-current rituals across the social and doctrinal frontiers of Buddhism and Taoism, as well as outside the Buddhist or Taoist fold.
The book is based on close readings of liturgies written in classical Chinese. The author describes and translates many of them, analyzes their structure, and seeks out nonliturgical sources to shed further light on the politics involved in specific performances. Unlike the few previous studies of related rituals, this book combines a scholar's understanding of the structure and goals of these rites with a healthy suspicion of the practitioners' claims to uniqueness.

This book explores the possible relations between Western types of rationality and Buddhism. It also examines some cliches about Buddhism and questions the old antinomies of Western culture ("faith and reason," or "idealism and materialism"). The use of the Buddhist notion of the Two Truths as a hermeneutic device leads to a double or multiple exposure that will call into question our mental habits and force us to ask questions differently, to think "in a new key."
"Double Exposure" is somewhat of an oddity. Written by a specialist for nonspecialists, it is not a book of vulgarization. Although it aims at a better integration of Western and Buddhist thought, it is not an exercise in comparative philosophy or religion. It is neither a contribution to Buddhist scholarship in the narrow sense, nor a contribution to some vague Western "spirituality." Cutting across traditional disciplines and blurring established genres, it provides a leisurely but deeply insightful stroll through philosophical and literary texts, dreams, poetry, and paradoxes.

The essays in this volume attempt to place the Chan and Zen tradition in their ritual and cultural contexts, looking at various aspects heretofore largely (and unduly) ignored. In particular, they show the extent to which these traditions, despite their claim to uniqueness, were indebted to larger trends in East Asian Buddhism, such as the cults of icons, relics and the monastic robe. The book emphasises the importance of ritual for a proper understanding of this allegedly anti-ritualistic form of Buddhism. In doing so, it deconstructs the Chan/Zen 'rhetoric of immediacy' and its ideological underpinnings.

The essays in this volume attempt to place the Chan and Zen tradition in their ritual and cultural contexts, looking at various aspects heretofore largely (and unduly) ignored. In particular, they show the extent to which these traditions, despite their claim to uniqueness, were indebted to larger trends in East Asian Buddhism, such as the cults of icons, relics and the monastic robe.
The book emphasises the importance of ritual for a proper understanding of this allegedly anti-ritualistic form of Buddhism. In doing so, it deconstructs the Chan/Zen 'rhetoric of immediacy' and its ideological underpinnings.

Written by one of the leading scholars of Japanese religion, Protectors and Predators is the second installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism—specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual. Throughout he engages theoretical insights drawn from structuralism, post-structuralism, and Actor-Network Theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikky?). His work is particularly significant given its focus on the deities’ multiple and shifting representations, overlappings, and modes of actions rather than on individual characters and functions. In Protectors and Predators Faure argues that the “wild” gods of Japan were at the center of the medieval religious landscape and came together in complex webs of association not divisible into the categories of “Buddhist,” “indigenous,” or “Shinto.” Furthermore, among the most important medieval gods, certain ones had roots in Hinduism, others in Daoism and Yin-Yang thought. He displays vast knowledge of his subject and presents his research—much of it in largely unstudied material—with theoretical sophistication. His arguments and analyses assume the centrality of the iconographic record as a complement to the textual record, and so he has brought together a rich and rare collection of more than 170 color and black-and-white images. This emphasis on iconography and the ways in which it complements, supplements, or deconstructs textual orthodoxy is critical to a fuller comprehension of a set of medieval Japanese beliefs and practices and offers a corrective to the traditional division of the field into religious studies, which typically ignores the images, and art history, which oftentimes overlooks their ritual and religious meaning. Protectors and Predators and its companion volumes should persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold.

This book explores the possible relations between Western types of rationality and Buddhism. It also examines some cliches about Buddhism and questions the old antinomies of Western culture ("faith and reason," or "idealism and materialism"). The use of the Buddhist notion of the Two Truths as a hermeneutic device leads to a double or multiple exposure that will call into question our mental habits and force us to ask questions differently, to think "in a new key." Double Exposure is somewhat of an oddity. Written by a specialist for nonspecialists, it is not a book of vulgarization. Although it aims at a better integration of Western and Buddhist thought, it is not an exercise in comparative philosophy or religion. It is neither a contribution to Buddhist scholarship in the narrow sense, nor a contribution to some vague Western "spirituality." Cutting across traditional disciplines and blurring established genres, it provides a leisurely but deeply insightful stroll through philosophical and literary texts, dreams, poetry, and paradoxes.

This book argues that the most profound and far-reaching effects of Buddhism on Chinese culture occurred at the level of practice, specifically in religious rituals designed to cure people of disease, demonic possession, and bad luck. This practice would leave its most lasting imprint on the liturgical tradition of Taoism. In focusing on religious practice, it provides a corrective to traditional studies of Chinese religion, which overemphasize metaphysics and spirituality.
A basic concern with healing characterizes the entire gamut of religious expression in East Asia. By concentrating on the medieval development of Chinese therapeutic ritual, the author discovers the germinal core of many still-current rituals across the social and doctrinal frontiers of Buddhism and Taoism, as well as outside the Buddhist or Taoist fold.
The book is based on close readings of liturgies written in classical Chinese. The author describes and translates many of them, analyzes their structure, and seeks out nonliturgical sources to shed further light on the politics involved in specific performances. Unlike the few previous studies of related rituals, this book combines a scholar's understanding of the structure and goals of these rites with a healthy suspicion of the practitioners' claims to uniqueness.

.,."this fascinating book provides the reader with a new and vivid description of a number of prototypes of temple oracles in China and beyond."--Journal of Chinese Religions
"This work will undoubtedly achieve for the Chinese temple oracle the recognition it deserves in histories of divination. More importantly, as Strickmann demonstrates, the study of such divination sequences has a great deal to tell us of the history of the book, the study of morality books, and the history of cultural contact." --Stephen R. Bokenkamp, Indiana University

Innumerable studies have appeared in recent decades about practically every aspect of women's lives in Western societies. The few such works on Buddhism have been quite limited in scope. In "The Power of Denial," Bernard Faure takes an important step toward redressing this situation by boldly asking: does Buddhism offer women liberation or limitation? Continuing the innovative exploration of sexuality in Buddhism he began in "The Red Thread," here he moves from his earlier focus on male monastic sexuality to Buddhist conceptions of women and constructions of gender. Faure argues that Buddhism is neither as sexist nor as egalitarian as is usually thought. Above all, he asserts, the study of Buddhism through the gender lens leads us to question what we uncritically call Buddhism, in the singular.

Faure challenges the conventional view that the history of women in Buddhism is a linear narrative of progress from oppression to liberation. Examining Buddhist discourse on gender in traditions such as that of Japan, he shows that patriarchy--indeed, misogyny--has long been central to Buddhism. But women were not always silent, passive victims. Faure points to the central role not only of nuns and mothers (and wives) of monks but of female mediums and courtesans, whose colorful relations with Buddhist monks he considers in particular.

Ultimately, Faure concludes that while Buddhism is, in practice, relentlessly misogynist, as far as misogynist discourses go it is one of the most flexible and open to contradiction. And, he suggests, unyielding in-depth examination can help revitalize Buddhism's deeper, more ancient egalitarianism and thus subvert its existing gender hierarchy. This groundbreaking book offers a fresh, comprehensive understanding of what Buddhism has to say about gender, and of what this really says about Buddhism, singular or plural.

For many people attracted to Eastern religions (particularly Zen Buddhism), Asia seems the source of all wisdom. As Bernard Faure examines the study of Chan/Zen from the standpoint of postmodern human sciences and literary criticism, he challenges this inversion of traditional "Orientalist" discourse: whether the Other is caricatured or idealized, ethnocentric premises marginalize important parts of Chan thought. Questioning the assumptions of "Easterners" as well, including those of the charismatic D. T. Suzuki, Faure demonstrates how both West and East have come to overlook significant components of a complex and elusive tradition. Throughout the book Faure reveals surprising hidden agendas in the modern enterprise of Chan studies and in Chan itself. After describing how Jesuit missionaries brought Chan to the West, he shows how the prejudices they engendered were influenced by the sectarian constraints of Sino-Japanese discourse. He then assesses structural, hermeneutical, and performative ways of looking at Chan, analyzes the relationship of Chan and local religion, and discusses Chan concepts of temporality, language, writing, and the self. Read alone or with its companion volume, "The Rhetoric of Immediacy," this work offers a critical introduction not only to Chinese and Japanese Buddhism but also to "theory" in the human sciences.

Bernard Faure's previous works are well known as guides to some of the more elusive aspects of the Chinese tradition of Chan Buddhism and its outgrowth, Japanese Zen. Continuing his efforts to look at Chan/Zen with a full array of postmodernist critical techniques, Faure now probes the "imaginaire, " or mental universe, of the Buddhist Soto Zen master Keizan Jokin (1268-1325). Although Faure's new book may be read at one level as an intellectual biography, Keizan is portrayed here less as an original thinker than as a representative of his culture and an example of the paradoxes of the Soto school. The Chan/Zen doctrine that he avowed was allegedly reasonable and demythologizing, but he lived in a psychological world that was just as imbued with the marvelous as was that of his contemporary Dante Alighieri.

Drawing on his own dreams to demonstrate that he possessed the magical authority that he felt to reside also in icons and relics, Keizan strove to use these "visions of power" to buttress his influence as a patriarch. To reveal the historical, institutional, ritual, and visionary elements in Keizan's life and thought and to compare these to Soto doctrine, Faure draws on largely neglected texts, particularly the "Record of Tokoku" (a chronicle that begins with Keizan's account of the origins of the first of the monasteries that he established) and the "kirigami," or secret initiation documents.

Through a highly sensitive exploration of key concepts and metaphors, Bernard Faure guides Western readers in appreciating some of the more elusive aspects of the Chinese tradition of Chan Buddhism and its outgrowth, Japanese Zen. He focuses on Chan's insistence on "immediacy"--its denial of all traditional mediations, including scripture, ritual, good works--and yet shows how these mediations have always been present in Chan. Given this apparent duplicity in its discourse, Faure reveals how Chan structures its practice and doctrine on such mental paradigms as mediacy/immediacy, sudden/gradual, and center/margins.

Is there a Buddhist discourse on sex? In this innovative study, Bernard Faure reveals Buddhism's paradoxical attitudes toward sexuality. His remarkably broad range covers the entire geography of this religion, and its long evolution from the time of its founder, Xvkyamuni, to the premodern age. The author's anthropological approach uncovers the inherent discrepancies between the normative teachings of Buddhism and what its followers practice.

Framing his discussion on some of the most prominent Western thinkers of sexuality--Georges Bataille and Michel Foucault--Faure draws from different reservoirs of writings, such as the orthodox and heterodox "doctrines" of Buddhism, and its monastic codes. Virtually untapped mythological as well as legal sources are also used. The dialectics inherent in Mahvyvna Buddhism, in particular in the Tantric and Chan/Zen traditions, seemed to allow for greater laxity and even encouraged breaking of taboos.

Faure also offers a history of Buddhist monastic life, which has been buffeted by anticlerical attitudes, and by attempts to regulate sexual behavior from both within and beyond the monastery. In two chapters devoted to Buddhist homosexuality, he examines the way in which this sexual behavior was simultaneously condemned and idealized in medieval Japan.

This book will appeal especially to those interested in the cultural history of Buddhism and in premodern Japanese culture. But the story of how one of the world's oldest religions has faced one of life's greatest problems makes fascinating reading for all.

Praise for the French edition "This is a book that should be read by all those who are interested, whether near or far, in Buddhism, its history and its interpretations. . . . [Faure] proposes considering the 'Life of the Buddha' as a kind of treasure that never ceases to be reinvented and experienced, from story to story, from language to language, from culture to culture." -Roger-Pol Droit, Le Monde Many biographies of the Buddha have been published in the last 150 years, and all claim to describe the authentic life of the historical Buddha. This book, written by one of the leading scholars of Buddhism and Japanese religion, starts from the opposite assumption and argues that we do not yet possess the archival and archeological materials required to compose such a biography: All we have are narratives, not facts. Yet traditional biographies have neglected the literary, mythological, and ritual elements in the life of the Buddha. Bernard Faure aims to bridge this gap and shed light on a Buddha that is not historical but has constituted a paradigm of practice and been an object of faith for 2,500 years. The Thousand and One Lives of the Buddha opens with a criticism of the prevalent historicism before examining the mythological elements in a life of the Buddha no longer constrained by an artificial biographical framework. Once the search for the "historical Buddha" is abandoned, there is no longer any need to limit the narrative to early Indian stories. The life-or lives-of the Buddha, as an expression of the creative imaginations of Buddhists, developed beyond India over the centuries. Faure accordingly shifts his focus to East Asia and, more particularly, to Japan. Finally, he examines recent developments of the Buddha's life in not only Asia but also the modern West and neglected literary genres such as science fiction.

Marking a complete break with previous scholarship in the field, this book rewrites the history of early Chan (Zen) Buddhism, focusing on the genealogy and doctrine of one of its dominant strains, the so-called Northern school that flourished at the turn of the eighth century.
The traditional interpretation of the Northern school was heavily influenced by the polemics of one of its opponents, the monk Shenhiu, who characterized the Northern school's teaching as propounding the belief that enlightenment occurred gradually, was measurable, and could be expressed in conventional language. To all this, Shenhiu and his teaching of "sudden enlightenment" were opposed, and Shenhiu's school and its version of history would later prevail. On the basis of documents found at Dunhuang, this book shows how the traditional view is incorrect, that Shenhiu's imposition of a debate between gradual and sudden conceals the doctrinal continuity between the two schools and the diversity of Chan thought in the period. The author buttresses his conclusions by placing the evolution of early Chan in the intellectual, political, social, and economic context of the mid-Tang.
The book is in three parts. The first part treats the biography and thought of the "founder" of the Northern school, Shenxiu, the nature of his followers, and his affinities for Buddhistic scholasticism. The second part studies the way in which the Northern school, after Shenxiu, adapted to new circumstances: changes in imperial policies, the rise of rival schools, and changes in the nature of its followers. The third part focuses on the internecine struggles around the genealogy of Chan as reflected in the "Lengqie shizi ji" (Record of the Masters and Disciples of the Lankavatara School]) by the monk Jingjue. A close reading of this work reveals that it foreshadowed many of the themes and issues that would later come to the forefront in Zen, and contributes significantly to our reassessment of the teachings and practices of "pre-classical" Chan.