Yi Mun-yol's Meeting with My Brother is narrated by a middle-aged South Korean professor, also named Yi, whose father abandoned his family and defected to the North at the outbreak of the Korean War. Many years later, despite having spent most of his life under a cloud of suspicion as the son of a traitor, Yi is prepared to reunite with his father. Yet before a rendezvous on the Chinese border can be arranged, his father dies. Yi then learns for the first time that he has a half-brother, whom he chooses to meet instead. As the two confront their shared legacy, their encounter takes a surprising turn. Meeting with My Brother represents the political and psychological complexity of Koreans on both sides of the border, offering a complex yet poignant perspective on the divisions between the two countries. Through a series of charged conversations, Yi explores the nuances of reunification, both political and personal. This semiautobiographical account draws on Yi's own experience of growing up with an absent father who defected to the North and the stigma of family disloyalty. First published in Korea in 1994, Meeting with My Brother is a moving and illuminating portrait of the relationships sundered by one of the world's starkest barriers.

Our lives are twofold in that they can be both lonely and not lonely. The whole world is twofold and it consists of men and women. When a man meets a woman, and together they create a oneness, it is called love. The infinite twofoldness of love, however, frustrates lovers who want to become and remain onefold. Twofold Song talks about love and desire to show us that our lives and the world we live in are composed of 'twofolds'.

Yi Mun-yol's Meeting with My Brother is narrated by a middle-aged South Korean professor, also named Yi, whose father abandoned his family and defected to the North at the outbreak of the Korean War. Many years later, despite having spent most of his life under a cloud of suspicion as the son of a traitor, Yi is prepared to reunite with his father. Yet before a rendezvous on the Chinese border can be arranged, his father dies. Yi then learns for the first time that he has a half-brother, whom he chooses to meet instead. As the two confront their shared legacy, their encounter takes a surprising turn. Meeting with My Brother represents the political and psychological complexity of Koreans on both sides of the border, offering a complex yet poignant perspective on the divisions between the two countries. Through a series of charged conversations, Yi explores the nuances of reunification, both political and personal. This semiautobiographical account draws on Yi's own experience of growing up with an absent father who defected to the North and the stigma of family disloyalty. First published in Korea in 1994, Meeting with My Brother is a moving and illuminating portrait of the relationships sundered by one of the world's starkest barriers.

When the twelve-year-old narrator of Our Twisted Hero moves from Seoul to a small provincial town and enrolls in the local school, he's confident that his big-city sophistication will establish him as a natural leader. But he immediately falls victim to a charismatic and corrupt class monitor, who uses fear and violence to keep the other students under his mysterious spell and to assure his own supremacy in the school's social hierarchy. The teacher, grateful to have such a well-behaved class, turns a blind eye to the monitor's abuse of power. As the narrator attempts first to seek justice and then to inspire his fellow students to revolt, he finds himself in a fierce battle not just for his rights, but for his soul. Soon he has set in motion an unexpected and unstoppable chain of events.

This riveting allegory, in the tradition of Lord of the Flies, starts as a simple power play within a children's classroom, but turns into a chilling tale about the lust for power and desperate need for acceptance that reside within us all.

Our Twisted Hero is Yi Munyol's first book ever to be published in North America. With its classically unadorned style and disturbing insights, it will astound readers unfamiliar with this extraordinary writer of world standing.