Trust and Civil Society offers an original and accessible analysis of the meaning of 'trust' in a range of critical contexts: voluntary organizations, faith associations, the economy, the state and welfare, environmental issues and charity. Balancing theory with grounded analysis, and drawing on interdisciplinary and international perspectives, the book makes an important contribution to contemporary debates. It will be of interest to academics, students, researchers and practitioners in a range of fields.

Trust and Civil Society offers an original and accessible analysis of the meaning of "trust" in a range of critical contexts: voluntary organizations, faith associations, the economy, the state and welfare, environmental issues, and charity. Balancing theory with grounded analysis, and drawing on interdisciplinary and international perspectives, the book makes an important contribution to contemporary debates.

Our media systems are in crisis. Run by unaccountable corporations and dominated by agendas and algorithms that are shrouded in mystery, these formerly trusted sources of information and entertainment have lost their way. As consumers, we have plenty of choice, but as citizens we have an abundance of misinformation and misrepresentation. In this incisive manifesto, four prominent media scholars and activists put forth a roadmap for radical reform of concentrated media power. They argue that we should put media justice, economic democracy and social equality at the heart of our scholarship and our campaigning. The Media Manifesto delivers a sharp analysis of our communications crisis and a passionate call for urgent change. It provides resources of hope for media reform movements across the globe.

Digital, Political, Radical is a siren call to the field of media and communications and the study of social and political movements. We must put the politics of transformation at the very heart of our analyses to meet the global challenges of gross inequality and ever-more impoverished democracies. Fenton makes an impassioned plea for re-invigorating critical research on digital media such that it can be explanatory, practical and normative. She dares us to be politically emboldened. She urges us to seek out an emancipatory politics that aims to deepen our democratic horizons. To ask: how can we do democracy better? What are the conditions required to live together well? Then, what is the role of the media and how can we reclaim media, power and politics for progressive ends? Journeying through a range of protest and political movements, Fenton debunks myths of digital media along the way and points us in the direction of newly emergent politics of the Left. Digital, Political, Radical contributes to political debate on contemporary (re)configurations of radical progressive politics through a consideration of how we experience (counter) politics in the digital age and how this may influence our being political.

Digital, Political, Radical is a siren call to the field of media and communications and the study of social and political movements. We must put the politics of transformation at the very heart of our analyses to meet the global challenges of gross inequality and ever-more impoverished democracies. Fenton makes an impassioned plea for re-invigorating critical research on digital media such that it can be explanatory, practical and normative. She dares us to be politically emboldened. She urges us to seek out an emancipatory politics that aims to deepen our democratic horizons. To ask: how can we do democracy better? What are the conditions required to live together well? Then, what is the role of the media and how can we reclaim media, power and politics for progressive ends? Journeying through a range of protest and political movements, Fenton debunks myths of digital media along the way and points us in the direction of newly emergent politics of the Left. Digital, Political, Radical contributes to political debate on contemporary (re)configurations of radical progressive politics through a consideration of how we experience (counter) politics in the digital age and how this may influence our being political.

Born on the Seneca Indian Reservation in New York State, Arthur Caswell Parker (1881-1955) was a prominent intellectual leader both within and outside tribal circles. Of mixed Iroquois, Seneca, and Anglican descent, Parker was also a controversial figure-recognized as an advocate for Native Americans but criticized for his assimilationist stance. In this exhaustively researched biography-the first book-length examination of Parker’s life and career-Joy Porter explores complex issues of Indian identity that are as relevant today as in Parker’s time. From childhood on, Parker learned from his well-connected family how to straddle both Indian and white worlds. His great-uncle, Ely S. Parker, was Commissioner of Indian Affairs under Ulysses S. Grant--the first Native American to hold the position. Influenced by family role models and a strong formal education, Parker, who became director of the Rochester Museum, was best known for his work as a "museologist" (a word he coined). Porter shows that although Parker achieved success within the dominant Euro-American culture, he was never entirely at ease with his role as assimilated Indian and voiced frustration at having "to play Indian to be Indian." In expressing this frustration, Parker articulated a challenging predicament for twentieth-century Indians: the need to negotiate imposed stereotypes, to find ways to transcend those stereotypes, and to assert an identity rooted in the present rather than in the past.

For the Seneca Iroquois Indians, song is a crucial means of renewing both medicine and heritage. Two or three times a year, the Little Water Medicine Society of western New York meets to renew the potency of its medicine bundles through singing. These bundles have been inherited from eighteenth century Iroquois war parties, handed down from generation to generation. In this long-awaited book, William N. Fenton describes the remarkable ceremonies of one of the least recorded but most significant medicine societies of the Iroquois Indians. Most of the Senecas who were members of the Little Water Society, or Society of Shamans, have passed away, and their knowledge of ceremonial healing and spiritual renewal is fading. Fenton has written this book to preserve knowledge of the ceremonies and songs for the Iroquois people and as a contribution to anthropology, folklore, ethnomusicology, and American Indian studies. In The Little Water Medicine Society of the Senecas, he presents his original 1933 fieldwork, along with details from the published and unpublished works of other researchers, to describe rituals, poetry, and songs drawn from his more than six decades of research among the Six Nations.

Our media systems are in crisis. Run by unaccountable corporations and dominated by agendas and algorithms that are shrouded in mystery, these formerly trusted sources of information and entertainment have lost their way. As consumers, we have plenty of choice, but as citizens we have an abundance of misinformation and misrepresentation. In this incisive manifesto, four prominent media scholars and activists put forth a roadmap for radical reform of concentrated media power. They argue that we should put media justice, economic democracy and social equality at the heart of our scholarship and our campaigning. The Media Manifesto delivers a sharp analysis of our communications crisis and a passionate call for urgent change. It provides resources of hope for media reform movements across the globe.

A definitive ethnological study of the Iroquois' subsistence, religious traditions, laws, and customs.

This is a new release of the original 1942 edition.

Contributors Include Floyd G. Lounsbury, Mary R. Haas, William A. Ritchie And Others.

Contributors Include Floyd G. Lounsbury, Mary R. Haas, William A. Ritchie And Others.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

From The Buffalo Historical Society Publications, V27.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

William N. Fenton's contributions to the understanding of the cultures and histories of the Iroquois are formidable. Fenton grounded his studies in decades of fieldwork among the Senecas, an encyclopedic knowledge of pertinent historical accounts, a keen appreciation for interpretive theory and practice in ethnohistory and anthropology, and an enduring, generous character. "William Fenton: Selected Writings" brings together for the first time Fenton's most influential writings on the Iroquois and anthropology, written across nearly six decades. This volume includes Fenton's classic studies of such key issues as Iroquois folklore, factionalism, and the repatriation of material culture; discussions of theory and practice and the methodology of "upstreaming"; obituaries of colleagues and reviews of other studies of the Iroquois; and summaries of the early Conferences on Iroquois Research. This collection reveals much about the world of the Iroquois, past and present, as well as the career and accomplishments of Fenton himself.

Iroquois Journey is the warm and illuminating memoir of William N. Fenton (1908-2005), a leading scholar who shaped Iroquois studies and modern anthropology in America. The memoir reveals the ambitions and struggles of the man and the many accomplishments of the anthropologist, the complex and sometimes volatile milieu of Native-white relations in upstate New York in the twentieth century, and key theoretical and methodological developments in American anthropology. Fenton's memoir, completed shortly before his death, takes us from his ancestors' lives in the Conewango Valley in western New York to his education at Yale. It affords valuable insights into the decades of his celebrated fieldwork among the Senecas, his distinguished scholarship at the Bureau of American Ethnology in Washington, DC, and his research at the New York State Museum in Albany. Offering portraits of legendary scholars he encountered and enriched through wonderful personal anecdotes, Fenton's memoir is a testament to the importance of anthropology and a reminder of how much the field has changed over the years.

"Iroquois Journey" is the warm and illuminating memoir of William N. Fenton (1908-2005), a leading scholar who shaped Iroquois studies and modern anthropology in America. The memoir reveals the ambitions and struggles of the man and the many accomplishments of the anthropologist, the complex and sometimes volatile milieu of Native-white relations in upstate New York in the twentieth century, and key theoretical and methodological developments in American anthropology. Fenton's memoir, completed shortly before his death, takes us from his ancestors' lives in the Conewango Valley in western New York to his education at Yale. It affords valuable insights into the decades of his celebrated fieldwork among the Senecas, his distinguished scholarship at the Bureau of American Ethnology in Washington, DC, and his research at the New York State Museum in Albany. Offering portraits of legendary scholars he encountered and enriched through wonderful personal anecdotes, Fenton's memoir is a testament to the importance of anthropology and a reminder of how much the field has changed over the years.