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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The history of Charlotte is inseparable from the history of its
neighborhoods. From the city's founding until the late 1890s, the
four wards created by the crossing of Trade and Tryon Streets
Modernist aesthetics in architecture, art, and product design are familiar to many. In soaring glass structures or minimalist canvases, we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of modernism in graphic design. This unprecedented TASCHEN publication, authored by Jens Muller, brings together approximately 6,000 trademarks, focused on the period 1940-1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Ranging from media outfits to retail giants, airlines to art galleries, the sweeping survey is organized into three design-orientated chapters: Geometric, Effect, and Typographic. Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares. Alongside the comprehensive catalog, the book features an introduction from Jens Muller on the history of logos, and an essay by R. Roger Remington on modernism and graphic design. Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski, and at such significant projects as Fiat, The Daiei Inc., and the Mexico Olympic Games of 1968. An unrivaled resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural, and corporate history, and in the sheer persuasive power of image and form.
The national protests sparked by the murder of George Floyd in the summer of 2020, made clear what many already knew to be true: policing-in all its iterations-must be abolished. The nationwide uprisings saw the burning of the third precinct in Minneapolis, the creation of autonomous zones in Seattle, and the toppling of statues and memorials to white supremacists, colonizers, and confederates. How We Stay Free chronicles the protests in the city of Philadelphia and the Black organizers that led, sustained, and nurtured the movement for abolition. In the midst of a global pandemic, Philadelphians took to the streets establishing mutual aid campaigns, jail support networks, bail funds, and housing encampments for their community, removing the statue of Frank Rizzo, the former mayor and face of racist policing, called for the release of all political prisoners including Mumia Abu-Jamal, and protested, marched, and agitated in all corners of the city. From Philadelphia, which dating back at least to W.E.B. DuBois has served as a vista to understand Black life in the US, How We Stay Free collects and presents reflections and testimonies, prose and poetry from those on the frontlines to take stock of where the movement started, where it stands, and where we go from here. How We Stay Free is both a celebration of the organizing that sustained the uprising and a powerful call-to-action-demanding all of us to take to the streets, organize our communities, and revolt for the creation of new, better, and freer worlds.
First Published in 2005. This is a dual edition of Volume 16 of the Journal of Educational & Psychological Consultation, double issue from Margaret R. Rogers and Bernice Lott. The aim of this special issue is to explore issues of equity within the context of school-based consulting with nonmainstream parents and their children. This volume proposes that several entities within the education system have a major responsibility to recognize and then to challenge unresponsive and neglectful educational environments.
Responding to the general confusion in the United States about the proper role of religion in politics, five distinguished scholars demonstrate in original essays how our nation's founders carefully and clearly defined the appropriate relationship between church and state, and how we can adapt our current political institutions to reflect the founders' wisdom. Also, includes a collection of the most important statements by the Founders that address religion's role in American political life.
A Way of Being was written in the early 1980s, near the end of Carl Rogers's career, and serves as a coda to his classic On Becoming a Person. More personal and philosophical than his earlier writings, it traces his professional and personal development and ends with a person-centered prophecy, in which he predicts a future changing in the direction of more humaneness. Now, fifteen years later, the psychiatrist and best-selling author Dr. Irvin Yalom revisits A Way of Being, offering a contemporary view of this remarkable work.
This book shares with its readers some spirituals insights as it relates to the deacon's ministry.
This book share with its readers the deacon's role from the bible perspective and it is relevant for today's times.
This book is designed to assist the Trustee's Ministry in its role and duties in the local church.
The collection's focus is on girls' secondary education, and hence the gendered cultural expectations of the middle classes and upper classes, will provide the dominant narrative, given the relatively recent democratization of European educational systems.
The first compact history of the American poster with 80 full color reproductions and an essay on poster design. The "modern" American poster has figured prominently in virtually every major political, social, commercial, and cultural development in the country. With arresting images and text, these posters have informed and sold Americans on election campaigns, the nation's war efforts, protest movements, consumer products, travel, entertainment, etc. They also comprise a history of U.S. graphic design, reflecting dramatic changes in style, advertising theory, and printing, as well as the emergence of key graphic designers. The American Image provides a rare survey of this popular art, spanning more than one hundred years. Selected from the Resnick Collection, the book analyzes some 70 posters representative of every significant style and theme. They range from design masterpieces to works of historical value, from posters by renowned designers to those created anonymously, and from celebrated images to those never before published. This handsome book includes superb, full-color reproductions; an incisive essay on American poster design by R. Roger Remington; and a preface and authoritative commentary on each image by Mark Resnick. MARK RESNICK is currently Executive Vice-President, Business Affairs, for Twentieth Century Fox. He has assembled what is likely the foremost private collection of American posters spanning the 1890s to present. R. ROGER REMINGTON is the Massimo and Lella Vignelli Distinguished Professor in Design in the School of Design, Rochester Institute of Technology. He is the author of several books, the most recent of which is American Modernism: Graphic Design, 1920 to 1960.
A concise overview of the work of designer Will Burtin, focussing on his ability to visually express complex concepts in a sophisticated yet aesthetically pleasing manner. This book explores the work of Will Burtin (1908-1972), designer, visionary, and teacher. Whether in advertising, exhibits, magazines, or other print material, his constant goal was to provide the audience with optimum communication of the content. Burtin designed visual training manuals for gunners during World War II, served as art director of Fortune magazine, organized several ground-breaking design conferences, and worked as a design consultantfor the pharmaceutical giant Upjohn. Burtin had a unique ability to visually express complex concepts in a sophisticated yet aesthetically pleasing and accessible manner; this became the de?ning characteristic of his work. This chapbook, as well as the materials found in the Will Burtin Collection in the Graphic Design Archives, can be studied to give meaningful understanding to Burtin's design process. R. ROGER REMMINGTON is the Massimo and Lella Vignelli Distinguished Professor of Design in the School of Design, Rochester Institute of Technology. He is the author of several books, including Design and Science-The Life and Career of Will Burtin, co-authored withRobert S. P. Fripp, and American Modernism: Graphic Design, 1920 to 1960.
Engine Testing: Electrical, Hybrid, IC Engine and Power Storage Testing and Test Facilities, Fifth Edition covers the requirements of test facilities dealing with e-vehicle systems and different configurations and operations. Chapters dealing with the rigging and operation of Units Under Test (UUT) are updated to include electric motor-based systems, test cell services and thermo-dynamics. Control module and system testing using advanced, in-the-Loop (XiL) methods are described, including powertrain component integrated simulation and testing. All other chapters dealing with test cell design, installation, safety and use together with the cell support systems in IC engine testing are updated to reflect current developments and research.
Lester Beall: Space, Time & Content explores the work of Lester Beall through his ads, posters and identity projects. The Graphic Design Archives Chapbook Series celebrates the achievements of key design pioneers whose work is collected in the Special Collections department of RIT Library. From the inaugural acquisition of the Lester Beall Archive in 1986, RIT's holdings have grown to include the work of seventeen designers. Extensive collections of personal papers, business records and artwork by Lester Beall, Will Burtin, George Giusti, and Cipe Pineles form the cornerstones of the Archives. Lester Beall: Space, Time & Content explores the work of Lester Beall through reproductions of RIT's comprehensive holdings. Beall (1903-1969) gained prominence through his ads, posters andidentity projects commissioned from such high-profile clients as the Chicago Tribune, Collier's and Time magazines, the Rural Electrification Administration and International Paper Company. Throughout his career, Beall's award-winning design and high principles made him a favored lecturer in professional and educational circles. He is now considered as one of the chief proponents of the American Modernist Design movement. R. Roger Remington, Professor of Graphic Design at RIT, has been seriously engaged in the research, interpretation and preservation of the history of graphic design for over 20 years. He has written extensively on the subject and is presently working on abook on Modernism in American Graphic Design.
The vertebrate fossil record extends back more than 500 million
years, and bonebeds--localized concentrations of the skeletal
remains of vertebrate animals--help unlock the secrets of this long
history. Often spectacularly preserved, bonebeds--both modern and
ancient--can reveal more about life histories, ecological
associations, and preservation patterns than any single skeleton or
bone. For this reason, bonebeds are frequently studied by
paleobiologists, geologists, and archeologists seeking to piece
together the vertebrate record.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
According to polling data, most Americans doubt that evolution is a real phenomenon. And it's no wonder that so many are skeptical: many of today's biology courses and textbooks dwell on the mechanisms of evolution--natural selection, genetic drift, and gene flow--but say little about the evidence that evolution happens at all. How do we know that species change? Has there really been enough time for evolution to operate? With "The Evidence for Evolution," Alan R. Rogers provides an elegant, straightforward text that details the evidence for evolution. Rogers covers different levels of evolution, from within-species changes, which are much less challenging to see and believe, to much larger ones, say, from fish to amphibian, or from land mammal to whale. For each case, he supplies numerous lines of evidence to illustrate the changes, including fossils, DNA, and radioactive isotopes. His comprehensive treatment stresses recent advances in knowledge but also recounts the give and take between skeptical scientists who first asked "how can we be sure" and then marshaled scientific evidence to attain certainty. "The Evidence for Evolution" is a valuable addition to the literature on evolution and will be essential to introductory courses in the life sciences.
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