This book is committed to the issues related to social justice in the Caribbean, and seeks to increase dialogue among practitioners, unions, labor activists, academics, policy-makers and other individuals from across the social sciences and humanities. It is purposely multidisciplinary in orientation, intending to cover issues related to work, workers, labor, and related topics, as well as social, organizational and institutional aspects of work and industrial relations. It aims to set the tone for discourse on a wide range of issues related to the future of work and sustainable Caribbean development, social justice, industrial relations, governance systems, social protection, social dialogue, cooperatives and community empowerment, the future of education, migration and security, among others, nationally, and regionally. This work represents contemporary scholarly contributions from researchers presenting original and innovative research that contribute to the theory, practice and public policy dimensions of work, migration, labor, industrial relations, and related issues.

The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues. The diachronic perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.

"Leora Tanenbaum is one of the most astute and thoughtful of the new generation of feminist writers."--Elizabeth Wurtzel

"Tanenbaum's prose is provocative."--San Francisco Bay Guardian

"Tanenbaum is thorough but never patronizing. Warm and informative, her own voice enriches the text."--BUST

"[Tanenbaum's] intimate perspective is personally revealing and enormously informative."--Feminist Review

Bad Shoes and the Women Who Love Them is a lighthearted but highly informed wake-up call to women to make smart decisions when buying and wearing fashionable shoes. Arming the reader with essential facts, citing medical literature as well as leading podiatric surgeons and orthopedists, Leora Tanenbaum covers the history of high heels, Chinese foot binding, the controversy over cosmetic surgery of the foot, and what Sigmund Freud had to say about women's shoes and sex.

Illustrated throughout by artist Vanessa Davis, Bad Shoes also includes hilarious anecdotes from women who love shoes. And in case you're wondering: yes, it is possible to make good footwear decisions without sacrificing style! Tanenbaum shows you how.

Leora Tanenbaum is the author of Slut! Growing Up Female with a Bad Reputation; Catfight: Rivalries Among Women; and Taking Back God: American Women Rising Up for Religious Equality. She lives in New York City.

Vanessa Davis is a freelance illustrator and cartoonist. Her first book, Spaniel Rage, was published by Buenaventura Press in 2005, and her second, Happy Chappie, is due out from Drawn & Quarterly in 2010. She produces a comics column for Tabletmag.com.

Make Me a Woman offers charming vignettes about being young, Jewish, and single It's easy to understand why Vanessa Davis has taken the comics industry by storm and is poised to do the same with the world at large--her comics are pure chutzpah, gorgeously illustrated in watercolors. No story is too painful to tell--like how much she enjoyed fat camp. Nor too off-limits--like her critique of R. Crumb. Nor too personal--like her stories of growing up Jewish in Florida. Using her sweet but biting wit, Davis effortlessly carves out a wholly original and refreshing niche in two well-worn territories: autobio comics and the Jewish identity. Davis draws strips from her daily diary, centering on her youth, mother, relationships with men, and eventually her longtime boyfriend. Her intimacy, self-deprecation, and candor have deservedly earned her many accolades and awards. Her deft comedic touch, lush color, and immediacy will set Davis apart not only as one of the premier cartoonists, but as one of the leading humorists for her generation, too.