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Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600

Grand Design - Pieter Coecke van Aelst and Renaissance Tapestry (Hardcover): Elizabeth Cleland Grand Design - Pieter Coecke van Aelst and Renaissance Tapestry (Hardcover)
Elizabeth Cleland
R1,252 R1,147 Discovery Miles 11 470 Save R105 (8%) Shipped within 7 - 12 working days

Renowned throughout Renaissance Europe, Pieter Coecke (1502-1550) produced works for the wealthiest and most important patrons of the time, including Emperor Charles V, Francois I of France, Henry VIII of England, the Hapsburgs, and Cosimo de Medici. While he is best known for his magnificent tapestries, he was also a consummate artist in other media, and the output from his workshop ranged from painted altarpieces to designs and cartoons for stained glass.
This lavish publication, the first monograph specifically devoted to this Renaissance genius, introduces Pieter Coecke to a contemporary audience and restores his place among the great artists of the 16th century. New photographs, including fine details, reunite some of the finest surviving drawings and panel paintings with twenty of the splendid Renaissance tapestries made to his designs, while texts by thirty prominent scholars explore Coecke's art and world. Both a feast for the eyes and an important art historical reappraisal of a great Renaissance master, this important study will stand as the comprehensive volume on a major artist of the Northern Renaissance.

Renaissance and Reformation - German Art in the Age of Durer and Cranach (Hardcover): Staatliche Kunstsammlungen Dresden Renaissance and Reformation - German Art in the Age of Durer and Cranach (Hardcover)
Staatliche Kunstsammlungen Dresden; Contributions by Los Angeles County Museum of Art
R969 R712 Discovery Miles 7 120 Save R257 (27%) Shipped within 7 - 12 working days

On the 500th anniversary of Martin Luther s 95 Theses, this opulent book presents a colorful introduction to Renaissance art and history. aturing more than a hundred outstanding paintings, drawings, prints, sculptures, and treasures of the Age of the Reformation, this publication comprises masterpieces by Albrecht Du rer, Lucas Cranach the Elder and Lucas Cranach the Younger, Hans Holbein the Elder and Hans Holbein the Younger, Matthias Gru newald, and Tilman Riemenschneider, among others. By placing these works in their historical context, this beautifully illustrated book uses art as a prism through which to consider the religious, social and political upheavals of the time. The volume includes insightful texts that discuss pivotal subjects such as traditional imagery and devotion, Reformation and polemics, court life and culture, humanism and reality, as well as portraiture and representation. Biographies of the artists, an extensive bibliography and a glossary of central terms concerning the German Reformation make this a comprehensive study of a fascinating period in European art history.

The Subject of Elizabeth - Authority, Gender, and Representation (Paperback, New edition): Louis Montrose The Subject of Elizabeth - Authority, Gender, and Representation (Paperback, New edition)
Louis Montrose
R591 R550 Discovery Miles 5 500 Save R41 (7%) Shipped within 7 - 12 working days

As a woman wielding public authority, Elizabeth I embodied a paradox at the very center of sixteenth-century patriarchal English society. Louis Montrose's long-awaited book, "The Subject of Elizabeth, "illuminates the ways in which the Queen and her subjects variously exploited or obfuscated this contradiction.
Montrose offers a masterful account of the texts, pictures, and performances in which the Queen was represented to her people, to her court, to foreign powers, and to Elizabeth herself. Retrieving this "Elizabethan imaginary" in all its richness and fascination, Montrose presents a sweeping new account of Elizabethan political culture. Along the way, he explores the representation of Elizabeth within the traditions of Tudor dynastic portraiture; explains the symbolic manipulation of Elizabeth's body by both supporters and enemies of her regime; and considers how Elizabeth's advancing age provided new occasions for misogynistic subversions of her royal charisma.
This book, the remarkable product of two decades of study by one of our most respected Renaissance scholars, will be welcomed by all historians, literary scholars, and art historians of the period.

Leonardo and Architecture (Paperback): Sara Taglialagamba Leonardo and Architecture (Paperback)
Sara Taglialagamba
R350 R305 Discovery Miles 3 050 Save R45 (13%) Shipped within 7 - 12 working days

Giorgio Vasari, Leonardo's first biographer, said that the artist used to sketch "many designs for architecture." In fact, in the so-called "letter of employment" written to Ludovico il Moro in 1482, Leonardo presented himself as a military engineer, able to satisfy the demands of the Duke of Milan in peace and in war, declaring that he "can give perfect satisfaction and to the equal of any other in architecture and the composition of buildings public and private." And then he speaks of his ability in hydraulic engineering for conducting water "from one level to another." Leonardo studied in depth several ancient texts but also the treatises of his own time: in particular the treatise of military and civil architecture by the Sienese engineer and architect Francesco di Giorgio Martini, a text that contains projects for fortifications with bastions, able to offer resistance to the artillery fire. This could explain Leonardo's fascination with fortifications, his involvement in the project to realize the tiburio for the Milan cathedral. He made a great many architectural projects for gardens and elegant buildings, testing out innovative solutions, such as the internal stairs. This allows us to better understand his excellent competence in architecture and why he attempted to plan the "ideal city," conceived as being organized on two different levels, one for pedestrians and the other suitable for vehicle transportation. He also projected also religious buildings, studying different solutions for the centralized plan based on complex systems of architectural symmetries.

Leonardo and Nature (Paperback): Sara Taglialagamba Leonardo and Nature (Paperback)
Sara Taglialagamba
R352 R307 Discovery Miles 3 070 Save R45 (13%) Shipped within 7 - 12 working days

As is well known, Leonardo defines painting as the "daughter of nature." His observation of nature, his fascination with every living thing that surrounded him was the main source of his drawings. His entire life was dedicated to investigating and trying to understand the laws of nature. Nature is observed, studied and depicted in all its forms. In fact, Leonardo constantly aims at reproducing every element of nature: animals, flowers, fruits, birds and also, a female smile, the throbbing of the hearth or - following a series of examples - the intricate plait of Renaissance hairdos. All these elements have in common the uninterrupted flow of the secret of life.

The Treasures of Leonardo Da Vinci (Hardcover): Matthew Hayden Landrus The Treasures of Leonardo Da Vinci (Hardcover)
Matthew Hayden Landrus 2
R761 R531 Discovery Miles 5 310 Save R230 (30%) Shipped within 7 - 12 working days

Born in 1452, Leonardo da Vinci is probably one of the world's best-known artists. This beautifully illustrated project looks at the major events in his life. Packed with information about his style of painting and drawing as well as his work as a civil and military engineer, it combines chapters on Leonardo's life with themed chapters on his inventions and key works, such as the "Mona Lisa" and the "Last Supper". With 30 beautifully produced facsimile documents relevant to Leonardo's life - such as actual records of the Da Vinci family births and deaths - this is unique project is the only guide you will need to the life, times and work of Leonardo da Vinci.

Raphael In Rome - Style, Technique, Conservation (Hardcover): Antonio Paolucci, Barbara Agosti, Silvia Ginzburg Raphael In Rome - Style, Technique, Conservation (Hardcover)
Antonio Paolucci, Barbara Agosti, Silvia Ginzburg
R1,386 R1,077 Discovery Miles 10 770 Save R309 (22%) Shipped within 7 - 12 working days

This new book brings together the results of the important new studies and consequent conservation activity carried out on works by Raphael that were created between 1508 and 1520. The documentation gathered herein and discussed during two study days that were specifically organised in 2014, recounts the artistic journey of the master of Urbino during the last decade of his life, and underlines various fundamental aspects, such as technical choices and experiments, stylistic consistency and expressive innovation. The themes considered include the management and activity of the workshop, the evolution of the Raphaelesque technique in the Vatican Rooms, the restorations and paintings in Capodimonte and the Prado, and the study of his production technique. The comprehensive colour photographs that accompany the text, are gathered in a substantial "atlas", and offer splendid reproductions of Raphael's works, with previously unpublished full-page details and comparative images, as well as x-rays and reflectographic images, preparatory drawings and cartoons. The volume ends with a detailed specific reference biography for students and scholars

Defaced - The Visual Culture of Violence in the Late Middle Ages (Paperback): Valentin Groebner Defaced - The Visual Culture of Violence in the Late Middle Ages (Paperback)
Valentin Groebner
R416 R330 Discovery Miles 3 300 Save R86 (21%) Shipped within 7 - 12 working days

Understanding late medieval pictorial representations of violence. Destroyed faces, dissolved human shapes, invisible enemies: violence and anonymity go hand in hand. The visual representation of extreme physical violence makes real people nameless exemplars of horror-formless, hideous, defaced. In Defaced, Valentin Groebner explores the roots of the visual culture of violence in medieval and Renaissance Europe and shows how contemporary visual culture has been shaped by late medieval images and narratives of violence. For late medieval audiences, as with modern media consumers, horror lies less in the "indescribable" and "alien" than in the familiar and commonplace. From the fourteenth century onward, pictorial representations became increasingly violent, whether in depictions of the Passion, or in vivid and precise images of torture, execution, and war. But not every spectator witnessed the same thing when confronted with terrifying images of a crucified man, misshapen faces, allegedly bloodthirsty conspirators on nocturnal streets, or barbarian fiends on distant battlefields. The profusion of violent imagery provoked a question: how to distinguish the illegitimate violence that threatened and reversed the social order from the proper, "just," and sanctioned use of force? Groebner constructs a persuasive answer to this question by investigating how uncannily familiar medieval dystopias were constructed and deconstructed. Showing how extreme violence threatens to disorient, and how the effect of horror resides in the depiction of minute details, Groebner offers an original model for understanding how descriptions of atrocities and of outrageous cruelty depended, in medieval times, on the variation of familiar narrative motifs.

Passion in Venice - Crivelli to Tintoretto and Veronese: The Man of Sorrows in Venetian Art (Hardcover): William L. Barcham,... Passion in Venice - Crivelli to Tintoretto and Veronese: The Man of Sorrows in Venetian Art (Hardcover)
William L. Barcham, Catherine Puglisi, Xavier Seubert
R733 R560 Discovery Miles 5 600 Save R173 (24%) Shipped within 7 - 12 working days

A beautifully illustrated volume which explores one of the central themes of Christian Art: Christ as the Man of Sorrows, "Passion in Venice: Crivelli to Tintoretto and Veronese" draws on works by some of the of the greatest names in Venetian painting including Veronese, Tintoretto, Crivelli, Giambono and the Bassano family. It creates a new and illuminating context for these great masters by considering their work alongside contemporary works in other media, and from other parts of Western Europe, including Tuscany, France, Spain, Germany and the Netherlands.
An essay by Catherine Puglisi and William Barcham explores the origins of the image of Christ as Man of Sorrows and its emergence as a distinct and central devotional image in the religious life of Venice from about 1300. The authors address the questions of who was the Man of Sorrows and why the figure grew significantly in Venice during the late Middle Ages and the early Renaissance. Xavier Seubert's essay focuses on the appeal of the Man of Sorrows as an image expressing anguish, which encourages the viewer to identify with suffering, and offers hope for deliverance and redemption.
The main catalogue section presents illuminated manuscripts, paintings, sculptures, prints, drawings and liturgical objects from major American and European collections, including the Metropolitan Museum of Art, New York, the National Gallery of Canada, the J Paul Getty Center and the National Gallery, London, almost none of which have been linked before through the study of a common artistic theme.

The Afterlife of Raphael's Paintings (Hardcover): Cathleen Hoeniger The Afterlife of Raphael's Paintings (Hardcover)
Cathleen Hoeniger
R2,031 R1,876 Discovery Miles 18 760 Save R155 (8%) Shipped within 7 - 12 working days

Raphael is one of the rare artists who have never gone out of fashion. Acclaimed during his lifetime, he was imitated by contemporaries and served as a model for painters through the nineteenth century. Because of the artist s renown, his works have continuously been subject to care, conservation, and restoration. In this book, Cathleen Hoeniger focuses on the legacy of Raphael s art: the historical trajectory or afterlife of the paintings themselves. The appreciation of Raphael was expressed and the restoration of his works debated in contemporary treatises, which provide a backdrop for probing the fortune of his paintings. What happened to his panel-paintings and frescoes in the centuries after his death in 1520? Some were lost altogether; others were severely damaged in natural disasters; and many were affected by uncontrolled climactic conditions, by travel from one place to another, and by the not always cautious and careful hands of restorers. This book reveals the five-hundred-year story of many of Raphael s most well-known paintings.

On Painting (Paperback): Leon Battista Alberti On Painting (Paperback)
Leon Battista Alberti; Introduction by Martin Kemp; Notes by Martin Kemp; Translated by Cecil Grayson
R181 R122 Discovery Miles 1 220 Save R59 (33%) Shipped within 7 - 12 working days

Alberti wrote De Pictura in Latin in 1435 and in true Renaissance spirit made an Italian translation the following year.

He unfolds his theories step by step. In Book One he explains the process of vision, in Book Two he sets out ‘to instruct the painter how he can present with his hand what he has understood with his mind’. Book Three stipulates the moral and artistic prerequisites of the painter.

The genius of De Pictura surfaced almost immediately – signs are there in Ghiberti’s Baptistery Doors in Florence, in the paintings of Fra Angelico and Domenico Veneziano – and it remains a living classic of art theory.

This edition at last makes widely available Cecil Grayson’s translation from the Latin, the best English version of Alberti’s text. It contains diagrams integrated into the text and an introduction by Martin Kemp which discusses De Pictura in the light of Alberti’s life and philosophy.

The Adventures of Gillion de Trazegnies - Chivalry and Romance in the Medieval East (Hardcover): Zrinka Stahuljak, Elizabeth... The Adventures of Gillion de Trazegnies - Chivalry and Romance in the Medieval East (Hardcover)
Zrinka Stahuljak, Elizabeth Morrison
R952 R873 Discovery Miles 8 730 Save R79 (8%) Shipped within 7 - 12 working days

One of the finest works from the golden era of Flemish manuscript illumination, the Getty's copy of the Romance of Gillion de Trazegnies tells of the adventures of a medieval nobleman. Part travelogue, part romance, and part epic, the text traces the exciting exploits of Gillion as he journeys to Jerusalem on pilgrimage, is imprisoned in Egypt and rises to the command of the Sultan's armies, mistakenly becomes a bigamist first with a Christian and then a Muslim wife, and dies in battle as a glorious hero. The tale encompasses the most thrilling elements of the Western romance genre -- love, villainy, loyalty, and war -- set against the backdrop of the East. This lavishly illustrated volume reveals for the first time the complexity of this illuminated romance. A complete reproduction of the book's illustrations and a partial translation of the text appear along with essays that explore the manuscript's vibrant cultural, historical, and artistic contexts. The innovative illuminations, by the renowned artist Lieven van Lathem, juxtapose the reality of medieval Europe with an idealized vision of the East. This unusual pairing, found in the text and illustrations, is the source of a rich discussion of the fifteenth-century political situation in the West and the Crusades in the East.

Sacred Landscapes - Nature in Renaissance Manuscripts (Hardcover): Bryan C. Keene, Alexandra Kaczenski Sacred Landscapes - Nature in Renaissance Manuscripts (Hardcover)
Bryan C. Keene, Alexandra Kaczenski
R534 R424 Discovery Miles 4 240 Save R110 (21%) Shipped within 7 - 12 working days

Distant blue hills, soaring trees, vast cloudless skies-the majesty of nature has always had the power to lift the human spirit. For some it evokes a sense of timelessness and wonder. For others it reinforces religious convictions. And for many people today, it raises concerns for the welfare of the planet.During the Renaissance, artists from Italy to Flanders andEngland to Germany depicted nature in their religious art tointensify the spiritual experience of the viewer. Devotionalmanuscripts for personal or communal use-from small-scale prayer books to massive choir books-were filled withsome of the most illusionistic nature studies of this period.Sacred Landscapes, which accompanies an exhibition at theJ. Paul Getty Museum, presents some of the mostimpressive examples of this art, gathering a wide range ofilluminated manuscripts made between 1400 and 1600, aswell as panel paintings, drawings, and decorative arts.Readers will see the influ-ence of such masters as AlbrechtDu rer, Jan van Eyck, Leonardo da Vinci, and Piero dellaFrancesca and will gain new appreciation for manuscriptilluminators like Simon Bening, Joris Hoefnagel, Vincent Raymond, and the Spitz Master. These artists were innovative in the early development of landscape painting and were revered through-out the early modern period. The authors provide thoughtful examination of works from the fifteenth through seventeenth centuries.

The Arts of Fire - Islamic Influences on Glass and  Ceramics of the Italian Renaissance (Paperback): Catherine Hess The Arts of Fire - Islamic Influences on Glass and Ceramics of the Italian Renaissance (Paperback)
Catherine Hess
R700 R647 Discovery Miles 6 470 Save R53 (8%) Shipped within 7 - 12 working days

Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's proximity to the Islamic world. The Arts of Fire underscores how central the Islamic influence was on this luxury art of the Italian Renaissance. Published to coincide with an exhibition at the Getty Museum on view from May 4 to September 5, 2004, The Arts of Fire demonstrates how many of the techniques of glass and ceramic production and ornamentation were first developed in the Islamic East between the eighth and twelfth centuries. These techniques--enamel and gilding on glass and tin-glaze and luster on ceramics--produced brilliant and colorful decoration that was a source of awe and admiration, transforming these crafts, for the first time, into works of art and true luxury commodities. Essay's by Catherine Hess, George Saliba, and Linda Komaroff demonstrate early modern Europe's debts to the Islamic world and help us better understand the interrelationships of cultures over time.

Made in the Americas - The New World Discovers Asia (Hardcover): Dennis Carr Made in the Americas - The New World Discovers Asia (Hardcover)
Dennis Carr
R817 R595 Discovery Miles 5 950 Save R222 (27%) Shipped within 7 - 12 working days

Made in the Americas reveals the largely overlooked history of the profound influence of Asia on the arts of the colonial Americas. Beginning in the 16th century, European outposts in the New World, especially those in New Spain, became a major nexus of the Asia export trade. Craftsmen from Canada to Peru, inspired by the sophisticated designs and advanced techniques of these imported goods, combined Asian styles with local traditions to produce unparalleled furniture, silverwork, textiles, ceramics, lacquer, painting, and architectural ornaments. Among the exquisite objects featured in this book, from across the hemisphere and spanning the 17th to the early 19th centuries, are folding screens made in Mexico, in imitation of imported Japanese and Chinese screens; blue-and-white talavera ceramics copied from Chinese porcelains; luxuriously woven textiles, made to replicate fine silks and cottons from China and India; devotional statues that adapt Buddhist gods into Christian saints; and japanned furniture produced in Boston that simulates Asian lacquer finishes. The stories these objects tell, compellingly related by leading art historians, bring to life the rich cultural interchange and the spectacular arts of the first global age.

Italian Renaissance Courts (Hardcover): Marco Folin Italian Renaissance Courts (Hardcover)
Marco Folin
R1,254 R964 Discovery Miles 9 640 Save R290 (23%) Shipped within 7 - 12 working days

Italian Renaissance art is closely intertwined with the development of courts and court culture in much of the Italian territory. The patronage of the ruling families of the small Italian city-states greatly favored the flourishing of the figurative arts and architecture, but also in music, literature, and theater. The book starts with an introduction by Marco Folin, the volume's editor, on the critical issues of court art and its historiography, followed by an important essay on the historical and geographical framework of Renaissance Italy, illustrated by 18 especially-made maps, useful to understand the complexity and fragmentation of the country in the 15th century. The role of princely patronage in the development of music and literature is then examined: from the place of the humanists at court to the link between music and propaganda, from the first theatrical representations to the rise of the printing press and the publication of the most famous Renaissance books: Castiglione's Book of the Courtier and Ariosto's Orlando Furioso. The second, longer part of the volume, is arranged geographically and covers the entire peninsula, giving attention not only to the major courts, such as Milan, Mantua, Ferrara, Urbino, papal Rome, Naples and the crypto-court of the Medici in Florence, but devoting chapters to the minor courts spread around northern and central Italy, from the Paleologues rulers of Montferrat to the Malatesta court in Rimini, from Carpi under the Pios to the Orsinis' rule in Bracciano. The main chapters are enriched by texts focused on particular aspects of Renaissance culture and politics: the courts of the cardinals and the southern barons, the patronage of the condottieri, the specificity of Venetian state-commissions, etc. The essays are written by well-known Italian scholars - such as Franco Piperno on music, Rinaldo Rinaldi on literature, Alessandro Cecchi on Medicean Florence and Alessandro Angelini on the papal court in Rome - and are accompanied by a rich and accurate iconography, showing not only famous masterpieces but also lesser known works of art and architecture. The book is completed by an annotated bibliography for the various chapters and by an index of names and places.

Silk, Porcelain and Lacquer - China and Japan and Their Trade with Western Europe and the World, 1500-1644 (Hardcover): Teresa... Silk, Porcelain and Lacquer - China and Japan and Their Trade with Western Europe and the World, 1500-1644 (Hardcover)
Teresa Canepa
R1,819 R1,272 Discovery Miles 12 720 Save R547 (30%) Shipped within 7 - 12 working days

Focusing on the prolific trade, transport and consumption of Chinese silk and porcelain, and Japanese lacquer abroad between 1500 and 1644, this groundbreaking book will show how the material cultures of late Ming China and Momoyama/Early Edo Japan on one side of the globe, and Western Europe and the New World on the other, became linked for the first time, through an exchange of luxury Asian manufactured goods for currency. It offers new insight into these multi-layered long-distance commercial networks, which resulted in an unprecedented creation of material culture that reflected influences of both East and West. New research reveals evidence of the trade of these three Asian manufactured goods, first by Portugal and Spain, and later by the trading companies formed by the Northern Netherlands/Dutch Republic and England. Important documentary information is brought to light concerning, for example, the use of Chinese porcelain in Western Europe, and the objects made to order in European shapes for the Dutch and English trading companies in Japan and China. The study also sheds light on both the trans-Atlantic and trans-Pacific commercial trading networks through which these Asian goods circulated, as well as the way in which these goods were acquired, used and appreciated by the Portuguese, Spanish, Dutch and English societies in Western Europe and the multi-ethnic societies of the European colonies in the New World and Asia. 400 illustrations of extant examples of Chinese silks and porcelains, along with Japanese lacquers of the period, complement the information gleaned from archival and textual material. In the case of Chinese porcelain, a large number of the examples illustrated are provided by archaeological finds from European shipwrecks, survival campsites, colonial settlements in Asia, the New World and the Caribbean, and their respective mother countries in Western Europe. Breaking new ground in its comparative study of the impact these European trading empires or companies had on the material cultures of China and Japan, this book shows the influence that the European merchants and missionaries exerted on the goods made specifically to order for them in both China and Japan. It also traces the worldwide circulation of these luxury objects, which were intended for secular and religious use in European settlements in Asia, and their respective mother countries in Western Europe and colonies in the New World. More importantly, this book shows that these specific orders led to the creation of a wide variety of hybrid manufactured goods in both China and Japan, which combined elements from very different and distant cultures, reflecting the fascinating and complex East-West cultural exchanges that occurred in the early modern period.

Architectural Principles in the Age of Humanism (Paperback, 2nd Edition): Rudolf Wittkower Architectural Principles in the Age of Humanism (Paperback, 2nd Edition)
Rudolf Wittkower
R1,201 R859 Discovery Miles 8 590 Save R342 (28%) Shipped within 7 - 13 working days

"Professor Wittkower's....studies of humanist architecture are masterpieces of scholarship."-Sir Kenneth Clark, Architectural Review.

A fourth edition of the forty-year-old classic.

Focusing on the principal architects of that time-from Alberti to Palladio-this bestselling classic explains the true significance of certain architectural forms, bringing to light the connections between the architecture and culture of the period. With publication scheduled to coincide with that of Architectonics of Humanism, this important reference is superbly reproduced in a new, large square format.

The late RUDOLF WITTKOWER was a college professor and eminent scholar residing in London, England.

Giovanni Bellini - The Art of Contemplation (Hardcover): Johannes Grave Giovanni Bellini - The Art of Contemplation (Hardcover)
Johannes Grave
R2,173 R1,529 Discovery Miles 15 290 Save R644 (30%) Shipped within 7 - 12 working days

Following the arc of Bellini's career, from his early devotional paintings to his later, occasionally secular works, this book offers an in-depth appreciation of the Venetian master who dominated the Early Renaissance. Featuring nearly every extant Bellini work, as well as those of his contemporaries, this book brims with gorgeous Renaissance art. Author Johannes Grave focuses on some of the artist's greatest works including Allegoria Sacra, the Brera Pieta, and the altarpiece of San Giobbe-to explore how Bellini excelled in tempera before mastering oil painting. Grave discusses how Bellini's precise lines, his delicate facial expressions, and the subtle effects of light and shadow were used in his religious paintings as well as his portraiture and late mythological depictions. This book examines Bellini's life, including his complex relationships with his father Jacopo, his brother Gentile, and his brother-in-law Andrea Mantegna. It considers the original contexts of Bellini's works, and elucidates the ways in which these paintings were meant to be perceived. The book also links Bellini's devotional paintings with the poetic creations of his pupil Giorgione. An important contribution to the scholarship of Renaissance art, this masterful book reaffirms Bellini's status as one of Venice's greatest painters.

Piero's Light - In Search of Piero della Francesca: A Renaissance Painter and the Revolution in Art, Science, and Religion... Piero's Light - In Search of Piero della Francesca: A Renaissance Painter and the Revolution in Art, Science, and Religion (Paperback)
Larry Witham
R288 R242 Discovery Miles 2 420 Save R46 (16%) Shipped within 7 - 13 working days

In the heart of Tuscany, Piero della Francesca became a painter and mathematician at the dawn of the Renaissance, revealing his innovative mind in some of the best known images from that period, and in his unusual writings on geometry. Yet as a personality, Piero remains a mystery. He leaves an enigmatic legacy that ranges from the merging of religion and mathematics to his use of perspective to make painting a true science. In this engaging narrative, Larry Witham transports us to Piero s tumultuous age, a world of princes and popes, soldiers and schisms. Piero s Light also reveals how he was part of the philosophical revival of Platonism, an ancient worldview that would shape art, religion, and science s transition toward modernity. Just sixteen of Piero s paintings survive, but these images and his writings would fuel some of the greatest art historical debates of all time. Through Witham s wide research, Piero emerges as a figure who marks a turning point in Western culture. Our past understanding of faith, beauty, and knowledge has been radically altered by a secular age, and the story of Piero helps us understand how this has taken place. The search for Piero has continued among both intrepid scholars and art lovers of all kinds, and it is no wonder: few artists in history take us as deeply into the intellectual excitement of the Renaissance as Piero della Francesca."

Leonardo da Vinci (Hardcover): Gabriel Saeailles Leonardo da Vinci (Hardcover)
Gabriel Saeailles
R151 R125 Discovery Miles 1 250 Save R26 (17%) Shipped within 7 - 11 working days
Leonardo (Hardcover): Daniel Kiecol Leonardo (Hardcover)
Daniel Kiecol
R192 R159 Discovery Miles 1 590 Save R33 (17%) Shipped within 7 - 11 working days
The Dance of Death (Paperback): Hans Holbein The Dance of Death (Paperback)
Hans Holbein; Edited by Ulinka Rublack 1
R234 R160 Discovery Miles 1 600 Save R74 (32%) Shipped within 7 - 12 working days

'The underlying message of the series is, of course, that Death comes for us all, and if it interrupts the recreations of the wealthy rather more insolently than those of the poor, then let that be a lesson to us' Nick Lezard, Guardian A new departure in Penguin Classics: a book containing one of the greatest of all Renaissance woodcut sequences - Holbein's bravura danse macabre One of Holbein's first great triumphs, The Dance of Death is an incomparable sequence of tiny woodcuts showing the folly of human greed and pride, with each image packed with drama, wit and horror as a skeleton mocks and terrifies everyone from the emperor to a ploughman. Taking full advantage of the new literary culture of the early 16th century, The Dance of Death took an old medieval theme and made it new. This edition of The Dance of Death reproduces a complete set from the British Museum, with many details highlighted and examples of other works in this grisly field. Ulinka Rublack introduces the woodcuts with a remarkable essay on the late medieval danse macabre and the world Holbein lived in.

Siting Michelangelo - Spectatorship, Site Specificity and Soundscape (Hardcover): Peter Gillgren Siting Michelangelo - Spectatorship, Site Specificity and Soundscape (Hardcover)
Peter Gillgren
R890 R698 Discovery Miles 6 980 Save R192 (22%) Shipped within 7 - 12 working days
Nicholas Hilliard - Life of an Artist (Hardcover): Elizabeth Goldring Nicholas Hilliard - Life of an Artist (Hardcover)
Elizabeth Goldring
R965 R750 Discovery Miles 7 500 Save R215 (22%) Shipped within 7 - 12 working days

This illustrated biography follows Nicholas Hilliard's long and remarkable life (c. 1547-1619) from the West Country to the heart of the Elizabethan and Jacobean courts. It showcases new archival research and stunning images, many reproduced in color for the first time. Hilliard's portraits-some no larger than a watch-face-have decisively shaped perceptions of the appearances and personalities of many key figures in one of the most exciting, if volatile, periods in British history. His sitters included Elizabeth I, James I, and Mary, Queen of Scots; explorers Sir Francis Drake and Sir Walter Raleigh; and members of the emerging middle class from which he himself hailed. Hilliard counted the Medici, the Valois, the Habsburgs, and the Bourbons among his Continental European patrons and admirers. Published to mark the 400th anniversary of Hilliard's death, this is the definitive biography of one of Britain's most notable artists.

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