This volume explores early modern recreations of myths from Ovid's immensely popular Metamorphoses, focusing on the creative ingenium of artists and writers and on the peculiarities of the various media that were applied. The contributors try to tease out what (pictorial) devices, perspectives, and interpretative markers were used that do not occur in the original text of the Metamorphoses, what aspects were brought to the fore or emphasized, and how these are to be explained. Expounding the whatabouts of these differences, the contributors discuss the underlying literary and artistic problems, challenges, principles and techniques, the requirements of the various literary and artistic media, and the role of the cultural, ideological, religious, and gendered contexts in which these recreations were produced. Contributors are: Noam Andrews, Claudia Cieri Via, Daniel Dornhofer, Leonie Drees-Drylie, Karl A.E. Enenkel, Daniel Fulco, Barbara Hryszko, Gerlinde Huber-Rebenich, Jan L. de Jong, Andrea Lozano-Vasquez, Sabine Lutkemeyer, Morgan J. Macey, Kerstin Maria Pahl, Susanne Scholz, Robert Seidel, and Patricia Zalamea.

An engrossing biography that attempts to fathom the motivations of an infamous sixteenth-century Spanish general. Ferdinand Alvarez de Toledo, the third duke of Alba (1507-82), is known to history as "the butcher of Flanders." The general who carried out Philip ll's repressive policies in the Netherlands, he was responsible for the massacre of thousands of men, women, and children, considering it better to lay waste an entire country than leave it in the hands of heretics. Alba came to represent for contemporaries as well as for future generations the unacceptable face of Spanish imperialism. In this intriguing re-evaluation, Henry Kamen narrates the duke's personal history, looking beyond the conventional image to reveal motives and to explain rather than simply to condemn. Kamen examines the early years of Alba's life, his travels over the whole of Europe, and the complex military and political career that made him Spain's leading general of the imperial age. Drawing on the duke's rich and expressive surviving correspondence, Kamen explores Alba's beliefs and considers his infamous actions within the contexts of his time and of the monarchs--Emperor Charles V and King Philip II of Spain--whom he served.

In Describing the City, Describing the State Sandra Toffolo presents a comprehensive analysis of descriptions of the city of Venice and the Venetian Terraferma in the Renaissance, when the Venetian mainland state was being created. Working with an extensive variety of descriptions, the book demonstrates that no one narrative of Venice prevailed in the early modern European imagination, and that authors continuously adapted geographical descriptions to changing political circumstances. This in turn illustrates the importance of studying geographical representation and early modern state formation together. Moreover, it challenges the long-standing concept of the myth of Venice, by showing that Renaissance observers never saw the city of Venice and the Venetian Terraferma in a monolithic way.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.

This book presents customized chapters by 28 authors on the evolution of the Scottish Reformation from the late 1520s to 1638. The book has broad thematic frameworks into which the specific chapters fit. There are 10 such major themes, namely: external and internal pressures for change; breakthrough and revolution; theological and philosophical formulations; varieties of dissemination and implementation; humanism and higher education; legal systems and moral order; appropriations in literary and popular cultures; outsiders; evolution of new national identity; historiographical traditions and prospective developments. While there are introductory elements, the chapters both recall previous studies and off er new research. Concerns of the book are to recall Reformation core religious dimensions and to highlight Scottish contribution to the rich tapestry of the Reformation in Europe. Contributors include: Alexander Broadie, Flynn Cratty, Jane E.A. Dawson, Timothy Duguid, Elizabeth Ewan, Paul R. Goatman, Michael F. Graham, Thomas Green, Crawford Gribben, W. Ian P. Hazlett, Ernest R. Holloway III, David Manning, Alan R. MacDonald, Alasdair A. MacDonald, John McCallum, Jamie McDougall, David G. Mullan, Gordon D. Raeburn, Andrew Spicer, Bryan D. Spinks, Scott R. Spurlock, Laura A.M. Stewart, Mark S. Sweetnam, Kristen Post Walton, David G. Whitla, Jack C. Whytock, and Arthur H. Williamson.

The place of religion in the Enlightenment has been keenly debated for many years. Research has tended, however, to examine the interplay of religion and knowledge in Western countries, often ignoring the East. In Enlightenment and religion in the Orthodox World leading historians address this imbalance by exploring the intellectual and cultural challenges and changes that took place in Orthodox communities during the eighteenth century. The two main centres of Orthodoxy, the Greek-speaking world and the Russian Empire, are the focus of early chapters, with specialists analysing the integration of modern cosmology into Greek education, and the Greek alternative 'enlightenment', the spiritual Philokalia. Russian experts also explore the battle between the spiritual and the rational in the works of Voulgaris and Levshin. Smaller communities of Eastern Europe were faced with their own particular difficulties, analysed by contributors in the second part of the book. Governed by modernising princes who embraced Enlightenment ideals, Romanian society was fearful of the threat to its traditional beliefs, whilst Bulgarians were grappling in different ways with a new secular ideology. The particular case of the politically-divided Serbian world highlights how Dositej Obradovic's complex humanist views have been used for varying ideological purposes ever since. The final chapter examines the encroachment of the secular on the traditional in art, and the author reveals how Western styles and models of representation were infiltrating Orthodox art and artefacts. Through these innovative case studies this book deepens our understanding of how Christian and secular systems of knowledge interact in the Enlightenment, and provides a rich insight into the challenges faced by leaders and communities in eighteenth-century Orthodox Europe.