There's no excuse for getting lost these days--satellite maps on our computers can chart our journey in detail and electronics on our car dashboards instruct us which way to turn. But there was a time when the varied landscape of North America was largely undocumented, and expeditions like that of Lewis and Clark set out to map its expanse. As John Rennie Short argues in "Cartographic Encounters," that mapping of the New World was only possible due to a unique relationship between the indigenous inhabitants and the explorers. In this vital reinterpretation of American history, Short describes how previous accounts of the mapping of the new world have largely ignored the fundamental role played by local, indigenous guides. The exchange of information that resulted from this "cartographic encounter" allowed the native Americans to draw upon their wide knowledge of the land in the hope of gaining a better position among the settlers. This account offers a radical new understanding of Western expansion and the mapping of the land and will be essential to scholars in cartography and American history.

In The World Upside Down in 16th Century French Literature and Visual Culture Vincent Robert-Nicoud offers an interdisciplinary account of the topos of the world upside down in early modern France. To call something 'topsy-turvy' in the sixteenth century is to label it as abnormal. The topos of the world upside down evokes a world in which everything is inside-out and out of bounds: fish live in trees, children rule over their parents, and rivers flow back to their source. The world upside down proves to be key in understanding how the social, political, and religious turmoil of sixteenth-century France was represented and conceptualised, and allows us to explore the dark side of the Renaissance by unpacking one of its most prevalent metaphors.

How did people of the past prepare for death, and how were their preparations affected by religious beliefs or social and economic responsibilities? Dying Prepared in Medieval and Early Modern Northern Europe analyses the various ways in which people made preparations for death in medieval and early modern Northern Europe, adapting religious teachings to local circumstances. The articles span the period from the Middle Ages to Early Modernity allowing an analysis over centuries of religious change that are too often artificially separated in historical study. Contributors are Dominika Burdzy, Otfried Czaika, Kirsi Kanerva, Mia Korpiola, Anu Lahtinen, Riikka Miettinen, Bertil Nilsson, and Cindy Wood.

Dynamic Matter investigates the life histories of Renaissance objects. Eschewing the critical tendency to study how objects relate to human needs and desires, this work foregrounds the objects themselves, demonstrating their potential to transform their environments as they travel across time and space. Integrating early modern material theories with recent critical approaches in Actor-Network Theory and object-oriented ontology, this volume extends Aristotle's theory of dynameos-which conceptualizes matter as potentiality-and applies it to objects featured in early modern texts such as Edmund Spenser's The Faerie Queene, Robert Hooke's Micrographia, and William Shakespeare's The Tempest. Individual chapters explore the dynameos of matter by examining its manifestations in particular forms: combs are inscribed with words and brushed through human hair; feathers are incorporated into garments and artwork; Prince Rupert's glasswork drops explode; a whale becomes animated by the power of a magical bracelet; and books are drowned. These case studies highlight the potentiality matter itself possesses and that which it activates in other matter. A theorization of objects grounded in Renaissance materialist thought, Dynamic Matter examines the richness of things themselves; the larger, multiple, and changing networks in which things circulate; and the networks created by these transformative objects. In addition to the editor, the contributors to this volume include Anna Riehl Bertolet, Erika Mary Boeckeler, Naomi Howell, Emily E. F. Philbrick, Josie Schoel, Maria Shmygol, Edward McLean Test, Abbie Weinberg, and Sarah F. Williams.

This volume deals with the European species of the family Sepsidae, a small family of acalyptrate flies. The taxonomy, biology and faunistics of all the European species are revised with emphasis on the Fennoscandian species, and the detailed distribution of the species known from Fennoscandia, the adjacent areas of Russia, Germany and Great Britain is tabulated in a catalogue. Keys are given to generic level for eggs, larvae and adults, and to species for the adults. Descriptions of the adults are provided for genera and species, together with diagnostic notes on the immature stages. The distribution and biology of the European species is summarized, and the results of extensive type-studies are presented. Illustrations are given of the male fore legs and genitalia of all the European species, and also of other characters of diagnostic importance for the egg, larval and adult stages. Nine genera and 44 species are dealt with, and one new species is described.

The new Companion to Erasmus in the Renaissance Society of America’s Texts and Studies Series draws on the insights of an international team of distinguished experts whose contributions are arrayed in eleven chapters followed by a detailed chronological catalogue of Erasmus’ works and an up-to-date bibliography of secondary sources. The ambition of this companion is to illuminate every aspect of Erasmus’ life, work, and legacy while providing an expert synthesis of the most inspiring research in the field. This volume will be of invaluable assistance to students and teachers working in any of the numerous disciplines to which Erasmus devoted his tireless efforts, including philosophy, religion, history, rhetoric, education, and the history of the book.

In his portrait of Duke George of Saxony (1471-1539) Christoph Volkmar offers a fresh perspective on the early Reformation in Germany. Long before the Council of Trent, this book traces the origins of Catholic Reform to the very neighborhood of Wittenberg. The Dresden duke, cousin of Frederick the Wise, was one of Luther's most prominent opponents. Not only did he fight the Reformation, he also promoted ideas for renewal of the church. Based on thousands of archival records, many of them considered for the first time, Christoph Volkmar is mapping the church politics of a German prince who used the power of the territorial state to boost Catholic Reform, marking a third way apart from both Luther and Trent. This book was orginally published in German as Reform statt Reformation. Die Kirchenpolitik Herzog Georgs von Sachsen, 1488-1525.

This volume explores the concept of magnificence as a social construction in seventeenth-century Europe. Although this period is often described as the 'Age of Magnificence', thus far no attempts have been made to investigate how the term and the concept of magnificence functioned. The authors focus on the way crucial ethical, religious, political, aesthetic, and cultural developments interacted with thought on magnificence in Catholic and Protestant contexts, analysing spectacular civic and courtly festivities and theatre, impressive displays of painting and sculpture in rich architectural settings, splendid gardens, exclusive etiquette, grand households, and learned treatises of moral philosophy. Contributors: Lindsay Alberts, Stijn Bussels, Jorge Fernandez-Santos, Anne-Madeleine Goulet, Elizabeth den Hartog, Michele-Caroline Heck, Miguel Hermoso Cuesta, Jose Eloy Hortal Munoz, Felix Labrador Arroyo, Victoire Malenfer, Alessandro Metlica, Alessandra Mignatti, Anne-Francoise Morel, Matthias Roick, Kathrin Stocker, Klaas Tindemans, and Gijs Versteegen.

CHOICE Outstanding Academic Title 2017 The first social and cultural history of vagrancy between 1650 and 1750, this book combines sources from across England and the Atlantic world to describe the shifting and desperate experiences of the very poorest and most marginalized of people in early modernity; the outcasts, the wandering destitute, the disabled veteran, the aged labourer, the solitary pregnant woman on the road and those referred to as vagabonds and beggars are all explored in this comprehensive account of the subject. Using a rich array of archival and literary sources, Vagrancy in English Culture and Society, 1650-1750 offers a history not only of the experiences of vagrants themselves, but also of how the settled 'better sort' perceived vagrancy, how it was culturally represented in both popular and elite literature as a shadowy underworld of dissembling rogues, gypsies, and pedlars, and how these representations powerfully affected the lives of vagrants themselves. Hitchcock's is an important study for all scholars and students interested in the social and cultural history of early modern England.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1966.

In these stormy times, voices from all fronts call for change. But what kind of revolution brings true freedom to both society and the human soul? Cultural observer Os Guinness explores the nature of revolutionary faith, contrasting between secular revolutions such as the French Revolution and the faith-led revolution of ancient Israel. He argues that the story of Exodus is the highest, richest, and deepest vision for freedom in human history. It serves as the master story of human freedom and provides the greatest sustained critique of the abuse of power. His contrast between "Paris" and "Sinai" offers a framework for discerning between two kinds of revolution and their different views of human nature, equality, and liberty. Drawing on the Hebrew and Christian Scriptures, Guinness develops Exodus as the Magna Carta of humanity, with a constructive vision of a morally responsible society of independent free people who are covenanted to each other and to justice, peace, stability, and the common good of the community. This is the model from the past that charts our path to the future. "There are two revolutionary faiths bidding to take the world forward," Guinness writes. "There is no choice facing America and the West that is more urgent and consequential than the choice between Sinai and Paris. Will the coming generation return to faith in God and to humility, or continue to trust in the all sufficiency of Enlightenment reason, punditry, and technocracy? Will its politics be led by principles or by power?" While Guinness cannot predict our ultimate fate, he warns that we must recognize the crisis of our time and debate the issues openly. As individuals and as a people, we must choose between the revolutions, between faith in God and faith in Reason alone, between freedom and despotism, and between life and death.

Images of Miraculous Healing in the Early Modern Netherlands explores the ways in which paintings and prints of biblical miracles shaped viewers' approaches to physical and sensory impairments and bolstered their belief in supernatural healing and charitable behavior. Drawing upon a vast range of sources, Barbara Kaminska demonstrates that visual imagery held a central place in premodern disability discourses, and that the exegesis of New Testament miracle stories determined key attitudes toward the sick and the poor. Addressed to middle-class collectors, many of the images analyzed in this study have hitherto been neglected by art historians. Link to book presentation: https://www.youtube.com/watch?v=79jHEmTOKnU