Drawing on innovative research in the rapidly growing field of Mediterranean studies, this groundbreaking collection explores the key roles that Mediterranean queens played as wives, as mothers, and above all as political actors. Taken together, they form a varied and comprehensive account of the ways in which these royal women negotiated their positions within the context of the court, how they responded to widowhood and other challenging circumstances, and reactions to queens who exercised political power in ways considered to be beyond their accepted roles. Ranging from Byzantine empresses to the consorts of Moroccan sultans to queens regnant and consort in both the Italian and Iberian peninsulas, these remarkable studies offer a bracing new perspective on the concepts and practice of queenship more generally in the medieval and Early Modern eras.

As a young boy, Dave Crehore moved with his parents from northern Ohio to the shipbuilding town of Manitowoc on the shores of Wisconsin s Lake Michigan, where the Germanic inhabitants punctuate their conversations with enso, the local radio station interrupts Beethoven for commercials, and the outdoors are a wellspring of enlightenment. Crehore s stories of his youth in 1950s Wisconsin are peppered with engaging characters and a quiet wit. A grouse-hunting expedition goes awry when an eccentric British businessman bags an escaped bantam rooster with a landing net. Crehore's great-grandfather gets in trouble one Christmas when he sneaks a whoopee-cushion under a guest s seat. The elderly Frau Blau gets trapped in an outhouse by a shady auctioneer during a farm sale. Through all the adventures and misadventures in a small town and in the great outdoors of Wisconsin, family is always at the center. This gently humorous look back at a baby-boomer s awakening to adulthood will be appreciated by members of any generation.Honorable Mention, Kingery/Derleth Book Length Nonfiction, Council for Wisconsin Writers Finalist, Humor, Midwest Book Awards"

This book reconstructs the worldview of a Lutheran merchant from the city of Augsburg in the seventeenth century. Miller's is a singular story. Though he lived through some of the great events of his age, he scarcely mentioned them. Though he was raised in the standard values of his age, he understood and applied them idiosyncratically. This is the story of one man's experience and perception based on his memoir and associated documents. Yet, despite its individual focus, the book explores universal institutions of early modern Europe: patriarchy, hierarchy, honor, community, and confession.

This book offers a comparison of lay and inquisitorial witchcraft prosecutions. In most of the early modern period, witchcraft jurisdiction in Italy rested with the Roman Inquisition, whereas in Denmark only the secular courts raised trials. Kallestrup explores the narratives of witchcraft as they were laid forward by people involved in the trials.

As the wealthiest German merchant family of the sixteenth century, the Fuggers have attracted wide scholarly attention. In contrast to the other famous merchant family of the period, the Medici of Florence, however, no English-language work on them has been available until now. "The Fuggers of Augsburg "offers a concise and engaging overview that builds on the latest scholarly literature and the author's own work on sixteenth-century merchant capitalism. Mark Haberlein traces the history of the family from the weaver Hans Fugger's immigration to the imperial city of Augsburg in 1367 to the end of the Thirty Years' War in 1648. Because the Fuggers' extensive business activities involved long-distance trade, mining, state finance, and overseas ventures, the family exemplifies the meanings of globalization at the beginning of the modern age.

The book also covers the political, social, and cultural roles of the Fuggers: their patronage of Renaissance artists, the founding of the largest social housing project of its time, their support of Catholicism in a city that largely turned Protestant during the Reformation, and their rise from urban merchants to imperial counts and feudal lords. Haberlein argues that the Fuggers organized their social rise in a way that allowed them to be merchants and feudal landholders, burghers and noblemen at the same time. Their story therefore provides a window on social mobility, cultural patronage, religion, and values during the Renaissance and the Reformation.

Ireland is riven by sectarian hatred. This simple assumption provides a powerful explanation for the bitterness and violence which has so dominated Irish history. Most notably, the troubles in Northern Ireland have provided fertile ground for scholars from all disciplines to argue about and explore ways in which religious division fueled the descent into hostility and disorder. In much of this literature, however, sectarianism is seen as, somehow, a 'given' in Irish history, an inevitable product of the clash of the Reformation and Counter-Reformation, something which sprang fully-formed into existence in the sixteenth century. In this book leading historians provide the first detailed analysis of the ways in which rival confessions were developed in early modern Ireland, the extent to which the Irish people were indeed divided into two religious camps by the mid-seventeenth century, and also their surprising ability to transcend such stark divisions.

The first new biography of Oliver Cromwell in several years, this rounded account does equal justice to his public and private life, to his political career, his military abilities and his passionate religiosity. Ian Gentles synthesizes much recent research including Cromwell's activity as a lay preacher, his patronage of the arts and his promotion of horsebreeding. Gentles also provides fresh findings on Cromwell's pay as a soldier, his personal enrichment as general and lord protector, his little-known erotic side, and his astonishing generosity in the cause of international Protestantism. At the same time, this approachable study provides a new assessment of Cromwell's genius as a soldier and sheds light on the suspenseful drama surrounding parliament's offer of the crown in 1657. Ideal for students and general readers alike, this is an essential and stimulating introduction to all aspects of the life of a key figure in British history.

This book provides the first critical overview of the new social history of politics in early modern England. It examines the shifting place of popular politics within the polity, focusing in particular on collective disorder. Rebellions and riots are examined alongside the deeper political cultures of the commons of Tudor and Stuart England. Attention is given to enclosure and food riots; seditious speech; elite perceptions of plebeian politics; ritual, gender and the forms of popular protest; literacy and the impact of print.

A groundbreaking collection of oral histories, letters, interviews, and governmental reports related to the history of Latino education in the US. Victoria-María MacDonald examines the intersection of history, Latino culture, and education while simultaneously encouraging undergraduates and graduate students to reexamine their relationship to the world of education and their own histories.

This collection investigates Queen Elizabeth I as an accomplished writer in her own right as well as the subject of authors who celebrated her. With innovative essays from Brenda M. Hosington, Carole Levin, and other established and emerging experts, it reappraises Elizabeth's translations, letters, poems and prayers through a diverse range of approaches to textuality, from linguistic and philological to literary and cultural-historical. The book also considers Elizabeth as "authored," studying how she is reflected in the writing of her contemporaries and reconstructing a wider web of relations between the public and private use of language in early modern culture. Contributions from Carlo M. Bajetta, Guillaume Coatelen and Giovanni Iamartino bring the Queen's presence in early modern Italian literary culture to the fore. Together, these essays illuminate the Queen in writing, from the multifaceted linguistic and rhetorical strategies that she employed, to the texts inspired by her power and charisma.

'A groundbreaking work . . . Federici has become a crucial figure for . . . a new generation of feminists' Rachel Kushner, author of The Mars Room A cult classic since its publication in the early years of this century, Caliban and the Witch is Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist societies was transformed into a set of predictable and controllable mechanisms. It Is a study of indigenous traditions crushed, of the enclosure of women's reproductive powers within the nuclear family, and of how our modern world was forged in blood. 'Rewarding . . . allows us to better understand the intimate relationship between modern patriarchy, the rise of the nation state and the transition from feudalism to capitalism' Guardian

This volume is a comprehensive collection of articles on Bunyan as well as including several broader views of the Nonconformist tradition.

Devils, ghosts, poltergeists, werewolves, and witches are all covered in this book about the "dark side" of supernatural beliefs in early modern Europe, tapping period literature, folklore, art, and scholarly writings in its investigation. The dark side of early modern European culture could be deemed equal in historical significance to Christianity based on the hundreds of books that were printed about the topic between 1400 and 1700. Famous writers and artists like William Shakespeare and Albrecht Durer depicted the dark side in their work, and some of the first printed books in Europe were about witches. The pervasive representation of these monsters and apparitions in period literature, folklore, and art clearly reflects their power to inspire fear and superstition, but also demonstrates how integral they were to early modern European culture. This unique book addresses topics of the supernatural within the context of the early modern period in Europe, covering "mythical" entities such as devils, witches, ghosts, poltergeists, and werewolves in detail and examining how they fit in with the emerging new scientific method of the time. This unique combination of cultural studies for the period is ideal for undergraduate students and general readers. Illustrations from rare books on witchcraft and demonology An annotated bibliography of primary and secondary sources Appendices address early modern supernatural art and artists who depicted the dark side as well as important historical individuals

Historians of the ancien regime have long been interested in the relationship between religion and politics, and yet many issues remain contentious, including the question of sacral monarchy. Scholars are divided over how - and, indeed, if - it actually operated. With its nuanced analysis of the cult of Saint Louis, covering a vast swathe of French history from the Wars of Religion through the zenith of absolute monarchy under Louis XIV to the French Revolution and Restoration, Sacral Kingship in Bourbon France makes a major contribution to this debate and to our overall understanding of France in this fascinating period. Saint Louis IX was the ancestor of the Bourbons and widely regarded as the epitome of good Christian kingship. As such, his cult and memory held a significant place in the political, religious, and artistic culture of Bourbon France. However, as this book reveals, likenesses to Saint Louis were not only employed by royal flatterers but also used by opponents of the monarchy to criticize reigning kings. What, then, does Saint Louis' cult reveal about how monarchies fostered a culture of loyalty, and how did sacral monarchy interact with the dramatic religious, political and intellectual developments of this era? From manuscripts to paintings to music, Sean Heath skilfully engages with a vast array of primary source material and modern debates on sacral kingship to provide an enlightening and comprehensive analysis of the role of Saint Louis in early modern France.

Cadwallader Colden was a Scottish emigre to the American colonies in the 18th century. Trained as a physician, he settled in Philadelphia in 1710 to establish a medical practice. In 1718, he was offered a minor administrative position in the Province of New York, and thereafter he rose through a number of appointed offices, culminating in that of lieutenant governor of the colony in the era leading up to the American Revolution. As a public figure, he cast his role as a loyal servant of the Crown and adamantly tried to maintain the royal prerogative in the face of increasing divisiveness and personal unpopularity. This legacy may have largely overshadowed his more substantial and enduring contributions in a range of intellectual and scientific fields, including botanical investigation and classification; medical writings; scientific treatises; philosophy; literature; and, to a lesser extent, his writings on such topics as education, ethics, and historiography.

Colden maintained an extensive correspondence with some of the leading men of the times, including noted physicians, philosophers, and scientists, both in the American colonies and in Europe. As such, he did much to initiate and sustain that trans-Atlantic community that served to enhance the values and achievements of the Enlightenment in the American colonies of the 18th century. Colden was the first in the colonies to introduce Linnaean classification, the first to publish a work on Newtonian science in America, and the first to write in English about the several tribes that were to play a crucial role in the British-French imperial conflict, particularly in New York. Hoermann hopes to correct a distortion in the record of Colden's achievements that may have been the result of his loyalist sympathies.

In May 1962, as the struggle for civil rights heated up in the United States and leaders of the Catholic Church prepared to meet for Vatican Council II, Pope John XXIII named the first black saint of the Americas, the Peruvian Martin de Porres (1579 1639), and designated him the patron of racial justice. The son of a Spanish father and a former slavewoman from Panama, Martin served a lifetime as the barber and nurse at the great Dominican monastery in Lima. This book draws on visual representations of Martin and the testimony of his contemporaries to produce the first biography of this pious and industrious black man from the cosmopolitan capital of the Viceroyalty of Peru. The book vividly chronicles the evolving interpretations of his legend and his miracles, and traces the centuries-long campaign to formally proclaim Martin de Porres a hero of universal Catholicism."

Two societies, two conceptions of justice, collaborated and collided when French forces stormed Cartagena of the Indies in May 1697. For their commander, the baron de Pointis, a naval captain in the mould of Drake, this bloody if strategically pointless success fulfilled a long-postponed design "that might be both honourable and advantageous", with ships lent and soldiers (but not seamen) paid by the King, who in return would take the Crown's usual one-fifth interest in such "preis de vaisseaux", the remaining costs falling on private subscribers, in this case no less than 666 of them, headed by courtiers, financiers, naval contractors and officers of both pen and sword.' According to Pointis, peace rumours restricted the flow of advances and the expedition, nearly 4,000 strong when it sailed out of Brest, was weaker than he had planned, especially if it should prove difficult to use the ships' crews ashore.

Theatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.

"The Face of Queenship" investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen's face register her contemporaries' hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representation and interpretation of faces, this study argues that the face was seen as a rhetorical tool and that Elizabeth was a master of using her face to persuade, threaten, or comfort her subjects.

In this work, Buschmann incorporates neglected Spanish visions into the European perceptions of the emerging Pacific world. The book argues that Spanish diplomats and intellectuals attempted to create an intellectual link between the Americas and the Pacific Ocean.