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Books > Humanities > History > World history > 1500 to 1750
Boccaccio's "On Famous Women" ("De claris mulieribus") is a remarkable work that contains the lives of one hundred and six women in myth and history, ranging from Eve to Boccaccio's contemporary, Queen Giovanna I of Naples. It is the first collection of women's biographies ever written. Boccaccio composed it at Certaldo in 1361/62 and revised it in various stages to the end of his life in 1375. He dedicated it to Andrea Acciaiuoli, countess of Altavilla in the kingdom of Naples and sister of Niccolo Acciaiuoli, the grand seneschal of Queen Giovanna I. In his preface the author states that the biographies of illustrious men had been written often by a number of excellent writers, and he cited his hero Petrarch's "Lives of Famous Men" ("De viris illustribus") as an example. No one, however, had ever done the same for women. Boccaccio therefore presents a wide variety of women from antiquity to his own time, offering their lives as both moral "exempla" and entertaining reading. Boccaccio is best known as the author of the "Decameron" in which he portrayed women among the "lieta brigata" of pleasure-seeking young aristocrats and among the various characters of their tales. But in these biographies we find more serious themes that became standards of the Renaissance: secular and religious life; politics and private life; fame, fortune and earthly power; advantage and adversity; women's character, virtues and vices; their social roles, individual talents and achievements. "On Famous Women" is the earliest source of women's biography in the West and has had a long and distinguished publication career and literary influence. Its impact can be seen in Chaucer's "Canterbury Tales," in Christine de Pizan's Livre de la cite des dames," and in the work of Spencer, Alonso de Cartagena and Thomas Elyot, among many others. Guido A. Guarino's translation is based on the edition of Mathias Apiarius, printed in Bern in 1539. This new edition includes the original woodcut illustrations of the 1539 Apiarius edition, a new bibliography and bibliographical essay. First English translation. 2nd revised edition. Introduction, new bibliography. 310 pages, 14 illustrations.
Barbara Kaminska's Pieter Bruegel the Elder: Religious Art for the Urban Community is the first book-length study focusing on religious paintings by one of the most captivating Netherlandish artists, long celebrated for his secular imagery. In a period marked by a profound religious, economic, and cultural transformation, Bruegel offered his sophisticated urban audience complex biblical images that required an engaged, active viewing, not only sparking learned dinner conversations, but facilitating the negotiation of values seen as critical to maintaining a harmonious society. By considering the novelty of Bruegel's panels used in convivia alongside his small, intimate grisaille compositions, this study ultimately shows that Bruegel renewed the idiom of religious painting, successfully preserving its ritualistic and meditative functions.
In an era when women were supposed to be disciplined and obedient, Anna proved to be neither. Defying 16th-century social mores, she was the frequent subject of gossip because of her immodest dress and flirtatious behavior. When her wealthy father discovered that she was having secret, simultaneous affairs with a young nobleman and a cavalryman, he turned her out of the house in rage, but when she sued him for financial support, he had her captured, returned home and chained to a table as punishment. Anna eventually escaped and continued her suit against her father, her siblings and her home town in a bitter legal battle that was to last 30 years and end only upon her death. Drawn from her surviving love letters and court records, The Burgermeister's Daughter is a fascinating examination of the politics of sexuality, gender and family in the 16th century, and a powerful testament to the courage and tenacity of a woman who defied the inequalities of this distant age.
The Knights of St John of Jerusalem, also known as the Hospitallers, were a military religious order, subject to monastic vows and discipline but devoted to the active defence of the Holy Land. After evacuating the Holy Land at the beginning of the fourteenth century, they occupied Rhodes, which they held into the sixteenth century, when their headquarters moved to Malta. Branches of the order existed throughout Europe, and it is the English branch in the fifteenth and sixteenth centuries that is examined here. Among the major subjects researched by O'Malley are the recruitment of members of the Hospital and their family ties; the operation of the order's career structure; the administration of its estates; its provision of spiritual and charitable services; and the publicity and logistical support it provided for the holy war carried on by its headquarters against the Ottoman Turks. It is argued that the English Hospitallers in particular took their military and financial duties to the order very seriously, making a major contribution to the Hospital's operations in the Mediterranean as a result. They were able to do so because they were wealthy, had close family and other ties with gentle and mercantile society, and above all because their activities had royal support. Where this was lacking or ineffective, as in Ireland, the Hospital might become the plaything of local interests eager to exploit its estates, and its wider functions might be neglected. Consequently the heart of the book lies in an extended discussion of the relationship between senior Hospitaller officers and the governing authorities of Britain and Ireland. It is concluded that rulers were generally supportive of the order's activities, but within strict limits, particularly in matters concerning appointments, the size of payments to the east, and the movement and foreign allegiances of senior brethren. When these limits were breached, or at times of political or religious sensitivity such as the 1460s and 1530s, the Hospital's personnel and estates would suffer. In addition, more general areas of historical debate are illuminated such as those concerning the relationship between late medieval societies and the religious orders; 'British' attitudes to Christendom and holy war, and the rights of rulers over their subjects. This is the first such book to be based on archival records in both Britain and Malta, and will make a major contribution to understanding the order's European network, its place in the ordering of Latin Christendom, and in particular its role in late medieval British and Irish society.
Drawing on material from a range of genres, with extensive reference to manuscript collections, Richard Snoddy offers a detailed study of James Usshers applied soteriology. After locating Ussher in the ecclesiastical context of seventeenth-century Ireland and England, Snoddy examines his teaching on the doctrines of atonement, justification, sanctification, and assurance. He considers their interconnection in Usshers thought, particularly the manner in which a general atonement functions as the ground of justification and the extent to which it functions as the ground of assurance. The book documents Usshers change of mind on a number of important issues, especially how, from holding to a limited atonement and an assurance that is of the essence of faith, he moved to belief in a general atonement and an assurance obtained through experimental piety. Within the framework of one widely accepted scholarly paradigm he appears to move from one logically inconsistent position to another, but his thought contains an inner logic that questions the explanatory power of that paradigm. This insightful study sheds new light on the diversity of seventeenth-century Reformed theology in the British Isles.
In The Mughal Padshah Jorge Flores offers both a lucid English translation and the Portuguese original of a previously unknown account of the Mughal Emperor Jahangir (r. 1605-1627). Probably penned by the Jesuit priest Jeronimo Xavier in 1610-11, the Treatise of the Court and Household of Jahangir Padshah King of the Mughals reads quite differently than the usual missionary report. Surviving in four different versions, this text reveals intriguing insights on Jahangir and his family, the Mughal court and its political rituals, as well as the imperial elite and its military and economic strength. A comprehensive introduction situates the Treatise in the 'disputed' landscape of European accounts on Mughal India, as well as illuminates the actual conditions of production and readership of such a text between South Asia and the Iberian Peninsula.
As Boston approaches its four-hundredth anniversary, it is remarkable that it still maintains its historic character despite constant development. The fifty buildings featured in this book all pre-date 1800 and illustrate Boston's early history. This is the first book to survey Boston's fifty oldest buildings and does so through an approachable narrative which will appeal to nonarchitects and those new to historic preservation. Beginning with a map of the buildings' locations and an overview of the historic preservation movement in Boston, the book looks at the fifty buildings in order from oldest to most recent. Geographically, the majority of the buildings are located within the downtown area of Boston along the Freedom Trail and within easy walking distance from the core of the city. This makes the book an ideal guide for tourists, and residents of the city will also find it interesting as it includes numerous properties in the surrounding neighborhoods. The buildings span multiple uses from homes to churches and warehouses to restaurants. Each chapter features a building, a narrative focusing on its historical significance, and the efforts made to preserve it over time. Full color photos and historical drawings illustrate each building and area. Boston's Oldest Buildings and Where to Find Them presents the ideals of historic preservation in an approachable and easy -to- read manner appropriate for the broadest audience. Perfect for history lovers, architectural enthusiasts, and tourists alike.
Confined by behavioural norms and professional restrictions, women in Renaissance Italy found a welcome escape in an alternative world of play. This book examines the role of games of wit in the social and cultural experience of patrician women from the early sixteenth to the early eighteenth century. Beneath the frivolous exterior of such games as occasions for idle banter, flirtation, and seduction, there often lay a lively contest for power and agency, and the opportunity for conventional women to demonstrate their intellect, to achieve a public identity, and even to model new behaviour and institutions in the non-ludic world. By tapping into the records and cultural artifacts of these games, George McClure recovers a realm of female fame that has largely escaped the notice of modern historians, and in so doing, reveals a cohort of spirited, intellectual women outside of the courts.
This Handbook offers a comprehensive introduction and thirty-seven new essays by an international team of literary critics and historians on the writings generated by the tumultuous events of mid-seventeenth-century England. Unprecedented events-civil war, regicide, the abolition of monarchy, proscription of episcopacy, constitutional experiment, and finally the return of monarchy-led to an unprecedented outpouring of texts, including new and transformed literary genres and techniques. The Handbook provides up-to-date scholarship on current issues as well as historical information, textual analysis, and bibliographical tools to help readers understand and appreciate the bold and indeed revolutionary character of writing in mid-seventeenth-century England. The volume is innovative in its attention to the literary and aesthetic aspects of a wide range of political and religious writing, as well as in its demonstration of how literary texts register the political pressures of their time. Opening with essential contextual chapters on religion, politics, society, and culture, the largely chronological subsequent chapters analyse particular voices, texts, and genres as they respond to revolutionary events. Attention is given to aesthetic qualities, as well as to bold political and religious ideas, in such writers as James Harrington, Marchamont Nedham, Thomas Hobbes, Gerrard Winstanley, John Lilburne, and Abiezer Coppe. At the same time, the revolutionary political context sheds new light on such well-known literary writers as John Milton, Andrew Marvell, Robert Herrick, Henry Vaughan, William Davenant, John Dryden, Lucy Hutchinson, Margaret Cavendish, and John Bunyan. Overall, the volume provides an indispensable guide to the innovative and exciting texts of the English Revolution and reevaluates its long-term cultural impact.
This collection of essays analyzes the relationships that exist between esotericism and music from Antiquity to the 20th century, investigating ways in which magic, astrology, alchemy, divination, and cabbala interact with music. The volume seeks to dissolve artificial barriers between the history of art, music, science, and intellectual history by establishing an interdisciplinary dialogue about music as viewed against a specific cultural background. The synthesis of scientific and historical contexts with respect to music, explored here on a large scale for the first time, opens up a wealth of new approaches to music historical research, music performance, and musical composition. Each chapter presents either a unique example of music functioning within esoteric and scientific traditions or a demonstration of the influence of those traditions upon selected musical works. L ouvrage analyse les relations entre l sot risme et la musique de l Antiquit au 20 me si cle tudiant comment la magie, l astrologie, l alchimie, la divination et la cabale ont interagit avec la musique. Il vise d passer les fronti res entre l histoire de l art, l histoire de la musique et l histoire des sciences et des id es afin de nouer un dialogue interdisciplinaire sur la musique autour de contextes historiques et scientifiques pr cis. L ouvrage offre une premi re synth se sur les rapports entre sot risme et musique ainsi que diverses pistes de recherche poursuivre.
Modernity has historically defined itself by relation to classical antiquity on the one hand, and the medieval on the other. While early modernity s relation to Antiquity has been amply documented, its relation to the medieval has been less studied. This volume seeks to address this omission by presenting some preliminary explorations of this field. In seventeen essays ranging from the Italian Renaissance to Enlightenment France, it focuses on three main themes: continuities and discontinuities between the medieval and early modern, early modern re-uses of medieval matter, and conceptualizations of the medieval. Collectively, the essays illustrate how early modern medievalisms differ in important respects from post-Romantic views of the medieval, ultimately calling for a re-definition of the concept of medievalism itself. Contributors include: Mette Bruun, Peter Damian-Grint, Anne-Marie De Gendt, Daphne Hoogenboezem, Tiphaine Karsenti, Joost Keizer, Waldemar Kowalski, Elena Lombardi, Coen Maas, Pieter Mannaerts, Christoph Pieper, Jacomien Prins, Adam Shear, Paul Smith, Martin Spies, Andrea Worm, and Aur lie Zygel-Basso.
A critical reading of both literary and non-literary German texts published between 1490 and 1540 exposes a populist backlash against perceived social and political disruptions, the dramatic expansion of spatial and epistemological horizons, and the growth of global trade networks. These texts opposed the twin phenomena of pluralization and secularization, which promoted a Humanist tolerance for ambiguity, boosted globalization and spatial expansion around 1500, and promoted new ways of imagining the world. Part I considers threats to the political order and the protestations against them, above all a vigorous defense of the common good. Part II traces the intellectual and epistemological upheaval triggered by the spatial discoveries and the new methods of visual and verbal representation of space. Part III examines the nationalistic backlash triggered by the rising global trade and related abusive trading practices and by perceived undue foreign influences. It is the basic premise of this book that the texts examined here protested the observed disruptions of the status quo and sought to reestablish a stable imperial order in the face of political and social upheaval and of the felt cultural decline of the German nation.
"In this book, Love emerges from confusion even as, in the description of the ancient poets, he sprang from the womb of Chaos. And although it is many years old, and of an earlier date than all my others, it is eminently youthful in appearance and hopes to please like a thing newmade." --Torquato Tasso (1544-95).
"Conversion" is a basic religious concept, which has manifold implications for our everyday lives. Ran Tene's Changes in Ethical Worldviews of Spanish Missionaries in Mexico utilizes a cross-disciplinary methodology in which the fields of Philosophy, History, and Literary Studies are drawn upon to analyze conversion. He focuses on two moments in Spanish writing about Mexican missions, the early to mid-sixteenth century writings of the Spanish missionaries to Mexico and the early seventeenth century manuscripts of the author/copyist Fray Juan de Torquemada. The analysis exposes changes in worldviews - including the concepts of identity, ownership, and cruelty - through missionary eyes. It suggests two theoretical models - the vision model and the model of touch - to describe these changes, which are manifested in the missionary project and in the texts that it (re)produced.
Decartes' maxim Cogito, Ergo Sum (from his Meditations) is perhaps the most famous philosophical expression ever coined. Joseph Almog is a Descartes analyst whose last book WHAT AM I? focused on the second half of this expression, Sum--who is the "I" who is existing-and-thinking and how does this entity somehow incorporate both body and mind? This volume looks at the first half of the proposition--cogito. Almog calls this the "thinking man's paradox": how can there be, in the the natural world and as part and parcel of it, a creature that... thinks? Descartes' proposition declares that such a fact obtains and he maintains that it is self-evident; but as Almog points out, from the point of view of Descartes' own skepticism, it is far from obvious that there could be a thinking-man. How can it be that a thinking human be both part of the natural world and yet somehow distinct and separate from it? How did "thinking" arise in an otherwise "thoughtless" universe and what does it mean for beings like us to be thinkers? Almog goes back to the Meditations, and using Descartes' own aposteriori cognitive methodology--his naturalistic, scientific, approach to the study of man--tries to answer the question.
In 'Another Jerusalem': Political Legitimacy and Courtly Government in the Kingdom of New Spain (1535-1568) Jose-Juan Lopez-Portillo offers a new approach to understanding why the most densely populated and culturally sophisticated regions of Mesoamerica accepted the authority of Spanish viceroys. By focusing on the routines and practices of quotidian political life in New Spain, and the ideological affinities that bound indigenous and non-indigenous political communities to the viceregal regime, Lopez Portillo discloses the formation of new loyalties, interests and identities particular to New Spain. Rather than the traditional view of European colonial domination over a demoralized indigenous population, New Spain now appears as Mexico City's sub-empire: an aggregate of the Habsburg 'composite monarchy'. "Embellished with wonderful illustrations, this work draws upon extensive secondary and primary sources. Scholars studying Spain's America will find it a thoughtful addition to historical literature on 16th-century New Spain." - M. A. Burkholder, University of Missouri - St. Louis, in: CHOICE, July 2018 Vol. 55 No. 11
One of the most beautiful maps to survive the Great Age of Discoveries, the 1513 world map drawn by Ottoman admiral Piri Reis is also one of the most mysterious. Gregory McIntosh has uncovered new evidence in the map that shows it to be among the most important ever made. This detailed study offers new commentary and explication of a major milestone in cartography. Correcting earlier work of Paul Kahle and pointing out the traps that have caught subsequent scholars, McIntosh disproves the dubious conclusion that the Reis map embodied Columbus's Third Voyage map of 1498, showing that it draws instead on the Second Voyage of 1493-1496. He also refutes the popular misinterpretation that Reis's depictions of Antarctica are evidence of either ancient civilizations or extraterrestrial visitation. McIntosh brings together all that has been previously known about the map and also assembles for the first time the translations of all inscriptions on the map and analyzes all place-names given for New World and Atlantic islands. His work clarifies long-standing mysteries and opens up new ways of looking at the history of exploration.
The comprehensive defeat of the Jacobite Irish in the Williamite conflict, a component within the pan-European Nine Years' War, prevented the exiled James II from regaining his English throne, ended realistic prospects of a Stuart restoration and partially secured the new regime of King William III and Queen Mary created by the Glorious Revolution. The principal events - the Siege of Londonderry, the Battles of the Boyne and Aughrim, and the two Sieges and Treaty of Limerick - have subsequently become totems around which opposing constructions of Irish history have been erected. John Childs, one of the foremost authorities on warfare in Early Modern Britain and Europe, cuts through myth and the accumulations of three centuries to present a balanced, detailed narrative and chronology of the campaigns. He argues that the struggle was typical of the late seventeenth-century, principally decided by economic resources and attrition in which the small war' comprising patrols, raids, occupation of captured regions by small garrisons, police actions against irregulars and attacks on supply lines was more significant in determining the outcome than the set piece battles and sieges.
History students and Victorian enthusiasts looking for comprehensive information on dining practices of Victorian America will find this book a vital resource. Revealing the history of 19th-century dining, clothing, and etiquette, the volume includes sample menus and explicit instructions explaining how to recreate a dinner, tea, breakfast, or lunch in the 21st century. Collectors of china, crystal, and silver will also find this book helpful because it provides a photograph of each piece of tableware that was used, with a history and description of the item. After explaining the different dining styles and the way they evolved into rituals of the Victorian era, a formal dinner is examined course by course. The Schollanders present the history and uses of various wines and show they were matched with different foods. They also explain the evolution of silver, crystal, and china pieces. Additionally the book includes an explanation of the seating order at the Victorian table, correct Victorian table manners, invitations and menu cards, correct dress for dinner guests, correct table settings, the role of servants, and step-by-step instructions for recreating a formal Victorian dinner, tea, breakfast, or lunch.
The explorations of 18th-century travellers to the "European frontiers" were often geared to define the cultural, political and historical boundaries of "European civilization". In an age when political revolutions shocked nations into reassessing what separated the civilized from the barbaric, how did literary travellers contemplate the characteristics of their continental neighbours? Focusing on the writings of British travellers, we see how a new view of Europe was created, one that juxtaposed the customs and living conditions of populations in an attempt to define "modern" Europe against a "yet unenlightened" Europe.
It is virtually impossible to generalize about the degree to which women in early America were free. What, if anything, did enslaved black women in the South have in common with powerful female leaders in Iroquois society? Were female tavern keepers in the backcountry of North Carolina any more free than nuns and sisters in New France religious orders? Were the restrictions placed on widows and abandoned wives at all comparable to those experienced by autonomous women or spinsters? Bringing to light the enormous diversity of women's experience, Women and Freedom in Early America centers variously on European-American, African-American, and Native American women from 1400 to 1800. Spanning almost half a millenium, the book ranges the colonial terrain, from New France and the Iroquois Nations down through the mainland British-American colonies. By drawing on a wide array of sources, including church and court records, correspondence, journals, poetry, and newspapers, these essays examine Puritan political writings, white perceptions of Indian women, Quaker spinsterhood, and African and Iroquois mythology, among many other topics. Larry Eldridge is Assistant Professor of History at the College of Arts and Sciences at Widener University and author of the acclaimed A Distant Heritage: The Growth of Free Speech in Early America, also from NYU Press.
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