Based upon a sweeping command of Dutch East India Company (VOC) primary sources, Knaap's manuscript offers a thought-provoking thematic examination and chronological survey of the Dutch Republic's overseas and colonial expansion in Asia and South Africa, mainly through the VOC and its successors, the Batavian Republic, the Kingdom of Holland and Franco-Dutch Java, over a period of more than two centuries, 1596-1811. It elucidates and deals with several conceptual and theoretical issues that are intrinsically important and germane to a polity's definition of and how it chooses to execute the process of expansion overseas in the early modern period. One of this work's major arguments and contributions is its advocacy that the Dutch VOC's expansion in Asia was an imperial project and must be seen as an act of empire, or, at the very minimum, the attempt to construct one via the innovative utilization of a highly organized and dynamic commercial institution with significant political and diplomatic power and naval and military resources.

Thanks to his diary - Samuel Pepys is one of the most interesting characters in history. His life encompassed happenings of huge historical and human impact - including the execution of Charles I and the Great Fire of London."Voices from the World of Samuel Pepys" captures the spirit of Restoration London, as it grew to become a major centre of international commerce and culture. It provides accounts on all aspects of contemporary life, from the arts and entertainment to politics and religion.Pepys' diary, which he kept almost daily from 1659-1669, is the central resource, but it also includes 'voices' from all levels of society, taken from a wide variety of contemporaneous sources.

Edmund Waller (1606-1687): New Perspectives reappraises the life and works of an important but neglected seventeenth-century English poet. Admired at court in the 1630s and at the Restoration, Waller made a deep impression on contemporary poetry: his collection of Poems (1645) was widely acclaimed and had an 'extraordinary impact' on future poets. The book investigates, among other things, Waller's political views on affairs of state, his social and literary interactions with younger poets, his friendship with John Evelyn while in exile, his technical poetic innovations, his rivalry with Andrew Marvell, his elegies, and his contemporary and posthumous reputation. Contributors: Warren Chernaik, Daniel Cook, Stephen Deng, Martin Dzelzainis, Richard Hillyer, Philip Major, Michael P. Parker, Tessie Prakas, Geoffrey Smith, Thomas Ward, and Gillian Wright.

In an age characterized by religious conflict, Protestant and Catholic Augsburgers remained largely at peace. How did they do this? This book argues that the answer is in the "emotional practices" Augsburgers learned and enacted-in the home, in marketplaces and other sites of civic interaction, in the council house, and in church. Augsburg's continued peace depended on how Augsburgers felt-as neighbors, as citizens, and believers-and how they negotiated the countervailing demands of these commitments. Drawing on police records, municipal correspondence, private memoranda, internal administrative documents and other records revealing everyday behavior, experience, and thought, Sean Dunwoody shows how Augsburgers negotiated the often-conflicting feelings of being a good believer and being a good citizen and neighbor.

The Renaissance witnessed an upsurge in explanations of natural events in terms of invisibly small particles - atoms, corpuscles, minima, monads and particles. The reasons for this development are as varied as are the entities that were proposed. This volume covers the period from the earliest commentaries on Lucretius' De rerum natura to the sources of Newton's alchemical texts. Contributors examine key developments in Renaissance physiology, meteorology, metaphysics, theology, chymistry and historiography, all of which came to assign a greater explanatory weight to minute entities. These contributions show that there was no simple 'revival of atomism', but that the Renaissance confronts us with a diverse and conceptually messy process. Contributors are: Stephen Clucas, Christoph Luthy, Craig Martin, Elisabeth Moreau, William R. Newman, Elena Nicoli, Sandra Plastina, Kuni Sakamoto, Jole Shackelford, and Leen Spruit.