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Books > Humanities > History > American history > 1800 to 1900
In DIXIE BETRAYED, David Eicher reveals for the first time the story of the political conspiracy, discord and dysfunction in Richmond that cost the South the Civil War. Drawing on a wide variety of previously unexploited sources, Eicher shows how President Jefferson Davis fought not only with the Confederate House and Senate and with State Governers but also with his own vice-president and secretary of state. He interfered with his generals in the field, micro-managing their campaigns and playing favourites, ignoring the chain of command. He trusted a number of men who were utterly incompetent. Secession didn't end with the breakaway of the Confederacy and Davis' election as president; some states, led by their governors, debated setting themselves up as separate nations, further undermining efforts to conduct a unified war effort. Sure to be one of the most provocative and controversial books about the Civil War to be published in decades, DIXIE BETRAYED blasts away previous theories with the force of a cannonball and the grace of a gentleman.
After more than three years of grim fighting, General Ulysses Grant had a plan to end the Civil War-laying siege to Petersburg, Virginia, thus cutting off supplies to the Confederate capital at Richmond. He established his headquarters at City Point on the James River, requiring thousands of troops, tons of supplies, as well as extensive medical facilities and staff. Nurses flooded the area, yet many did not work in medical capacities-they served as organizers, advocates and intelligence gatherers. Nursing emerged as a noble profession with multiple specialties. Drawing on a range of primary and secondary sources, this history covers the resilient women who opened the way for others into postwar medical, professional and political arenas.
Formed in 1851 by Irish immigrants, the Fighting Sixty-Ninth has served with distinction since the Civil War. The regiment's flagstaff boasts 23 streamers (for each campaign) and 62 silver battle rings (for each battle), more than any other regiment in the United States Army at the close of World War II. Initially known as 69th New York State Militia (and seeing action under that name at the Battle of Bull Run), the regiment later ""cadred"" the 69th New York Volunteers. This is a complete illustrated history of the regiment's service in the Irish Brigade and the Rainbow Division. Functioning as the 1st Regiment, Irish Brigade, 2nd Corps, Army of the Potomac throughout the Civil War, the regiment made history at Malvern Hill, Antietam, Fredericksburg, Gettysburg, Spotsylvania, Cold Harbor, Petersburg and Appomatox. Confederate generals Lee christened them the ""Fighting Sixty-Ninth"". According to legend, an exasperated General Jackson (who rarely cursed) recognized them as part of ""that damn brigade"". Functioning as the 165th Infantry, 42nd Division (Rainbow Division) throughout World War I, the regiment helped turn back the last German offensive, counterattacked at the Ourq river, spearheaded one of Pershing's pincer at St. Mihiel, and helped break the Hindenburg Line in the Argonne Forest. Today, the regiment is known as 1st Battalion, 69th Infantry (Mechanized), New York Army National Guard.
This first volume of three discusses the tactical decisions made on day one and the ensuing combat, while also including a brief summary of the grand strategy in the Eastern Theater of the war, the conduct of the Pennsylvania Campaign from June 6 to 30, 1863, and the plight of civilians caught up in the conflict. The Battle of Gettysburg, which took place July 1-3, 1863 in and around the town of Gettysburg, PA resulted in the largest number of casualties of the entire American Civil War and is seen as the key turning point in the conflict. On its first day, Confederate General Robert E. Lee's Army of Northern Virginia sought to destroy the Union army, forcing its men to retreat through the streets of the Pennsylvania town to the hills just to the south. This volume, the first of three to cover the battle in depth, includes the morning cavalry skirmish, the morning clash at the Herbst's Woodlot and at the railroad cut, the afternoon clash at Oak Ridge, the afternoon fight at the Edward McPherson farm, the afternoon rout of the 11th Corps, the last stand of the 1st Corps at Seminary Ridge, the Union retreat through town, and the positions of the armies at nightfall.
The Civil War Dead and American Modernity offers a fundamental rethinking of the cultural importance of the American Civil War dead. Tracing their representational afterlife across a massive array of historical, visual, and literary documents from 1861 to 1914, Ian Finseth maintains that the war dead played a central, complex, and paradoxical role in how Americans experienced and understood the modernization of the United States. From eyewitness accounts of battle to photographs and paintings, and from full-dress histories of the war to fictional narratives, Finseth shows that the dead circulated through American cultural life in ways that we have not fully appreciated, and that require an expanded range of interpretive strategies to understand. While individuals grieved and relinquished their own loved ones, the collective Civil War dead, Finseth argues, came to form a kind of symbolic currency that informed Americans' melancholic relationship to their own past. Amid the turbulence of the postbellum era, as the United States embarked decisively upon its technological, geopolitical, and intellectual modernity, the dead provided an illusion of coherence, intelligibility, and continuity in the national self. At the same time, they seemed to represent a traumatic break in history and the loss of a simpler world, and their meanings could never be completely contained by the political discourse that surrounded them. Reconstructing the formal, rhetorical, and ideological strategies by which postwar American society reimagined, and continues to reimagine, the Civil War dead, Finseth also shows that a strain of critical thought was alert to this dynamic from the very years of the war itself. The Civil War Dead and American Modernity is at once a study of the politics of mortality, the disintegration of American Victorianism, and the role of visual and literary art in both forming and undermining social consensus.
When O'Neill first moved to Alabama, as a white Northerner, he felt somewhat removed from the racism Confederate monuments represented. Then one day in Selma, he stumbled across a group of citizens protecting a monument to Forrest, the officer who became the first Grand Wizard of the Ku Klux Klan and whom William Tecumseh Sherman referred to as "that devil." O'Neill sets off to visit other disputed memorials to Forrest across the South, talking with men and women who believe they are protecting their heritage, and those who have a different view of the man's poisonous history. O'Neill's reporting and thoughtful, deeply personal analysis make it clear that white supremacy is not a regional affliction but is in fact coded into the DNA of the entire country. Down Along with That Devil's Bones presents an important and eye-opening account of how we got from Appomattox to Charlottesville, and where, if we can truly understand and transcend our past, we could be headed next.
Conventional wisdom says that marriage was rare or illegal for slaves and that if African Americans married at all, their vows were tenuous ones: "until death or distance do us part." It is believed that this history explains the dysfunction of the African American family to this day. In this groundbreaking book, Frances Smith Foster shows that this common wisdom is flawed as it is based upon partial evidence and it ignores the writings African Americans created for themselves. Rather than relying on documents produced for abolitionists, the state, or other biased parties, Foster draws upon a trove of little-examined alternative sources and in so doing offers a correction to this widely held but misinformed viewpoint. The works examined include family histories, folkloric stories, organizational records, personal memoirs, sermons and especially the fascinating and varied writings published in the Afro-Protestant Press of the times. She shows that "jumping the broom" was but one of many wedding rituals and that love, marriage and family were highly valued and central to early African American society. Her book offers a provocative new understanding of a powerful belief about African American history and sheds light on the roles of memory and myth, story and history in defining contemporary society and shaping the future.
For five decades John M. Murrin has been the consummate historian's historian. This volume brings together his seminal essays on the American Revolution, the United States Constitution, and the early American Republic. Collectively, these essays rethink fundamental questions regarding American identity, the reasons why colonists felt compelled to declare their independence, and the myriad ways that the American Revolution produced a profoundly transformative change in those who lived through it. They reconsider questions that have shaped the field for several generations and connect those questions to issues of central interest to historians working today. Collectively, the essays gathered here argue that the great historiographical schools that have long competed to explain the American Revolution must move towards a synthesis that allows the whole to be greater than the parts. The essays show how high politics and the study of constitutional and ideological questions-broadly the history of elites-must be considered in close conjunction with issues of economic inequality, class conflict, and racial division. By bringing together different historiographical schools and a variety of perspectives in both Britain and the North American colonies, Rethinking America explains why what began as constitutional argument that virtually all expected would remain contained within the British Empire exploded into a truly subversive, destructive, and radical revolution that destroyed monarchy and aristocracy and replaced it with a rapidly transforming and wildly pulsing republic. The essays examining the period of the early American Republic discuss why the Founders' assumptions about what their Revolution would produce were profoundly different than the society that emerged from the American Revolution. In many ways, the outcome of the American Revolution put the new United States on a path to a violent and bloody civil war, as is shown by an essay directly comparing the American colonists of 1776 to the Confederate States of America in 1861. A much anticipated work, this volume offers both groundbreaking and timeless analysis of the nation's critical first decades as it moved from empire to republic.
On April 14, 1860, the day Fort Sumter fell to Confederate forces, Washington, D.C.-surrounded by slave states and minimally defended-was ripe for invasion. In The Siege of Washington, John and Charles Lockwood offer a heart-pounding, minute-by-minute account of the first twelve days of the Civil War, when the fate of the Union hung in the balance. The fall of Washington would have been a disaster: it would have crippled the federal government, left the remaining Northern states in disarray, and almost certainly triggered the secession of Maryland. Indeed, it would likely have ended the fight to preserve the Union before it had begun in earnest. On April 15, Lincoln quickly issued an emergency proclamation calling upon the Northern states to send 75,000 troops to Washington. The North, suddenly galvanized by the attack on Sumter, responded enthusiastically. Yet one crucial question gripped Washington, and the nation at large-who would get to the capital first, Northern defenders or Southern attackers? Drawing from rarely seen primary documents, this compelling history places the reader on the scene with immediacy, brilliantly capturing the precarious first days of America's Civil War.
Lincoln and Leadership offers fresh perspectives on the 16th president-making novel contributions to the scholarship of one of the more studied figures of American history. The book explores Lincoln's leadership through essays focused, respectively, on Lincoln as commander-in-chief, deft political operator, and powerful theologian. Taken together, the essays suggest the interplay of military, political, and religious factors informing Lincoln's thought and action and guiding the dynamics of his leadership. The contributors, all respected scholars of the Civil War era, focus on several critical moments in Lincoln's presidency to understand the ways Lincoln understood and dealt with such issues and concerns as emancipation, military strategy, relations with his generals, the use of black troops, party politics and his own re-election, the morality of the war, the place of America in God's design, and the meaning and obligations of sustaining the Union. Overall, they argue that Lincoln was simultaneously consistent regarding his commitments to freedom, democratic government, and Union but flexible, and sometimes contradictory, in the means to preserve and extend them. They further point to the ways that Lincoln's decision making defined the presidency and recast understandings of American "exceptionalism." They emphasize that the "real" Lincoln was an unabashed party man and shrewd politician, a self-taught commander-in-chief, and a deeply religious man who was self-confident in his ability to judge men and to persuade them with words but unsure of what God demanded from America for its collective sins of slavery. Randall Miller's Introduction in particular provides essential weight to the notion that Lincoln's presidential leadership must be seen as a series of interlocking stories. In the end, the contributors collectively remind readers that the Lincoln enshrined as the "Great Emancipator" and "savior of the Union" was in life and practice a work-in-progress. And they insist that "getting right with Lincoln" requires seeing the intersections of his-and America's-military, political, and religious interests and identities.
This book examines the Civil War from the perspective of the northern laity, those religious civilians whose personal faith influenced their views on politics and slavery, helped them cope with physical separation and death engendered by the war, and ultimately enabled them to discern the hand of God in the struggle to preserve the national Union. From Lincoln's election to his assassination, the book weaves together political, military, social, and intellectual history into a religious narrative of the Civil War on the northern home front. Packed with compelling human interest stories, this account draws on letters, diaries, newspapers and church records along with published sources to conclusively demonstrate that many devout civilians regarded the Civil War as a contest imbued with religious meaning. In the process of giving their loyal support to the government as individual citizens, religious Northerners politicized the church as a collective institution and used it to uphold the Union so the purified nation could promote Christianity around the world. Christian patriotism helped win the war, but the politicization of religion did not lead to the redemption of the state.
""Lincoln and the Indians" has stood the test of time and offers
this generation of readers a valuable interpretation of the U.S.
government's Indian policies--and sometimes the lack
thereof--during the Civil War era. Providing a critical perspective
on Lincoln's role, Nichols sets forth an especially incisive
analysis of the trial of participants in the Dakota War of 1862 in
Minnesota and Lincoln's role in sparing the lives of most of those
who were convicted."
The 18th North Carolina Regiment has the dubious distinction of firing the volley at Chancellorsville, Virginia, that mortally wounded General Thomas "Stonewall" Jackson. This tragic accident has overshadowed the regiment's otherwise valiant service during the Civil War. One of Robert E. Lee's "fighting regiments," the 18th North Carolina was a part of two famous Confederate military machines, A.P. Hill's Light Division and Jackson's foot cavalry. This revealing history chronicles the regiment's exploits from its origins through combat with the Army of Northern Virginia at Hanover Court House, the Seven Days' Battles, Cold Harbor, Petersburg, and other battles to its surrender at Appomattox Court House as a battered, much smaller shell of its former self. A roster of those surrendering officers and enlisted men and brief biographical sketches of those who fought with the regiment for most of the war complete this enlightening account.
Soldiers in the Union Army volunteered for many reasons--to reunite
the country, to put down the southern rebellion. For most, however,
slavery was a peripheral issue. Sympathy for slaves often came only
after the soldiers actually witnessed their plight.
After the battle of Antietam in 1862, Harriet Eaton traveled to Virginia from her home in Portland, Maine, to care for soldiers in the Army of the Potomac. Portland's Free Street Baptist Church, with liberal ties to abolition, established the Maine Camp Hospital Association and made the widowed Eaton its relief agent in the field. Doing the work of nurse and provisioner, Eaton tended wounded men and those with smallpox and diphtheria during two tours of duty. Eaton found the politics of daily toil challenging. Conflict between Eaton and coworker Isabella Fogg erupted almost immediately over issues of propriety. Though Eaton praised some of the surgeons with whom she worked, she labeled others charlatans whose neglect had deadly implications for the rank and file. If she saw villainy, she also saw opportunities to convert soldiers and developed an intense spiritual connection with a private, which appears to have led to a postwar liaison. Published here for the first time, the uncensored nursing diary is a rarity among medical accounts of the war, showing Eaton to be an astute observer of human nature and less straight-laced than we might have thought. This edition includes an extensive introduction by the editor, transcriptions of relevant letters and newspaper articles, and a biographical dictionary of the most prominent people mentioned in the diary.
In 1861, as President Lincoln called for volunteers to defend the Union, Thomas Christie wrote to his father, voicing desires shared by many an enlistee: "I do want to 'see the world', to get out of the narrow circle in which I have always lived, to make a man of myself, and to have it to say in days to come that I, too, had a part in this great struggle." As it turned out, Thomas had an excellent partner in his quest: his brother William. Both signed on with the First Minnesota Light Artillery, working as "cannoneers", responsible for loading and aiming big guns at the enemy. The First Minnesota saw action in major battles at Shiloh, Corinth, Vicksburg, and Atlanta. But the adventurers also endured the monotony of camp life, the hunger of poor supply lines, and, in William's case, the challenges of enemy capture. The ups and downs, the doubts and thrills are recounted from their differing perspectives in this collection of letters to worried parents, a winsome sister, and a younger brother eager to join in the fight. Their vivid epistles are enhanced by the familial connection of brothers in arms who eventually did see the world -- and returned home changed.
This book presents the little-studied story of the history and documents of the pardons, passes, paroles and promises of loyalty used by both North and South. The words of the loyalty oaths required for passes, paroles and pardons grew from a few simple lines to several paragraphs, over time. Conditions were added and pre-qualifications modified. This history provides insights into the politics, culture and battlefield realities present during the conduct of the war.
Rhode Island sent 23,236 men to fight in the Civil War. They served in eight infantry regiments, three heavy artillery regiments, three regiments and one battalion of cavalry, a company of hospital guards and 10 batteries of light artillery. Hundreds more served in the U.S. Army, Navy and Marine Corps. Rhode Islanders participated in nearly every major battle of the war, firing the first volleys at Bull Run, and some of the last at Appomattox. How many died in the Civil War is a question that has long eluded historians. Drawing on a twenty-year study of regimental histories, pension files, letters, diaries, and visits to every cemetery in the state, award-winning Civil War historian Robert Grandchamp documents 2,182 Rhode Islanders who died as a direct result of military service. Each regiment is identified, followed by the name, rank and place of residence for each soldier, the details of their deaths and, where known, their final resting places.
"This may be the most important story ever written by a slave woman, capturing as it does the gross indignities as well as the subtler social arrangements of the time."-Kirkus Review "Of female slave narratives, Harriet Jacobs's Incidents in the Life of a Slave Girl, Written by Herself is the crowning achievement. Manifesting a command of rhetorical and narrative strategies rivaled only by that of Frederick Douglass, Jacobs's autobiography is one of the major works of Afro-American literature"-Henry Louis Gates, Jr. Incidents In the Life of a Slave Girl, the autobiography of Harriet Jacobs, was initially written with the intention of illuminating white abolitionists to the appalling treatment of female slaves in the pre-Civil War South of the United States. The book was later rediscovered in the 1960's, and it was not until the 1980s that it was proved to be an extraordinary work of autobiographical memoir as opposed to fiction. In this astonishing book, Harriet Jacobs uses the pseudonym of Linda Brent to recount her story as a slave, a mother, and her eventual escape to the north. Born into a relatively calm life as a young child to slaves, she is taken into the care of a kind mistress when her mother dies. Linda is taught to read and write, and is generally treated with respect. When the mistress passes away Linda is handed over to Dr. Flint. He is a negligent and cruel new master who subsequently pressures Linda for sexual favors, yet she resists his demands for years. In an attempt to circumvent the situation, Linda enters into a relationship with Mr. Sands, a white neighbor who ends up fathering her two children. Expecting that she and her children will be sold to Mr. Sands, Dr. Flint instead decides to subject them to further degradation. Linda escapes and goes into hiding in a small attic, and her children are eventually sold to Mr. Sand. For over seven years, Linda remains in hiding, until she ultimately escapes North to be reunited with her children. Incidents In the Life of a Slave Girl is a devastating yet empowering document that uniquely focuses on the psychological and spiritual effects that bondage had on women slaves and their families. With an eye-catching new cover, and professionally typeset manuscript, this edition of Incidents in the Life of a Slave Girl is both modern and readable.
He was the Great Compromiser, a canny and colorful legislator whose
life mirrors the story of America from its founding until the eve
of the Civil War. Speaker of the House, senator, secretary of
state, five-time presidential candidate, and idol to the young
Abraham Lincoln, Henry Clay is captured in full at last in this
rich and sweeping biography.
Book by Jack Kyrieleison. Story by Jack Kyrieleison & Ron Holgate. Traditional music adapted by Michael O'Flaherty / Characters: 4m, 2f, extras / Historical, Drama / A moving musical narrative of the Civil War, told in the words of the very diverse men and women who sided with the Union. Presented as a musical entertainment years after the events by the rag-tag company of actor Harry Hawk, the man who stood alone on stage when Lincoln was shot by Booth. Reunion is an attempt to tell the story of the Civil War through the eyes of those who took up the Union cause--an intersection of theatre and history, weaving together songs, visual images and dialogue. It is designed as a Victorian entertainment--the great American epic as it might have been told by a 19th-Century Homer and a wandering company of actors. "Reunion should be seen across the country." -The New York Times. "CRITIC'S PICK! Charming...heartwarming...brought to vivid life. Reunion underlines the common futility of all wars and the mess we're still dealing with from this particular one. You'll learn something without feeling lectured to." -Backstage. "A haunting glimpse into history. Reunionresonates at Ford's." -Washington Post. The songs date from the Civil War or before, and the dialogue is drawn from or inspired by participants' accounts of actual events. The original production got a lot of sound out of 6 actor-singers and a 5-piece orchestra--piano/synthesizer, trumpet, percussion, guitar/banjo, and violin. About the Music The 26 songs in Reunion-all from the Civil War or earlier-tell the human stories of the struggle within the North for the soul of the war. All of the songs are used to advance the narrative. As none was chosen solely because of popularity, there are some familiar Northern songs that won't be found in Reunion, including "When Johnny Comes Marching Home" and "Just Before the Battle, Mother." The familiar songs that are in the show are given unique treatments. And a couple of songs written in the South are included, because they were as popular in the North as they were in the South. All have new arrangements by musical supervisor Michael O'Flaherty.
How did the Civil War and the emancipation of the South's four million slaves reconfigure the natural landscape and the farming economy dependent upon it? An innovative reconsideration of the Civil War's role in southern history, Unredeemed Land uncovers the environmental constraints that shaped the rural South's transition to capitalism during the late nineteenth century. Dixie's "King Cotton" required extensive land use techniques, fresh soil, and slave-based agriculture in order to remain profitable. But wartime destruction and the rise of the contract labor system closed off those possibilities and necessitated increasingly intensive cultivation in ways that worked against the environment. The resulting disconnect between farmers' use of the land and what the natural environment could support went hand-in-hand with the economic dislocation of freedpeople, poor farmers, and sharecroppers. Erin Stewart Mauldin demonstrates how the Civil War and emancipation accelerated ongoing ecological change in ways that hastened the postbellum collapse of the region's subsistence economy, encouraged the expansion of cotton production, and ultimately kept cotton farmers trapped in a cycle of debt and tenancy. The first environmental history to bridge the antebellum, Civil War, and Reconstruction periods, this work will appeal to anyone who is interested in the landscape of the South or the legacies of the Civil War.
The #1 New York Times bestseller and New York Times Book Review 10 Best Books of 2017 "Eminently readable but thick with import . . . Grant hits like a Mack truck of knowledge." -Ta-Nehisi Coates, The Atlantic Pulitzer Prize winner Ron Chernow returns with a sweeping and dramatic portrait of one of our most compelling generals and presidents, Ulysses S. Grant. Ulysses S. Grant's life has typically been misunderstood. All too often he is caricatured as a chronic loser and an inept businessman, or as the triumphant but brutal Union general of the Civil War. But these stereotypes don't come close to capturing him, as Chernow shows in his masterful biography, the first to provide a complete understanding of the general and president whose fortunes rose and fell with dizzying speed and frequency. Before the Civil War, Grant was flailing. His business ventures had ended dismally, and despite distinguished service in the Mexican War he ended up resigning from the army in disgrace amid recurring accusations of drunkenness. But in war, Grant began to realize his remarkable potential, soaring through the ranks of the Union army, prevailing at the battle of Shiloh and in the Vicksburg campaign, and ultimately defeating the legendary Confederate general Robert E. Lee. Along the way, Grant endeared himself to President Lincoln and became his most trusted general and the strategic genius of the war effort. Grant's military fame translated into a two-term presidency, but one plagued by corruption scandals involving his closest staff members. More important, he sought freedom and justice for black Americans, working to crush the Ku Klux Klan and earning the admiration of Frederick Douglass, who called him "the vigilant, firm, impartial, and wise protector of my race." After his presidency, he was again brought low by a dashing young swindler on Wall Street, only to resuscitate his image by working with Mark Twain to publish his memoirs, which are recognized as a masterpiece of the genre. With lucidity, breadth, and meticulousness, Chernow finds the threads that bind these disparate stories together, shedding new light on the man whom Walt Whitman described as "nothing heroic... and yet the greatest hero." Chernow's probing portrait of Grant's lifelong struggle with alcoholism transforms our understanding of the man at the deepest level. This is America's greatest biographer, bringing movingly to life one of our finest but most underappreciated presidents. The definitive biography, Grant is a grand synthesis of painstaking research and literary brilliance that makes sense of all sides of Grant's life, explaining how this simple Midwesterner could at once be so ordinary and so extraordinary. Named one of the best books of the year by Goodreads * Amazon * The New York Times * Newsday * BookPage * Barnes and Noble * Wall Street Journal
Alfred Thomas Wood was nothing and everything. One hundred years before the Hollywood film "The Great Impostor," Wood, the Great Absquatulator, roved through the momentous mid-19th century events from Halifax, Nova Scotia, to New England, Liberia, Great Britain, Ireland, Germany, Canada, the U.S. Mid-West and the South. An Oxford-educated preacher in Maine and Boston, he claimed to be a Cambridge-educated doctor of divinity in Liberia, whereas neither University admitted black students then. He spent 18 months in an English prison. In Hamburg in 1854, he published a history of Liberia in German. Later, in Montreal, he claimed to have been Superintendent of Public Works in Sierra Leone. He served the African Methodist Episcopal Church in Ohio, Indiana and Illinois as an Oxford-educated DD, then toiled in post-Civil War Tennessee as a Cambridge-trained MD. People who knew him couldn't wait to forget him.In his Foreword, Rapper Webster (Aly Ndiaye) compares Wood to a mid-19th-century Forrest Gump but also to Malcolm X, before Malcolm became political. |
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