Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Michael Harding Non-Absorbent Acrylic Primer ensures a smooth paint surface and will provide a strong bond to the layers of paint applied, with just enough tooth so as not to be greasy in feel.

Application:

Gamblin Palette Knives have been thoughtfully designed and sustainably crafted to support a lifetime of painting.

The Taylor Gamblin Palette Knife is the longest knife in the range. The Taylor is for working big and creating large colour mixtures. Ideal for blocking in large areas and smoothing the texture or edges of a painting.

The blades are made of FlexSteel™, a one-piece, non-reflective carbon steel offering even tension and excellent manoeuvrability. The 1.5mm thick steel gradually tapers to achieve crisp edges and the desired flex.

The handles are handcrafted from sustainably grown, FSC-certified birch. Each design from the series of six palette knives has a distinctive colourway making them easy to differentiate when working.

Ideal for oil and acrylic painting, the six different designs offer a variety of painting effects and can also be used for colour mixing.

Gamblin Palette Knives have been thoughtfully designed and sustainably crafted to support a lifetime of painting.

The Division Place Gamblin Palette Knife employs a classic design that has served artists for centuries. An excellent all-purpose choice and a must-have for every studio.

The blades are made of FlexSteel™, a one-piece, non-reflective carbon steel offering even tension and excellent manoeuvrability. The 1.5mm thick steel gradually tapers to achieve crisp edges and the desired flex.

The handles are handcrafted from sustainably grown, FSC-certified birch. Each design from the series of six palette knives has a distinctive colourway making them easy to differentiate when working.

Ideal for oil and acrylic painting, the six different designs offer a variety of painting effects and can also be used for colour mixing.

The u.go Cinch is a strong and flexible band, made from silicone. It holds the accessory side trays to the lid of your pochade box for compact storage during transportation. It also secures brushes, tools, and medium cups to a side tray.

When combined with the u.go Carabiner, the set becomes a unique hook for your turpentine canister, a paint towel, rubbish bag and more. Additionally, the set can be used to strap items to your backpack. New Wave also recommend wrapping the Cinch around your Anywhere Pochade Box during transportation when using a glass palette.

Each cinch measures 175mm and can stretch up to approximately 300mm.

The u.go Anywhere Grey Plastic Palette is an excellent option when looking for a lightweight grey palette for the u.go Anywhere Pochade Box.

Made from durable high density grey acrylic, the grey tone is perfect for enhanced colour and value gauging when painting outdoors or in the studio. It features a smooth and easy to clean surface: oil paints can be removed with solvents and acrylic paints can be easily removed with razor blades.

The Iris Painter’s Palette is a beautifully designed maple wood 12 well palette for watercolour and gouache. Inspired by the ivory palettes used by the ancient Egyptians, it comes with a vegetable tanned leather cover and is intended for artists who mix their own pigments or squeeze them directly from the tube.

Peg and Awl was founded by husband and wife team Margaux and Walter Kent. The Philadelphia-based makers take inspiration from the history and craftsmanship of found treasures, as well as the effect of the passage of time on abandoned objects. The beautifully handcrafted products are made from natural and often salvaged materials, making each piece unique and a perfect addition to the artists’ studio or plein air toolkit.

Palette size: 19.1cm (length) x 6.4cm (width) x 1.0cm (depth)
Well size: 2.2cm (length) x 1.3cm (width) x 0.6cm (depth)
Sustainable maple from the USA
Finished with tung oil
Vegetable tanned leather cover
Made for wet paints (doesn’t fit a standard half-pan)
Paint not included

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.

The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.

The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.

Chemical class: Cobalt StannateCI name: PB35Light-fastness: ****Opacity: 7

Cryla Artists’ Acrylic colour is a very heavy-bodied colour with a high loading of permanent, lightfast pigments. The unique heavy, buttery feel under the brush and knife is popular with artists wanting to achieve a wide variety of impasto effects.

Chemical class: Amorphous Carbon Produced By Charring Animal BonesCI name: PBk9Light-fastness: ****Opacity: 11

Cryla Artists’ Acrylic colour is a very heavy-bodied colour with a high loading of permanent, lightfast pigments. The unique heavy, buttery feel under the brush and knife is popular with artists wanting to achieve a wide variety of impasto effects.

Acrylic Studio contains the same resin as Acrylic Artist Colour, and many of the same pigments; the pigments selected for this range have been chosen for their permanence, purity and colour intensity, always keeping in mind the purpose of offering an excellent product at a moderate and uniform price.

Acrylic Studio colours do not contain fillers of any kind, so that the colours have great strength and chromatic purity. They are opaque or transparent, depending on the nature of the pigment, and dry to a semi matte finish. The range of 26 colours does not contain any toxic pigments or derivatives of heavy metals, and does not create waste products which may harm the environment. The name and colour index number of the pigments are stated on the labels and in the colourchart, so that the artist can study mixtures and develop their own colours with complete control.

The heavy body consistency of Acrylic Studio permits all techniques, allows the artist to mix the colours with all mediums as well as extraneous materials and can also be simply diluted with water for more transparent applications.

Lascaux Artist is a high-quality acrylic paint applicable in art and decoration. This thick artist’s paint is suitable for all painting techniques, and lends itself to both indoor and outdoor use. Practically every nuance of colour is able to be attained with this balanced assortment of 54 hues. The outstanding colouristic properties of Lascaux Artist meets the highest of expectations.

Properties* maximum pigmentation* lightfast, age-resistant and non-yellowing* optimally weather-resistant* water-resistant when dry* very good film flexibility* minimal colour difference between wet and dry* semi-matt finish * consistency: smooth and thick * Opacity: ranges from transparent to opaque, depending upon colour tone (pigmentation)* painting properties: smooth buttery and soft* precision application with brush and palette-knife* adhesion: optimal on practically any fat-free surface* usage: highly concentrated and economicalApplication * for art and decoration* for all painting techniques* for indoor and outdoor use UsageLascaux Artist can be applied with any painting tool, either directly from the container or diluted with water. The result is a hard elastic colour film that can be painted over as desired – from delicate glazes to heavy impastos. Priming:We offer products for both rigid and flexible base coats (Lascaux Primers and Modelling Pastes) dependent upon the desired absorption level and texture.Mixing:With the use of the versatile Lascaux Acrylic painting agents, the properties of the paints can be adapted to all techniques, i.e., modifying gloss level, viscosity and structure. Transparency can be increased by mixing with impasto gels, whilst maintaining the thickness of the paint.Varnishing:All acrylic works can be permanently protected and rendered easy to clean with Lascaux Transparent Varnishes. A special transparent varnish with an UV-absorber is available for outdoor applications. Composition:Lascaux Artist consists of lightfast pigments and selected pure acrylics.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal. Suitable for a wide range of applications including pastels, charcoal, pencils, inks, acrylics, gouache or even watercolours.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal. Suitable for a wide range of applications including pastels, charcoal, pencils, inks, acrylics, gouache or even watercolours.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal.

Art Spectrum Colourfix Primer is a quick-drying acrylic primer which can be used to prime paper for use with soft pastels, as it will leave a slight tooth to the surface.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal.Suitable for a wide range of applications including pastels, charcoal, pencils, inks, acrylics, gouache or even watercolours.

Art Spectrum Colourfix Primer is a quick-drying acrylic primer which can be used to prime paper for use with soft pastels, as it will leave a slight tooth to the surface. It can also be used on glass, wood, cardboard, ceramic, metal or canvas and is a workable ground for oil or acrylic painting and dry media.This is a 1 litre bottle of clear pastel primer, which will give a slight tooth to a substrate so that it will accept multiple layers of soft pastel.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal. Suitable for a wide range of applications including pastels, charcoal, pencils, inks, acrylics, gouache or even watercolours.

Chemical class: Cobalt AluminateCI name: PB28Light-fastness: ****Opacity: 10

Cryla Artists’ Acrylic colour is a very heavy-bodied colour with a high loading of permanent, lightfast pigments. The unique heavy, buttery feel under the brush and knife is popular with artists wanting to achieve a wide variety of impasto effects.

Chemical class: Sodium Alumino-SulphosilicatesCI name: PB29Light-fastness: ***Opacity: 6

Cryla Artists’ Acrylic colour is a very heavy-bodied colour with a high loading of permanent, lightfast pigments. The unique heavy, buttery feel under the brush and knife is popular with artists wanting to achieve a wide variety of impasto effects.