Aero Colour Professional are highly light-resistant, brilliant air-brush colours from the Schmincke company developed specially for the air-brush spray-gun but also very good to use with retouching pens, dip-pens and brushes.Aero Colour Professional is distinguished by its ideal qualities. Schmincke's finest air-brush colours have a pleasant odour, are easy to use, resistant and can be used on almost all fat-free surfaces. All colours are ready-to-use and can also be used undiluted due to their very fine pigmentation. If required, they can be diluted with Aero Medium (Art.-No.50 602) or water. All colours come in tough 30 ml pipette jars and some are also available in plastic 250 ml and 1000 ml jars for more frequent use.

Many of the 36 colours as well as the 12 new effect colours are single-pigment shades that guarantee brilliant mixtures and an unlimited variety of shades.

A large number of the bright colours are glazed or semi-glazed. They can be made opaque by adding a slight quantity of extremely opaque Aero Colour Professional colour Supra-White, opaque (28 101) without being made any brighter or losing their tinting strength.

Aero Colour Professional adheres particularly well to all sorts of papers and cardboards as well as the usual, non-absorbent surfaces such as film, hard plastics, canvas and - after appropriate preliminary treatment - metal. The colours are easy to mask and excellent for graphic designs and special air-brush techniques. Aero Colour Professional dries semi-matt, is water-resistant and is easy to reproduce.

As the result of many years of research and development work all shades have one unique feature in the air-brush market. After a short time Aero Colour Professional turns viscous after being stored, but liquifies after being shaken briefly once. So "Shake & Spray" stands for the colours' simple and quick "shakeability", including the highest pigmentations, thanks to its unique and innovative formula.

Aero Colour Professional are highly light-resistant, brilliant air-brush colours from the Schmincke company developed specially for the air-brush spray-gun but also very good to use with retouching pens, dip-pens and brushes.Aero Colour Professional is distinguished by its ideal qualities. Schmincke's finest air-brush colours have a pleasant odour, are easy to use, resistant and can be used on almost all fat-free surfaces. All colours are ready-to-use and can also be used undiluted due to their very fine pigmentation. If required, they can be diluted with Aero Medium (Art.-No.50 602) or water. All colours come in tough 30 ml pipette jars and some are also available in plastic 250 ml and 1000 ml jars for more frequent use.

Many of the 36 colours as well as the 12 new effect colours are single-pigment shades that guarantee brilliant mixtures and an unlimited variety of shades.

A large number of the bright colours are glazed or semi-glazed. They can be made opaque by adding a slight quantity of extremely opaque Aero Colour Professional colour Supra-White, opaque (28 101) without being made any brighter or losing their tinting strength.

Aero Colour Professional adheres particularly well to all sorts of papers and cardboards as well as the usual, non-absorbent surfaces such as film, hard plastics, canvas and - after appropriate preliminary treatment - metal. The colours are easy to mask and excellent for graphic designs and special air-brush techniques. Aero Colour Professional dries semi-matt, is water-resistant and is easy to reproduce.

As the result of many years of research and development work all shades have one unique feature in the air-brush market. After a short time Aero Colour Professional turns viscous after being stored, but liquifies after being shaken briefly once. So "Shake & Spray" stands for the colours' simple and quick "shakeability", including the highest pigmentations, thanks to its unique and innovative formula.

Aero Colour Professional are highly light-resistant, brilliant air-brush colours from the Schmincke company developed specially for the air-brush spray-gun but also very good to use with retouching pens, dip-pens and brushes.Aero Colour Professional is distinguished by its ideal qualities. Schmincke's finest air-brush colours have a pleasant odour, are easy to use, resistant and can be used on almost all fat-free surfaces. All colours are ready-to-use and can also be used undiluted due to their very fine pigmentation. If required, they can be diluted with Aero Medium (Art.-No.50 602) or water. All colours come in tough 30 ml pipette jars and some are also available in plastic 250 ml and 1000 ml jars for more frequent use.

Many of the 36 colours as well as the 12 new effect colours are single-pigment shades that guarantee brilliant mixtures and an unlimited variety of shades.

A large number of the bright colours are glazed or semi-glazed. They can be made opaque by adding a slight quantity of extremely opaque Aero Colour Professional colour Supra-White, opaque (28 101) without being made any brighter or losing their tinting strength.

Aero Colour Professional adheres particularly well to all sorts of papers and cardboards as well as the usual, non-absorbent surfaces such as film, hard plastics, canvas and - after appropriate preliminary treatment - metal. The colours are easy to mask and excellent for graphic designs and special air-brush techniques. Aero Colour Professional dries semi-matt, is water-resistant and is easy to reproduce.

As the result of many years of research and development work all shades have one unique feature in the air-brush market. After a short time Aero Colour Professional turns viscous after being stored, but liquifies after being shaken briefly once. So "Shake & Spray" stands for the colours' simple and quick "shakeability", including the highest pigmentations, thanks to its unique and innovative formula.

Aero Colour Professional are highly light-resistant, brilliant air-brush colours from the Schmincke company developed specially for the air-brush spray-gun but also very good to use with retouching pens, dip-pens and brushes.Aero Colour Professional is distinguished by its ideal qualities. Schmincke's finest air-brush colours have a pleasant odour, are easy to use, resistant and can be used on almost all fat-free surfaces. All colours are ready-to-use and can also be used undiluted due to their very fine pigmentation. If required, they can be diluted with Aero Medium (Art.-No.50 602) or water. All colours come in tough 30 ml pipette jars and some are also available in plastic 250 ml and 1000 ml jars for more frequent use.

Many of the 36 colours as well as the 12 new effect colours are single-pigment shades that guarantee brilliant mixtures and an unlimited variety of shades.

A large number of the bright colours are glazed or semi-glazed. They can be made opaque by adding a slight quantity of extremely opaque Aero Colour Professional colour Supra-White, opaque (28 101) without being made any brighter or losing their tinting strength.

Aero Colour Professional adheres particularly well to all sorts of papers and cardboards as well as the usual, non-absorbent surfaces such as film, hard plastics, canvas and - after appropriate preliminary treatment - metal. The colours are easy to mask and excellent for graphic designs and special air-brush techniques. Aero Colour Professional dries semi-matt, is water-resistant and is easy to reproduce.

As the result of many years of research and development work all shades have one unique feature in the air-brush market. After a short time Aero Colour Professional turns viscous after being stored, but liquifies after being shaken briefly once. So "Shake & Spray" stands for the colours' simple and quick "shakeability", including the highest pigmentations, thanks to its unique and innovative formula.

Aero Colour Professional are highly light-resistant, brilliant air-brush colours from the Schmincke company developed specially for the air-brush spray-gun but also very good to use with retouching pens, dip-pens and brushes.Aero Colour Professional is distinguished by its ideal qualities. Schmincke's finest air-brush colours have a pleasant odour, are easy to use, resistant and can be used on almost all fat-free surfaces. All colours are ready-to-use and can also be used undiluted due to their very fine pigmentation. If required, they can be diluted with Aero Medium (Art.-No.50 602) or water. All colours come in tough 30 ml pipette jars and some are also available in plastic 250 ml and 1000 ml jars for more frequent use.

Many of the 36 colours as well as the 12 new effect colours are single-pigment shades that guarantee brilliant mixtures and an unlimited variety of shades.

A large number of the bright colours are glazed or semi-glazed. They can be made opaque by adding a slight quantity of extremely opaque Aero Colour Professional colour Supra-White, opaque (28 101) without being made any brighter or losing their tinting strength.

Aero Colour Professional adheres particularly well to all sorts of papers and cardboards as well as the usual, non-absorbent surfaces such as film, hard plastics, canvas and - after appropriate preliminary treatment - metal. The colours are easy to mask and excellent for graphic designs and special air-brush techniques. Aero Colour Professional dries semi-matt, is water-resistant and is easy to reproduce.

As the result of many years of research and development work all shades have one unique feature in the air-brush market. After a short time Aero Colour Professional turns viscous after being stored, but liquifies after being shaken briefly once. So "Shake & Spray" stands for the colours' simple and quick "shakeability", including the highest pigmentations, thanks to its unique and innovative formula.

Aero Colour Professional are highly light-resistant, brilliant air-brush colours from the Schmincke company developed specially for the air-brush spray-gun but also very good to use with retouching pens, dip-pens and brushes.Aero Colour Professional is distinguished by its ideal qualities. Schmincke's finest air-brush colours have a pleasant odour, are easy to use, resistant and can be used on almost all fat-free surfaces. All colours are ready-to-use and can also be used undiluted due to their very fine pigmentation. If required, they can be diluted with Aero Medium (Art.-No.50 602) or water. All colours come in tough 30 ml pipette jars and some are also available in plastic 250 ml and 1000 ml jars for more frequent use.

Many of the 36 colours as well as the 12 new effect colours are single-pigment shades that guarantee brilliant mixtures and an unlimited variety of shades.

A large number of the bright colours are glazed or semi-glazed. They can be made opaque by adding a slight quantity of extremely opaque Aero Colour Professional colour Supra-White, opaque (28 101) without being made any brighter or losing their tinting strength.

Aero Colour Professional adheres particularly well to all sorts of papers and cardboards as well as the usual, non-absorbent surfaces such as film, hard plastics, canvas and - after appropriate preliminary treatment - metal. The colours are easy to mask and excellent for graphic designs and special air-brush techniques. Aero Colour Professional dries semi-matt, is water-resistant and is easy to reproduce.

As the result of many years of research and development work all shades have one unique feature in the air-brush market. After a short time Aero Colour Professional turns viscous after being stored, but liquifies after being shaken briefly once. So "Shake & Spray" stands for the colours' simple and quick "shakeability", including the highest pigmentations, thanks to its unique and innovative formula.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colors up to 45% acrylic color, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.

Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.

Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colors up to 45% acrylic color, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.

Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.

Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. Acrylic pouring involves pre mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes. This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colours up to 45% acrylic colour, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thiner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease free, slightly absorbent and stable.Schmincke is a German based paint makers which has been making high quality paints for the last 100 years.Please note: this product should be used in temperatures above 15 degrees celsius and individual pretests should always be done. This is a 500ml bottle of Schmincke Pouring Medium for use with acrylic pouring.

Schmincke Pouring Medium is a fluid acrylic-medium that is used for creating acrylic pour paintings. It is especially good for producing cell-like effects. Acrylic pouring involves pre-mixing fluid acrylics and acrylic ink with a pouring medium and then pouring it over a panel or canvas to create gorgeous abstract patterns or landscapes.

Achieving a 'cell' effect is popular with pour painters and can be achieved by using just a pouring medium (and perhaps a splash of water), but most pouring mediums bind too well to the paints. Silicone is the key to creating dynamic cells in your paintings and this medium helps you achieve that - without the cracking that is usually associated with silicone and pour painting. Silicone to be the best type of lubricant for acrylic pouring because it’s predictable, neutral, and durable. It’s easy to manipulate, unlike water. It doesn’t affect color or turn rancid like many natural oils.

This pouring medium has optimised flow properties and can be mixed in any ratio with acrylic colors up to 45% acrylic color, allowing you to vary the speed of flow and experiment with your work. Additionally, you can use water as a thinner with it. It dries to a gloss finish and is then waterproof. The medium itself reduces crazing dramatically and dries clear with a non-yellowing, tack-free surface. The acrylic-medium mixes can be poured in layers after each layer has dried. The surface you pour onto should be grease-free, slightly absorbent and stable.

Suitable for use with Tri-Art Silicone, Oil Cell Flow Medium or Vallejo Silicone Oil Cell Flow Medium.

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: ***Opacity: OpaquePigment Code: PW6/PY42

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour.This is a 20ml tube of Talens Amsterdam Standard Acrylic in the following colour: Naples Yellow Deep.pdf=Amsterdam.pdf Royal Talens Amsterdam Standard Acrylics Colour Chart

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: ***Opacity: Semi-OpaquePigment Code: PY74/PG7

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: ***Opacity: OpaquePigment Code: PW6/PR101/PBk11

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: **Opacity: Semi-opaquePigment Code: PR112

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: **Opacity: Semi-opaquePigment Code: PR112/PY74

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: **Opacity: Semi-OpaquePigment Code: PR112/PR23

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: ***Opacity: OpaquePigment Code: PW6/PB29

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: ***Opacity: TransparentPigment Code: PV19/PV23

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: ***Opacity: TransparentPigment code: PB15

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: ***Opacity: Semi-opaquePigment code: PG7/PY74

Lascaux Studio Original is a universal acrylic paint for use in art, design and decoration. A time - honoured colour of supreme quality, it is highly versatile and suitable for all painting techniques. The Studio Original Colour range now consists of 50 tones in addition to 8 luminous bronze colours prepared from pure metallic bronzes.

Properties:• highly pigmented• lightfast, non-ageing and non-yellowing• optimally weather-resistant• water-resistant when dry • very good coating flexibility• minimal colour difference when wet or dry• gloss level: semi-gloss and uniform • consistency: viscous, smooth and soft• Opacity: the uniform covering power is ideal for effortless creation of monochrome surfaces• working properties: good coatability and consistent luminosity with maximum coverage• optimal adhesion: to practically any fat-free surface• usage: extremely concentrated and high-yielding

Usage:• for art, design and decoration• for all painting techniques (including airbrush and screen printing)• ideal for murals and large surfaces

Applications:Lascaux Studio Original can be applied with all painting tools either directly from the bottle or diluted with water (20%). The result is a firm elastic colour, which can be painted over in optional layers, whereupon the tone remains unchanged.

Priming:According to the absorption level and texture desired, we offer corresponding products for rigid and flexible base coats (Lascaux Primer and Modelling Pastes).

Mixing:In combination with Lascaux painting mediums, Lascaux Studio Original can be harmonised to suit any painting technique: from deep matt to very glossy glazes, from velvety surfaces to textured impastos.

Varnishing:All acrylic works can be lastingly protected with Lascaux Transparent Varnishes and are subsequently easy to clean. A transparent varnish with an UV-absorber is available for outdoor applications.

Composition:Lascaux Studio Original consists of lightfast pigments and selected pure acrylics.

Lascaux Studio Original is a universal acrylic paint for use in art, design and decoration. A time - honoured colour of supreme quality, it is highly versatile and suitable for all painting techniques. The Studio Original Colour range now consists of 50 tones in addition to 8 luminous bronze colours prepared from pure metallic bronzes.

Properties:• highly pigmented• lightfast, non-ageing and non-yellowing• optimally weather-resistant• water-resistant when dry • very good coating flexibility• minimal colour difference when wet or dry• gloss level: semi-gloss and uniform • consistency: viscous, smooth and soft• Opacity: the uniform covering power is ideal for effortless creation of monochrome surfaces• working properties: good coatability and consistent luminosity with maximum coverage• optimal adhesion: to practically any fat-free surface• usage: extremely concentrated and high-yielding

Usage:• for art, design and decoration• for all painting techniques (including airbrush and screen printing)• ideal for murals and large surfaces

Applications:Lascaux Studio Original can be applied with all painting tools either directly from the bottle or diluted with water (20%). The result is a firm elastic colour, which can be painted over in optional layers, whereupon the tone remains unchanged.

Priming:According to the absorption level and texture desired, we offer corresponding products for rigid and flexible base coats (Lascaux Primer and Modelling Pastes).

Mixing:In combination with Lascaux painting mediums, Lascaux Studio Original can be harmonised to suit any painting technique: from deep matt to very glossy glazes, from velvety surfaces to textured impastos.

Varnishing:All acrylic works can be lastingly protected with Lascaux Transparent Varnishes and are subsequently easy to clean. A transparent varnish with an UV-absorber is available for outdoor applications.

Composition:Lascaux Studio Original consists of lightfast pigments and selected pure acrylics.

Lascaux Studio Original is a universal acrylic paint for use in art, design and decoration. A time - honoured colour of supreme quality, it is highly versatile and suitable for all painting techniques. The Studio Original Colour range now consists of 50 tones in addition to 8 luminous bronze colours prepared from pure metallic bronzes.

Properties:• highly pigmented• lightfast, non-ageing and non-yellowing• optimally weather-resistant• water-resistant when dry • very good coating flexibility• minimal colour difference when wet or dry• gloss level: semi-gloss and uniform • consistency: viscous, smooth and soft• Opacity: the uniform covering power is ideal for effortless creation of monochrome surfaces• working properties: good coatability and consistent luminosity with maximum coverage• optimal adhesion: to practically any fat-free surface• usage: extremely concentrated and high-yielding

Usage:• for art, design and decoration• for all painting techniques (including airbrush and screen printing)• ideal for murals and large surfaces

Applications:Lascaux Studio Original can be applied with all painting tools either directly from the bottle or diluted with water (20%). The result is a firm elastic colour, which can be painted over in optional layers, whereupon the tone remains unchanged.

Priming:According to the absorption level and texture desired, we offer corresponding products for rigid and flexible base coats (Lascaux Primer and Modelling Pastes).

Mixing:In combination with Lascaux painting mediums, Lascaux Studio Original can be harmonised to suit any painting technique: from deep matt to very glossy glazes, from velvety surfaces to textured impastos.

Varnishing:All acrylic works can be lastingly protected with Lascaux Transparent Varnishes and are subsequently easy to clean. A transparent varnish with an UV-absorber is available for outdoor applications.

Composition:Lascaux Studio Original consists of lightfast pigments and selected pure acrylics.

Lascaux Studio Original is a universal acrylic paint for use in art, design and decoration. A time - honoured colour of supreme quality, it is highly versatile and suitable for all painting techniques. The Studio Original Colour range now consists of 50 tones in addition to 8 luminous bronze colours prepared from pure metallic bronzes.

Properties:• highly pigmented• lightfast, non-ageing and non-yellowing• optimally weather-resistant• water-resistant when dry • very good coating flexibility• minimal colour difference when wet or dry• gloss level: semi-gloss and uniform • consistency: viscous, smooth and soft• Opacity: the uniform covering power is ideal for effortless creation of monochrome surfaces• working properties: good coatability and consistent luminosity with maximum coverage• optimal adhesion: to practically any fat-free surface• usage: extremely concentrated and high-yielding

Usage:• for art, design and decoration• for all painting techniques (including airbrush and screen printing)• ideal for murals and large surfaces

Applications:Lascaux Studio Original can be applied with all painting tools either directly from the bottle or diluted with water (20%). The result is a firm elastic colour, which can be painted over in optional layers, whereupon the tone remains unchanged.

Priming:According to the absorption level and texture desired, we offer corresponding products for rigid and flexible base coats (Lascaux Primer and Modelling Pastes).

Mixing:In combination with Lascaux painting mediums, Lascaux Studio Original can be harmonised to suit any painting technique: from deep matt to very glossy glazes, from velvety surfaces to textured impastos.

Varnishing:All acrylic works can be lastingly protected with Lascaux Transparent Varnishes and are subsequently easy to clean. A transparent varnish with an UV-absorber is available for outdoor applications.

Composition:Lascaux Studio Original consists of lightfast pigments and selected pure acrylics.