Based on her personal search for life's meaning, Judy Binda's anthropological research on spirituality led her to write this ethnography. Without God's presence in her life, she would never have been able to overcome the many challenges she faced in her dual journey to grow both as a human being and a spiritual being.

In the first part of this work, through her encounters, Judy learns that her own spiritual path was mirrored in that of her contributors. She engages her applied research in the second part of her study in integrating traditional medicine and healers into Western clinics, in order to find solutions to improve the wellness of people and encourage Native spiritualism as a way of life. These ethnographic studies-conducted with those who walk their Native spiritual journey as spiritual seekers and the traditional medicine people and healers who have the ability to heal through spiritual guidance, traditional practices, and medicines-offer richness and benefits for those seeking different paths to wellness.

The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows - the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts. Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.

This book focuses on Abraham Abulafia's esoteric thought in relation to Maimonides, Maimonideans, and Islamic thought in the line of Leo Strauss' theory of the history of philosophy. A survey of Abulafia's sources leads into an analysis of the esoteric meaning on the famous parable of the three rings, considering also the possible connection between this parable, which Abdulafia inserted into a book dedicated to his student, the 13th century rabbi Nathan the wise, and the Lessing's Play "Nathan the Wise." The book also examines Abulafia's universalistic understanding of the nature of the Bible, the Hebrew language, and the people of Israel (or the Sinaic revelation). The universal aspects of Abulafia's thought have been put in relief against the more widespread Kabbalistic views which are predominantly particularistic. A number of texts have also been identified here for the first time as authored by Abulafia.

This new edition of Magick from Aiwass Books includes annotations shedding light on this challenging text. First published in Liber ABA (Part II), Aleister Crowley's dark masterpiece Magick is essential reading for students of Thelema and the occult. This guide to the principle tenets of black magic is a concise version of the more dense four-book magnum opus Liber ABA or 'Book 4' and is recommended to initiates.

In the last twenty years or so, numerous mainstream movies have drawn from the ideas and images of ancient thought to address the collapse of appearance and reality. These films have consistently featured the Gnostic currents that emerged from Plato: not only Gnosticism itself but also Cabbala and alchemy. Despite important differences, these traditions have provided filmmakers with ready-made ruminations on the relationship between surface and depth as well as with engaging plot lines and striking scenes. In films like "The Matrix" (1999) and "The Truman Show" (1998), Gnostic myths have offered speculations on the real as well as conspiracy theories. The Cabbalistic motif of golem-making has provided such movies as "A.I." (2001) and "Blade Runner" (1982) with mediations on the human and with parables of machines yearning for life. Pictures like "Dead Man" (1996) and "Altered States" (1980) have drawn on alchemical symbols to explore the possibilities of transmutation and to feature stories of the dead rising to life. Recent commercial Gnostic films are meditations on the conundrums of the post-modern age and the timeless soul. These pictures constitute archetypal sites for sacred contemplation. They create spaces akin to the caves of Eleusis or Lascaux, chambers where habits are annihilated and the ego is shattered. Maybe this spiritual attraction is the secret reason behind the recent abundance of Gnostic films. If so, then the dream factory is betraying its purpose. It is negating its deceptions and sales in the name of a bewildering reality that cannot be found. "Secret Cinema" explores these possibilities through engaging in three related activities. One, the book establishes the theoretical foundations and implications of the genre of Gnostic cinema. It develops these theoretical elements in the contexts of Gnosticism and the esoteric traditions emerging from it, Cabbala and alchemy. Two, in undertaking this work, Wilson considers several collateral issues. The book discusses the functions of genre, the relationships between cinema and psychology, the connections between the moving image and sacred power, the role of the cinematographic apparatus, and the romance of film. Three, the book is a broad meditation on the seductions of cinema. It is attuned to material attractions of the movies, those gorgeous lights and lurid shadows, but also the film's spiritual invitations, the gaps between the pictures, the empty spaces at the heart of life.

Millions of users have taken up residence in virtual worlds, and in those worlds they find opportunities to revisit and rewrite their religious lives. Robert Geraci argues that virtual worlds and video games have become a locus for the satisfaction of religious needs, providing many users with communities, a meaningful experience of history and human activity, and a sense of transcendence. Using interviews, surveys, and his own first-hand experience within the games, Geraci shows how World of Warcraft and Second Life provide participants with the opportunity to rethink what it means to be religious in the contemporary world. Not all participants use virtual worlds for religious purposes, but many online residents use them to rearrange or replace religious practice as designers and users collaborate in the production of a new spiritual marketplace. Using World of Warcraft and Second Life as case studies, this book shows that many residents now use virtual worlds to re-imagine their traditions and work to restore them to authentic sanctity, or else replace religious institutions with virtual communities that provide meaning and purpose to human life. For some online residents, virtual worlds are even keys to a post-human future where technology can help us transcend mortal life. Geraci argues that World of Warcraft and Second Life are virtually sacred because they do religious work. They often do such work without regard for and frequently in conflict with traditional religious institutions and practices; ultimately they participate in our sacred landscape as outsiders, competitors, and collaborators.

These true life stories have been happening throughout each of our lives and we are honored to share our uniqueness, as an individual and as a family entity, with you. We want everyone to know that you can and do have the exact type of life experiences that we have shared, and all you need to do is open yourselves up to listening to the quietness around you. You are loved and are important to our world. Go and be aware of your surroundings?do not be afraid of what is out there waiting for you. Live in that place where you can find your own uniqueness in this incredible life we have been given to live. We all need that special place where we love, laugh, and live without enduring ridicule or others? opinions. We should realize by now that no one can hurt us except ourselves, when we listen to closed-minded people. This is your time, and our world is growing in a rapid direction with the veil opening for our souls here in our earthly experiences.

There's more to life than working forty hours a week to survive in our society. And that's what this book is all about.

"Americas Awakening" shows where humanity stands and what it must do to fulfill its potential. Join the author as he Analyzes the American lifestyle through clear eyes, to outline problems, and explain solutions. Presents earthly truths and wisdom, encouraging readers to think and awaken so they can change themselves and the world. Tells his own story of how he left his life as an average, middle-class man to pursue the truth and reshape his life. This story is for the employee tired of the status quo, the college student questioning societies norms, and the thinker searching for answers. It's for anyone who wants to find wisdom and open their eyes to a better world with Americas Awakening.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Caught in the grip of savage religious war, fear of sorcery and the devil, and a deepening crisis of epistemological uncertainty, the intellectual climate of late Renaissance France (c. 1550-1610) was one of the most haunted in European history. Although existing studies of this climate have been attentive to the extensive body of writing on witchcraft and demons, they have had little to say of its ghosts. Combining techniques of literary criticism, intellectual history, and the history of the book, this study examines a large and hitherto unexplored corpus of ghost stories in late Renaissance French writing. These are shown to have arisen in a range of contexts far broader than was previously thought: whether in Protestant polemic against the doctrine of purgatory, humanist discussions of friendship, the growing ethnographic consciousness of New World ghost beliefs, or courtroom wrangles over haunted property. Chesters describes how, over the course of this period, we also begin to see emerge characteristics recognisable from modern ghost tales: the setting of the 'haunted house', the eroticised ghost, or the embodied revenant. Taking in prominent literary figures including Rabelais, Ronsard, Montaigne, d'Aubigne, as well as forgotten demonological tracts and sensationalist pamphlets, Ghost Stories in Late Renaissance France sheds new light on the beliefs, fears, and desires of a period on the threshold of modernity. It will be of interest to any scholar or student working in the field of early modern European history, literature or thought.

This fascinating and insightful tour through present-day meetings of Spiritualists, UFOlogists, and dowsers illuminates our obsession with the paranormal and challenges the misunderstanding of the paranormal as a marginal or inconsequential feature of America's religious landscape. According to a 2005 Gallup poll, 75 percent of Americans believe in some form of paranormal activity. The United States has had a collective fascination with the paranormal since the mid-1800s, and it remains an integral part of our culture. Haunted Ground: Journeys through a Paranormal America examines three of the most vibrant paranormal gatherings in the United States-Lily Dale, a Spiritualist summer camp; the Roswell UFO Festival; and the American Society of Dowsers' annual convention of "water witches"-to explore and explain the reasons for our obsession with the paranormal. Both academically informed and thoroughly entertaining, this book takes readers on a "road trip" through our nation, guided by professor of American religion Darryl V. Caterine, PhD. The author interprets seemingly unrelated case studies of phantasmagoria collectively as an integral part of the modern discourse about "nature" as ultimate reality. Along the way, Dr. Caterine reveals how Americans' interest in the paranormal is rooted in their anxieties about cultural, political, and economic instability-and in a historic sense of alienation and homelessness. Chronologies focusing on the main developments in Spiritualist, UFOlogical, and dowsing history Photographs of materials, culture, and events at Lily Dale, the Roswell UFO Festival, and The American Society of Dowsers annual convention taken by the author A bibliography of authoritative scholarly works, primary texts, and theoretical frameworks pertinent to the study of Spiritualism, UFOlogy, and dowsing