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Books > Humanities > Religion & beliefs > Alternative belief systems
When two "grave and serious" spirits began speaking to a French
academic through two young mediums and "completely revolutionized
his] ideas and convictions," Allan Kardec decided to set down these
spiritualistic revelations. The result electrified the high society
of the mid 19th century, which was already fascinated by "spirit
tapping" and other paranormalities, and earned Kardec-a pseudonym
his spirits commanded him to use-a place in this history of the
paranormal as the father of spiritism. Kardec "interviews" the
spirits, asking more than 1000 questions about morality, the nature
of the soul, the history of humanity, and more, including: . "Is
the soul reincarnated immediately after its separation from the
body?" . "Does the spirit remember his corporeal existence?" .
"Could two beings, who have already known and loved each other,
meet again and recognise one another, in another corporeal
existence?" . "What is to be thought of the signification
attributed to dreams?" . "Are good and evil absolute for all men?"
. "What is the aim of God in visiting mankind with destructive
calamities?" . "Is it possible for man to enjoy perfect happiness
upon the earth?" Promising nothing less than the secret of the
destiny of the human race, this extraordinary book, first published
in 1856, is as curious today as it was a century and a half ago.
French scholar HIPPOLYTE LEON DENIZARD RIVAIL (1804-1869), aka
Allan Kardec, was a longtime teacher of mathematics, astronomy, and
other scientific disciplines before turning to the paranormal.
Atheists generated widespread anxieties between the Reformation and
the Enlightenment. In response to such anxieties a distinct genre
of religious apologetics emerged in England between 1580 and 1720.
By examining the form and the content of the confutation of
atheism, Anti-Atheism in Early Modern England demonstrates the
prevalence of patterned assumptions and arguments about who an
atheist was and what an atheist was supposed to believe, outlines
and analyzes the major arguments against atheists, and traces the
important changes and challenges to this apologetic discourse in
the early Enlightenment.
The enigmatic and richly illustrative tarot deck reveals a host
of strange and iconic mages, such as The Tower, The Wheel of
Fortune, The Hanged Man and The Fool: over which loom the
terrifying figures of Death and The Devil. The 21 numbered playing
cards of tarot have always exerted strong fascination, way beyond
their original purpose, and the multiple resonances of the deck are
ubiquitous. From T. S. Eliot and his "wicked pack of cards" in "The
Waste Land" to the psychic divination of Solitaire in Ian Fleming's
"Live and Let Die"; and from the satanic novels of Dennis Wheatley
to the deck's adoption by New Age practitioners, the cards have in
modern times become inseparably connected to the occult. They are
now viewed as arguably the foremost medium of prophesying and
foretelling. Yet, as the author shows, originally the tarot were
used as recreational playing cards by the Italian nobility in the
Renaissance. It was only much later, in the 18th and 19th
centuries, that the deck became associated with esotericism before
evolving finally into a diagnostic tool for mind, body and spirit.
This is the first book to explore the remarkably varied ways in
which tarot has influenced culture. Tracing the changing patterns
of the deck's use, from game to mysterious oracular device, Helen
Farley examines tarot's emergence in 15th century Milan and
discusses its later associations with astrology, kabbalah and the
Age of Aquarius.
There are seven levels in heaven, seven levels on Earth and seven
levels (steps) we all must go through before we can go home to
heaven. When you know your loved one is alive in heaven and you can
talk and even see them from time to time, it makes living a lot
easier. Your spirit visits them while you sleep. Each of us retains
our past lives in our own orb. Yes, we all have a purpose to live.
A classic work on the subject of demons and the spirit world,
Biblical Demonology explores the scriptural teaching on satanic
forces in a systematic fashion. After a thorough introduction on
the origin of biblical demonology and a discussion on the reality
and identity of demons, Merrill F. Unger tackles several specific
practices of demonology, including demon possession, magic,
divination, and deliverance from demonic oppression. Recognized as
one of the twentieth century's most influential evangelical Bible
scholars, Unger provides a study of the invisible spiritual forces
behind the scenes of contemporary history that is scholarly yet
accessible to both Christian leaders and Christian readers.
Shamanism is part of the spiritual life of nearly all Native North
Americans. This bibliography gives the reader access to a wealth of
information on shamanism from the Bering Strait to the Mexican
border and from Maine to Florida. It includes articles and books
focusing on the spiritual connections of Native Americans to the
world through shamans. The books covered compare practices from
tribe to tribe, make distinctions between witchcraft or sorcery and
shamanism, and discuss the artifacts and tools of the trade. Many
are well illustrated, including collections from the nineteenth
century.
Given the degree of popular fascination with Gnostic religions, it
is surprising how few pay attention to the one such religion that
has survived from antiquity until the present day: Mandaism.
Mandaeans, who esteem John the Baptist as the most famous adherent
to their religion, have in our time found themselves driven from
their historic homelands by war and oppression. Today, they are a
community in crisis, but they provide us with unparalleled access
to a library of ancient Gnostic scriptures, as part of the living
tradition that has sustained them across the centuries. Gnostic
texts such as these have caught popular interest in recent times,
as traditional assumptions about the original forms and cultural
contexts of related religious traditions, such as Judaism,
Christianity, and Islam, have been called into question. However,
we can learn only so much from texts in isolation from their own
contexts. Mandaean literature uniquely allows us not only to
increase our knowledge about Gnosticism, and by extension all these
other religions, but also to observe the relationship between
Gnostic texts, rituals, beliefs, and living practices, both
historically and in the present day.
This book examines the lives of the famous Russian painter,
thinker, and mystic Nikolai Roerich and his wife, Elena Roerich,
the "mother" of Agni Yoga esoteric teaching. Extensively
researched, it focuses on the couple's spiritual quest, resulting
in their gradual transformation under the influence of theosophy,
spiritualism and Elena's psychic "fiery experience" into mystics
and gurus who fashioned their new version of the "myth of the
Masters," the invisible guides of humanity. Special attention is
given to N. Roerich's travels in Central Asia and Far East, his
cultural and public activities and particularly his
Buddho-Communist utopia. The myth of the Masters revived will
appeal to those interested in New Age esotericism, mysticism, and
Russian thought in the first half of the 20th century.
"Art and War in Japan and its Empire: 1931-1960" is an anthology
that investigates the impact of the Fifteen-Year War (1931-1945) on
artistic practices and brings together twenty scholars including
art historians, historians, and museum curators from the United
States, Canada, France, Taiwan, Korea, and Japan. This will be the
first art-historical anthology that examines responses to the war
within and outside Japan in the wartime and postwar period. The
anthology will scrutinize official and unofficial war artists who
recorded, propagated, or resented the war; explore the
unprecedented transnationality of artistic activity under Japan s
colonial expansion; and consider the role of today s museum
institutions in remembering the war through art. Contributors
include: Asato Ikeda, Aya Lousa McDonald, Ming Tiampo, Akihisa
Kawata, Mikiko Hirayama, Mayu Tsuruya, Michael Lucken, Bert
Winther-Tamaki, Mark H. Sandler, Maki Kaneko, Kendall Brown, Reita
Hirase, Gennifer Weisenfeld, Kari Shepherdson-Scott, Aida-Yuen
Wong, Hyeshin Kim, Laura Hein, and Julia Adeney Thomas.
This study of modernism's high imperial, occult-exotic affiliations
presents many well-known figures from the period 1880-1960 in a new
light. Modernism and the Occult traces the history of modernist
engagement with 'irregular', heterodox and imported knowledge.
Hundreds of millions of people believe that Jesus came back from
the dead. This cogent, forcefully argued book presents a decidedly
unpopular view --namely, that the central tenet of Christianity,
the resurrection of Jesus, is false. The author asks a number of
probing questions:
Is the evidence about Jesus as it has been relayed to us over the
centuries of sufficient quantity and quality to justify belief in
the resurrection? How can we accept the resurrection but reject
magic at the Salem witch trials? What light does contemporary
research about human rationality from the fields of behavioral
economics, empirical psychology, cognitive science, and philosophy
shed on the resurrection and religious belief? Can we use
contemporary research about the reliability of people's beliefs in
the supernatural, miracles, and the paranormal to shed light on the
origins of Christianity and other religions? Does it make sense
that the all-powerful creator of the universe would employ miracles
to achieve his ends? Can a Christian believe by faith alone and yet
reasonably deny the supernatural claims of other religions? Do the
arguments against Christianity support atheism?
By carefully answering each of these questions, this book
undermines Christianity and theism at their foundations; it gives
us a powerful model for better critical reasoning; and it builds a
compelling case for atheism. Without stooping to condescension or
arrogance, the author offers persuasive arguments that are
accessible, thoughtful, and new.
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