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Books > Humanities > Religion & beliefs > Non-Christian religions > Pre-Christian European & Mediterranean religions > Ancient Greek religion
Greek mythology is known to us from various artistic and literary
sources. Of the latter, the poetic sources (such as Homer and
tragedy) are familiar to many readers, but the prose sources are
much less so. Early Greek Mythography: Volume 2 is a detailed
commentary on the texts of Early GreekMythography: Volume 1, which
provided a critical edition of the twenty-nine authors of this
genre of Greek prose from the late sixth to the early fourth
centuries BC.
After a general introduction, this volume offers in its first part
a mythological commentary on the texts, arranged according to the
major topics of Greek mythology (the Trojan Cycle, Herakles, the
Argonauts, etc.). The aim is to recover, so far as possible, what
each writer said about the stories, with full consideration of
their historical context and significance for Greek literature,
mythology, and religion. The synoptic, topic-by-topic approach
allows all the fragments pertinent to any given myth to be treated
together, so that one can more easily identify variants and trends,
and plot the history of the myth. The second part of the volume is
a philological commentary on the separate authors, discussing their
life, works, and contribution to the genre, as well as textual
problems and non-mythological questions raised by individual
fragments.
Stories about dragons, serpents, and their slayers make up a rich
and varied tradition within ancient mythology and folklore. In this
sourcebook, Daniel Ogden presents a comprehensive and easily
accessible collection of dragon myths from Greek, Roman, and early
Christian sources. Some of the dragons featured are well known: the
Hydra, slain by Heracles; the Dragon of Colchis, the guardian of
the golden fleece overcome by Jason and Medea; and the great
sea-serpent from which Perseus rescues Andromeda. But the less well
known dragons are often equally enthralling, like the Dragon of
Thespiae, which Menestratus slays by feeding himself to it in armor
covered in fish-hooks, or the lamias of Libya, who entice young men
into their striking-range by wiggling their tails, shaped like
beautiful women, at them. The texts are arranged in such a way as
to allow readers to witness the continuity of and evolution in
dragon stories between the Classical and Christian worlds, and to
understand the genesis of saintly dragon-slaying stories of the
sort now characteristically associated with St George, whose
earliest dragon-fight concludes the volume. All texts, a
considerable number of which have not previously been available in
English, are offered in new translations and accompanied by lucid
commentaries that place the source-passages into their mythical,
folkloric, literary, and cultural contexts. A sampling of the
ancient iconography of dragons and an appendix on dragon slaying
myths from the ancient Near East and India, particularly those with
a bearing upon the Greco-Roman material, are also included. This
volume promises to be the most authoritative sourcebook on this
perennially fascinating and influential body of ancient myth.
Was Ancient Greek religion really 'mere ritualism'? Early
Christians denounced the pagans for the disorderly plurality of
their cults, and reduced Greek religion to ritual and idolatry;
protestant theologians condemned the pagan 'religion of form' (with
Catholicism as its historical heir). For a long time, scholars
tended to conceptualize Greek religion as one in which belief did
not matter, and religiosity had to do with observance of rituals
and religious practices, rather than with worshipers' inner
investment. But what does it mean when Greek texts time and again
speak of purity of mind, soul, and thoughts? This book takes a
radical new look at the Ancient Greek notions of purity and
pollution. Its main concern is the inner state of the individual
worshipper as they approach the gods and interact with the divine
realm in a ritual context. It is a book about Greek worshippers'
inner attitudes towards the gods and rituals, and about what kind
of inner attitude the Greek gods were envisaged to expect from
their worshippers. In the wider sense, it is a book about the role
of belief in ancient Greek religion. By exploring the Greek notions
of inner purity and pollution from Hesiod to Plato, the
significance of intrinsic, faith-based elements in Greek religious
practices is revealed - thus providing the first history of the
concepts of inner purity and pollution in early Greek religion.
An A-Z of some of the most celebrated creatures in Greek mythology,
from the lizard-like Centaur, Abas, to Zeus, tyrannical king of the
Olympian gods, and including Alcyoneus, Bia, the Chimaera, Damysus,
Echidna, Fear and Famine, Geryon, the Hydra, Ixion, Jealousy,
Kourotrophus, Ladon, Medusa, the Nemean Lion, Orthrus, Peace and
Quiet, Rhoetus, Sisyphus, Thanatos, Udaeus, Violence, War, Xanthus,
Yearning and the zealous Zelus. Also featured are the Aloadae,
baleful Boars, Corybantes and Curetes, Dactyls, Erinyes, the three
Fates, Gasterocheires, Gorgons, Graeae, Harpies, the
Ichthyocentauroi, the torments of Jason, the death-dealing Keres,
the man-eating Laestrygones, Maenades, the Neikeai, the Olympians,
Prayers and Entreaty, Quarrels, River-Gods, Sirens, Telchines,
Unicorns, Vice and Virtue, Wind Gods and the twelve spirits of the
Zodiac.
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Into the Quiet
(Hardcover)
Beth C Greenberg; Edited by Susan Atlas; Cover design or artwork by Betti Gefecht
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R745
Discovery Miles 7 450
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Ships in 12 - 17 working days
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**The mesmerising retelling from the woman at the heart of one of
Ancient Greece's most famous myths.** 'I absolutely adored this
book and am encouraging everyone I know to buy a copy.' REAL READER
REVIEW 'The last few pages will easily become tear soaked. I loved
every minute of this book' REAL READER REVIEW 'A lyrical,
insightful re-telling' - Daily Mail 'If you like Madeline Miller's
Circe and Song of Achilles, you will eat up Ariadne [. . .] Saint
makes it a page-turner' - Glamour 'Exquisitely written and
exceptionally moving, this is a mythical retelling to savour.' -
Elodie Harper, author of THE WOLF DEN 'ARIADNE gives voice to the
misused Princess of Crete who betrayed her father to save Theseus
from the Minotaur. Relevant and revelatory.' - Stylist Ariadne,
Princess of Crete and daughter of the fearsome King Minos, grows up
hearing stories of gods and heroes. But beneath the golden palace
something else stirs, the hoofbeats and bellows echoing from the
Labyrinth below. Every year its captive, the Minotaur - Ariadne's
brother - demands blood. When Theseus, Prince of Athens, arrives as
a sacrifice to the beast, Ariadne sees in him her chance to escape.
But helping Theseus kill the monster means betraying her family and
country, and Ariadne knows only too well that drawing the attention
of the mercurial gods may cost her everything. In a world where
women are nothing more than the pawns of powerful men, will
Ariadne's decision to risk everything for love ensure her happy
ending? Or will she find herself sacrificed for her lover's
ambition? ARIADNE gives a voice to the forgotten women of one of
the most famous Greek myths. Beautifully written and completely
immersive, this exceptional debut novel is perfect for fans of
CIRCE, A SONG OF ACHILLES, and THE SILENCE OF THE GIRLS. 'With her
wonderfully executed debut that reimagines the classic tale of
Theseus, Adriane and the Minotaur, Jennifer Saint joins the likes
of Madeline Miller and Pat Barker in forging mesmerising retellings
of ancient Greek myths from a female perspective.' -
Waterstones.com 'Saint's immersive novel thrusts the reader
straight into the heart of Greek mythology with this wonderful
reimagining of the story of Ariadne.' - iPaper 'What happens after
the monster is defeated and the princess leaves with the hero?
Jennifer Saint's ARIADNE is a shimmering tapestry of two sisters
bound by deceit and the shadows of family history. . .With a fresh
voice and keen insight, Saint adds flesh and bone to an ancient
myth, drawing the reader into an uneasy world of ever-afters.' -
Yangsze Choo, New York Times bestselling author of THE NIGHT TIGER
WHAT THE READERS ARE SAYING... 'Stunning writing, fabulous
storytelling and surprisingly real characters who you could
empathise with' 'This is an essential book in the new and rising
volume of retelling from the women's point of view - so revealing
and questioning. The ending 5 pages of this book killed me.' 'So
real, so matter of fact, like a good chat on a girls' night out.'
'Thought-provoking and charmingly rendered.' Guardian Imagine a
world where seductive male sirens lure brave heroines to their
death, where Icara and her mother fly too close to the sun, and
where beautiful men are forced to wed underworld queens... For
thousands of years, Greek myths have been told and retold. In these
stories, brutality and bravery are reserved for men, while women
are wicked witches or helpless maidens. Today, these myths continue
to shape our ideas about justice, tragedy and what makes a hero's
journey. Karrie and Jonathan love these stories, and have found a
way to breathe new life into them by making one crucial change...
Following the incredible success of Gender Swapped Fairy Tales they
have taken that same simple step. They haven't rewritten the
stories in this book. They haven't reimagined the endings, or
reinvented characters. What they have done is switch all the
genders. You'll be enchanted by the refreshing world this swap
creates - and thunderstruck by the new characters you're about to
discover.
'A beautiful and profound retelling' - Madeline Miller, author of
The Song of Achilles and Circe 'Gives the serpent-headed monster of
myth a powerful and haunting humanity' - Jennifer Saint, author of
Ariadne and Elektra _________________ If I told you that I'd killed
a man with a glance, would you wait to hear the rest? The why, the
how, what happened next? Monster. Man-hater. Murderess. Forget
everything you've been told about Medusa. Internationally
bestselling author Jessie Burton flips the script in this
astonishing retelling of Greek myth, illuminating the woman behind
the legend at last. Exiled to a far-flung island after being abused
by powerful Gods, Medusa has little company other than the snakes
that adorn her head instead of hair. Haunted by the memories of a
life before everything was stolen from her, she has no choice but
to make peace with her present: Medusa the Monster. But when the
charmed and beautiful Perseus arrives on the island, her lonely
existence is blown apart, unleashing desire, love... and betrayal.
Adapted from the hardback illustrated by Olivia Lomenech-Gill, this
paperback edition is perfect for readers who loved Circe and
Ariadne, as Medusa comes alive in a new version of the story that
history set in stone long ago. _________________ '... a must-read
for women of all ages' - Red magazine 'Utterly transporting' -
Guardian Books of the Year '... an impressive addition to the
shelves of feminist retellings, balancing rage with beautiful
storytelling' - Irish Times
The stories of the gods and goddesses of ancient Greece are
sprawling, dramatic and wonderfully strange; their lives intertwine
with mortals and their behaviours fluctuate wildly from benevolent
to violent, from didactic to fickle, from loving to enraged. Part
of the Macmillan Collector's Library; a series of stunning,
clothbound, pocket-sized classics with gold foiled edges and ribbon
markers. These beautiful books make perfect gifts or a treat for
any book lover. Jean Menzies captures the magic of Greek myths by
drawing on a wide variety of vivid retellings from the nineteenth
and twentieth centuries, which bring to life the stories of Zeus,
Athena, Poseidon, Hermes, Pandora and many more. Coupled with her
own entertaining commentary, this is the perfect book for learning
about the world of the Greek deities and a treat for all fans of
Greek mythology
Finally sort out who's who in Greek mythology-from gods, goddesses,
heroes, monsters, and everyone in between! Greek mythology
continues to appear in popular movies and books today but have you
ever wondered about where these characters started out? Discover
the origins of your favorite characters from Greek mythology with
this collection of profiles to tell you who's who in classical
lore! In Greek Mythology, you will discover the backstories of the
heroes, villains, gods, and goddesses that enjoy popularity in
today's shows and films. With comprehensive entries that outline
each character's name, roles, related symbols, and foundational
myths, you can get to know the roots of these personas and better
understand the stories they inspire today. With this
character-focused, handy reference, you will never be confused
about Ancient Greece!
Human sacrifice, a spirited heroine, a quest ending in a
hairsbreadth escape, the touching reunion of long-lost siblings,
and exquisite poetry-these features have historically made
Euripides' Iphigenia in Tauris one of the most influential of Greek
tragedies. Yet, despite its influence and popularity in the ancient
world, the play remains curiously under-investigated in both
mainstream cultural studies and more specialized scholarship. With
Adventures with Iphigenia in Tauris, Edith Hall provides a
much-needed cultural history of this play, giving as much weight to
the impact of the play on subsequent Greek and Roman art and
literature as on its manifestations since the discovery of the sole
surviving medieval manuscript in the 1500s. The book argues that
the reception of the play is bound up with its spectacular setting
on the southern coast of the Crimean peninsula in what is now the
Ukraine, a territory where world history has often been made.
However, it also shows that the play's tragicomic tenor and escape
plot have had a tangible influence on popular culture, from
romantic fiction to Hollywood action films. The thirteen chapters
illustrate how reactions to the play have evolved from the ancient
admiration of Aristotle and Ovid, the Christian responses of Milton
and Catherine the Great, the anthropological ritualists and
theatrical Modernists including James Frazer and Isadora Duncan, to
recent feminist and postcolonial dramatists from Mexico to
Australia. Individual chapters are devoted to the most significant
adaptations of the tragedy, Gluck's opera Iphigenie en Tauride and
Goethe's verse drama Iphigenie auf Tauris. Richly illustrated and
accessibly written, with all texts translated into English,
Adventures with Iphigenia in Tauris argues elegantly for a
reappraisal of this Euripidean masterpiece.
Ancient Greek culture is pervaded by a profound ambivalence
regarding female beauty. It is an awe-inspiring, supremely
desirable gift from the gods, essential to the perpetuation of a
man's name through reproduction; yet it also grants women
terrifying power over men, posing a threat inseparable from its
allure. The myth of Helen is the central site in which the ancient
Greeks expressed and reworked their culture's anxieties about
erotic desire. Despite the passage of three millennia, contemporary
culture remains almost obsessively preoccupied with all the power
and danger of female beauty and sexuality that Helen still
represents. Yet Helen, the embodiment of these concerns for our
purported cultural ancestors, has been little studied from this
perspective. Such issues are also central to contemporary feminist
thought. Helen of Troy engages with the ancient origins of the
persistent anxiety about female beauty, focusing on this key figure
from ancient Greek culture in a way that both extends our
understanding of that culture and provides a useful perspective for
reconsidering aspects of our own. Moving from Homer and Hesiod to
Sappho, Aeschylus, and Euripides, Ruby Blondell offers a fresh
examination of the paradoxes and ambiguities that Helen embodies.
In addition to literary sources, Blondell considers the
archaeological record, which contains evidence of Helen's role as a
cult figure, worshipped by maidens and newlyweds. The result is a
compelling new interpretation of this alluring figure.
THE SECOND INSTALLMENT IN THE HOUSE OF SHADOWS DUOLOGY, A GRIPPING
FANTASY INSPIRED BY GREEK MYTH. Return to the Underworld... Deina
has finally found what matters most to her in all the world. And
lost it. To save the one she loves, she's bound herself to the
Underworld and an endless future of darkness. But not even her
sacrifice is enough to secure Theron or her friends' safety in the
mortal realm. Aristaeus has seized power in Thebes and his
tyrannical reign is a constant, looming threat to their lives. So
when Deina is offered the chance to destroy him and the gods
altogether, she sets out on a new quest. But to succeed, she must
turn away from everything she holds true. In a game with the gods,
the rewards are infinite . . . but the punishments are eternal. Be
prepared for a nail-biting race for survival in this breathtaking
sequel to Daughter of Darkness. PRAISE FOR DAUGHTER OF DARKNESS:
'Everything I want in a fantasy and more' - Mary Watson, author of
Blood to Poison 'A book of smart, savage beauty' - Josh Winning,
author of The Shadow Glass 'Deliciously dark, dangerously exciting,
absolutely immersive fantasy from two goddesses of storytelling' -
Sinéad O'Hart, author of The Eye of the North 'Rich with
mythology, this twisty adventure spins a new story from old - one
that will leave you breathless, broken and begging for more' - Bex
Hogan, author of the Isles of Storm and Sorrow trilogy 'A beautiful
breath-taking adventure' - Holly Race, author of Midnight's Twins
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