THE SECOND INSTALLMENT IN THE HOUSE OF SHADOWS DUOLOGY, A GRIPPING FANTASY INSPIRED BY GREEK MYTH. Return to the Underworld... Deina has finally found what matters most to her in all the world. And lost it. To save the one she loves, she's bound herself to the Underworld and an endless future of darkness. But not even her sacrifice is enough to secure Theron or her friends' safety in the mortal realm. Aristaeus has seized power in Thebes and his tyrannical reign is a constant, looming threat to their lives. So when Deina is offered the chance to destroy him and the gods altogether, she sets out on a new quest. But to succeed, she must turn away from everything she holds true. In a game with the gods, the rewards are infinite . . . but the punishments are eternal. Be prepared for a nail-biting race for survival in this breathtaking sequel to Daughter of Darkness. PRAISE FOR DAUGHTER OF DARKNESS: 'Everything I want in a fantasy and more' - Mary Watson, author of Blood to Poison 'A book of smart, savage beauty' - Josh Winning, author of The Shadow Glass 'Deliciously dark, dangerously exciting, absolutely immersive fantasy from two goddesses of storytelling' - Sinéad O'Hart, author of The Eye of the North 'Rich with mythology, this twisty adventure spins a new story from old - one that will leave you breathless, broken and begging for more' - Bex Hogan, author of the Isles of Storm and Sorrow trilogy 'A beautiful breath-taking adventure' - Holly Race, author of Midnight's Twins

An A-Z of some of the most celebrated creatures in Greek mythology, from the lizard-like Centaur, Abas, to Zeus, tyrannical king of the Olympian gods, and including Alcyoneus, Bia, the Chimaera, Damysus, Echidna, Fear and Famine, Geryon, the Hydra, Ixion, Jealousy, Kourotrophus, Ladon, Medusa, the Nemean Lion, Orthrus, Peace and Quiet, Rhoetus, Sisyphus, Thanatos, Udaeus, Violence, War, Xanthus, Yearning and the zealous Zelus. Also featured are the Aloadae, baleful Boars, Corybantes and Curetes, Dactyls, Erinyes, the three Fates, Gasterocheires, Gorgons, Graeae, Harpies, the Ichthyocentauroi, the torments of Jason, the death-dealing Keres, the man-eating Laestrygones, Maenades, the Neikeai, the Olympians, Prayers and Entreaty, Quarrels, River-Gods, Sirens, Telchines, Unicorns, Vice and Virtue, Wind Gods and the twelve spirits of the Zodiac.

The stories of the gods and goddesses of ancient Greece are sprawling, dramatic and wonderfully strange; their lives intertwine with mortals and their behaviours fluctuate wildly from benevolent to violent, from didactic to fickle, from loving to enraged. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Jean Menzies captures the magic of Greek myths by drawing on a wide variety of vivid retellings from the nineteenth and twentieth centuries, which bring to life the stories of Zeus, Athena, Poseidon, Hermes, Pandora and many more. Coupled with her own entertaining commentary, this is the perfect book for learning about the world of the Greek deities and a treat for all fans of Greek mythology

This book uses the mythological hero Heracles as a lens for investigating the nature of heroic violence in Archaic and Classical Greek literature, from Homer through to Aristophanes. Heracles was famous for his great victories as much as for his notorious failures. Driving each of these acts is his heroic violence, an ambivalent force that can offer communal protection as well as cause grievous harm. Drawing on evidence from epic, lyric poetry, tragedy, and comedy, this work illuminates the strategies used to justify and deflate the threatening aspects of violence. The mixed results of these strategies also demonstrate how the figure of Heracles inherently - and stubbornly - resists reform. The diverse character of Heracles' violent acts reveals an enduring tension in understanding violence: is violence a negative individual trait, that is to say the manifestation of an internal state of hostility? Or is it one specific means to a preconceived end, rather like an instrument whose employment may or may not be justified? Katherine Lu Hsu explores these evolving attitudes towards individual violence in the ancient Greek world while also shedding light on timeless debates about the nature of violence itself.

Knossos is one of the most important sites in the ancient Mediterranean. It remained amongst the largest settlements on the island of Crete from the Neolithic until the late Roman times, but aside from its size it held a place of particular significance in the mythological imagination of Greece and Rome as the seat of King Minos, the location of the Labyrinth and the home of the Minotaur. Sir Arthur Evans’ discovery of ‘the Palace of Minos’ has indelibly associated Knossos in the modern mind with the ‘lost’ civilisation of Bronze Age Crete. The allure of this ‘lost civilisation’, together with the considerable achievements of ‘Minoan’ artists and craftspeople, remain a major attraction both to scholars and to others outside the academic world as a bastion of a romantic approach to the past. In this volume, James Whitley provides an up-to-date guide to the site and its function from the Neolithic until the present day. This study includes a re-appraisal Bronze Age palatial society, as well as an exploration of the history of Knossos in the archaeological imagination. In doing so he takes a critical look at the guiding assumptions of Evans and others, reconstructing how and why the received view of this ancient settlement has evolved from the Iron Age up to the modern era.

Women's mobility is central to understanding cultural constructions of gender. Regarding ancient cultures, including ancient Greece, a re-evaluation of women's mobility within the household and beyond it is currently taking place. This invites an informed analysis of female mobility in Greek myth, under the premise that myth may open a venue to social ideology and the imaginary. Female Mobility and Gendered Space in Ancient Greek Myth offers the first comprehensive analysis of this topic. It presents close readings of ancient texts, engaging with feminist thought and the 'mobility turn'. A variety of Olympian goddesses and mortal heroines are explored, and the analysis of their myths follows specific chronological considerations. Female mobility is presented in quite diverse ways in myth, reflecting cultural flexibility in imagining mobile goddesses and heroines. At the same time, the out-of-doors spaces that mortal heroines inhabit seem to lack a public or civic quality, with the heroines being contained behind 'glass walls'. In this respect, myth seems to reproduce the cultural limitations of ancient Greek social ideology on mobility, inviting us to reflect not only on the limits of mythic imagination but also on the timelessness of Greek myth.

This textbook is endorsed by OCR and supports the specification for A-Level Classical Civilisation (first teaching September 2017). It covers Components 31 and 34 from the 'Beliefs and Ideas' Component Group: Greek Religion by Athina Mitropoulos and Julietta Steinhauer Democracy and the Athenians by Tim Morrison and James Renshaw Why was worshipping the gods so important to ancient Greek life? To what extent did Greeks question religious belief? How and why did the Athenians invent democracy? How does Athenian democracy compare with democracy today? Drawing on modern scholarship and using a wide variety of illustrations, this book guides A-Level students to a greater understanding of these issues. It explores the fundamental features of Greek religion, as well as its major centres such as Delphi and Olympia. It then moves on to analyse the development and workings of Athenian democracy, as well as reflecting on ancient critiques of it, both celebratory and critical. The ideal preparation for the final examinations, all content is presented by experts and experienced teachers in a clear and accessible narrative. Ancient literary and visual sources are described and analysed, with supporting images. Helpful student features include study questions, quotations from contemporary scholars, further reading, and boxes focusing in on key people, events and terms. Practice questions and exam guidance prepare students for assessment. A Companion Website is available at www.bloomsbury.com/class-civ-as-a-level.

Winner of the London Hellenic Prize 2020 The Greek Trilogy of Luis Alfaro gathers together for the first time the three 'Greek' plays of the MacArthur Genius Award-winning Chicanx playwright and performance artist. Based respectively on Sophocles' Electra and Oedipus, and Euripides' Medea, Alfaro's Electricidad, Oedipus El Rey, and Mojada transplant ancient themes and problems into the 21st century streets of Los Angeles and New York, in order to give voice to the concerns of the Chicanx and wider Latinx communities. From performances around the world including sold-out runs at New York's Public Theater, these texts are extremely important to those studying classical reception, Greek theatre and Chicanx writers. This unique anthology features definitive editions of all three plays alongside a comprehensive introduction which provides a critical overview of Luis Alfaro's work, accentuating not only the unique nature of these three 'urban' adaptations of ancient Greek tragedy but also the manner in which they address present-day Chicanx and Latinx socio-political realities across the United States. A brief introduction to each play and its overall themes precedes the text of the drama. The anthology concludes with exclusive supplementary material aimed at enhancing understanding of Alfaro's plays: a 'Performance History' timeline outlining the performance history of the plays; an alphabetical 'Glossary' explaining the most common terms in Spanish and Spanglish appearing in each play; and a 'Further Reading' list providing primary and secondary bibliography for each play. The anthology is completed by a new interview with Alfaro which addresses key topics such as Alfaro's engagement with ancient Greek drama and his work with Chicanx communities across the United States, thus providing a critical contextualisation of these critically-acclaimed plays.

Find out what happened when King Midas was granted his wish, how Icarus flew too close to the sun, and relive the adventures of Jason and the Argonauts in these stories of love, betrayal, infatuation and punishment. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Greek myths have been part of Western culture since they were first set down by the ancients and, as there is no one definitive account, the stories have been ripe for reinterpretation through the centuries. Classicist and writer Jean Menzies has brought together fifteen retellings of famous myths from the likes of Andrew and Jean Lang, Nathaniel Hawthorne and Emilie Kip Baker, each chosen for its clarity and vivacity. The result? An enlightening and lively volume of stories and a treat for all fans of Greek mythology.

AN EPIC BATTLE THAT LASTED TEN YEARS. A LEGENDARY STORY THAT HAS SURVIVED THOUSANDS. 'An inimitable retelling of the siege of Troy . . . Fry's narrative, artfully humorous and rich in detail, breathes life and contemporary relevance into these ancient tales' OBSERVER 'Stephen Fry has done it again. Well written and super storytelling' 5***** READER REVIEW ________ 'Troy. The most marvellous kingdom in all the world. The Jewel of the Aegean. Glittering Ilion, the city that rose and fell not once but twice . . .' When Helen, the beautiful Greek queen, is kidnapped by the Trojan prince Paris, the most legendary war of all time begins. Watch in awe as a thousand ships are launched against the great city of Troy. Feel the fury of the battleground as the Trojans stand resolutely against Greek might for an entire decade. And witness the epic climax - the wooden horse, delivered to the city of Troy in a masterclass of deception by the Greeks . . . In Stephen Fry's exceptional retelling of our greatest story, TROY will transport you to the depths of ancient Greece and beyond. ________ 'A fun romp through the world's greatest story. Fry's knowledge of the world - ancient and modern - bursts through' Daily Telegraph 'An excellent retelling . . . told with compassion and wit' 5***** Reader Review 'Hugely successful, graceful' The Times 'If you want to read about TROY, this book is a must over any other' 5***** Reader Review 'Fluent, crisp, nuanced, begins with a bang' The Times Literary Supplement 'The characters . . . are brilliantly brought to life' 5***** Reader Review PRAISE FOR STEPHEN FRY'S GREEK SERIES: 'A romp through the lives of ancient Greek gods. Fry is at his story-telling best . . . the gods will be pleased' Times 'A head-spinning marathon of legends' Guardian 'An Olympian feat. The gods seem to be smiling on Fry - his myths are definitely a hit' Evening Standard 'An odyssey through Greek mythology. Brilliant . . . all hail Stephen Fry' Daily Mail 'A rollicking good read' Independent

Ancient Greek culture is pervaded by a profound ambivalence regarding female beauty. It is an awe-inspiring, supremely desirable gift from the gods, essential to the perpetuation of a man's name through reproduction; yet it also grants women terrifying power over men, posing a threat inseparable from its allure. The myth of Helen is the central site in which the ancient Greeks expressed and reworked their culture's anxieties about erotic desire. Despite the passage of three millennia, contemporary culture remains almost obsessively preoccupied with all the power and danger of female beauty and sexuality that Helen still represents. Yet Helen, the embodiment of these concerns for our purported cultural ancestors, has been little studied from this perspective. Such issues are also central to contemporary feminist thought. Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own. Moving from Homer and Hesiod to Sappho, Aeschylus, and Euripides, Ruby Blondell offers a fresh examination of the paradoxes and ambiguities that Helen embodies. In addition to literary sources, Blondell considers the archaeological record, which contains evidence of Helen's role as a cult figure, worshipped by maidens and newlyweds. The result is a compelling new interpretation of this alluring figure.

This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.