In this illustrated study Richard Buxton analyses Greek literary narratives and visual representations of the metamorphosis of humans and gods, as evidenced from Homer to Nonnos. Such tales have become familiar in their Ovidian dress, as in the best-selling translation by Ted Hughes; Buxton explores their Greek antecedents. He investigates such issues as: How do different contexts shape the way in which metamorphosis is narrated? How do the assumptions of commentators about 'strangeness' affect how metamorphosis is interpreted? How far should an interpreter allow 'contextual charity' to render more acceptable a belief such as that in metamorphosis? What are the implications of the notions of 'astonishment' (Greek: thambos) in a range of narratives about transformation? Throughout Forms of Astonishment Buxton draws comparisons between the Greek evidence and data from other religious traditions, ancient and modern; he also introduces comparative material from the sciences, from modern painting and literature, and from the cinema and computer graphics. In investigating metamorphoses of gods Buxton revisits the concept of anthropomorphism, arguing that the fact that Greek divinities were believed to change shape does not undermine the fundamentally humanlike form of Greek divinity. He also examines certain strands of Greek tradition, particularly among the philosophers, which called metamorphosis into question, whether in relation to the gods or to humans. Individual chapters deal with transformations into the landscape and into plants or trees-in the latter case transformation stories are set against a background of cultural beliefs about 'seminal' substances such as blood and tears. Overall, Forms of Astonishment raises issues relevant to an understanding of broad aspects of Greek culture, and illuminates issues explored by anthropologists and students of religion.

This handbook offers both students and teachers of ancient Greek religion a comprehensive overview of the current state of scholarship in the subject, from the Archaic to the Hellenistic periods. It not only presents key information, but also explores the ways in which such information is gathered and the different approaches that have shaped the area. In doing so, the volume provides a crucial research and orientation tool for students of the ancient world, and also makes a vital contribution to the key debates surrounding the conceptualization of ancient Greek religion. The handbook's initial chapters lay out the key dimensions of ancient Greek religion, approaches to evidence, and the representations of myths. The following chapters discuss the continuities and differences between religious practices in different cultures, including Egypt, the Near East, the Black Sea, and Bactria and India. The range of contributions emphasizes the diversity of relationships between mortals and the supernatural - in all their manifestations, across, between, and beyond ancient Greek cultures - and draws attention to religious activities as dynamic, highlighting how they changed over time, place, and context.

Polybius boldly declared that 'now that all places have become accessible by land or sea, it is no longer appropriate to use poets and writers of myth as witnesses of the unknown' (4.40.2). And yet, in reality, the significance of myth did not diminish as the borders of the known world expanded. Storytelling was always an inextricable part of how the ancient Greeks understood their environment; mythic maps existed alongside new, more concrete, methods of charting the contours of the earth. Specific landscape features acted as repositories of myth and spurred their retelling; myths, in turn, shaped and gave sense to natural and built environments, and were crucial to the conceptual resonances of places both unknown and known. This volume brings together contributions from leading scholars of Greek myth, literature, history, and archaeology to examine the myriad intricate ways in which ancient Greek myth interacted with the physical and conceptual landscapes of antiquity. The diverse range of approaches and topics highlights in particular the plurality and pervasiveness of such interactions. The collection as a whole sheds new light on the central importance of storytelling in Greek conceptions of space.

This edited volume brings together important scholars of religion in the ancient world to honor the impact of Karen L. King's scholarship in this field. Her work shows that Christianity was diverse from its first moments - even before the word "Christian" was coined - and insists that scholars must engage both in deep historical work and in ethical reflection. These essays honor King's intellectual impact by further investigating the categories that scholars have used in their reconstructions of religion, by reflecting on the place of women and gender in the analysis of ancient texts, and by providing historiographical interventions that illuminate both the ancient world and the modern scholarship that has shaped our field.

Anybody wanting to learn something about the commander-in-chief of the Greek army in the Trojan War will find out in this booklet. Jill Dudley explains the curse inflicted on the House of Atreus by King Agamemnon's ancestor, and the misfortunes suffered by King Agamemnon and his family. She relates events in the war in which Agamemnon was involved, and describes his tragic homecoming. As the back cover to this third booklet in this Put it in Your Pocket series says, it is: All you need to know about Greek myths concerning the Trojan War.

Jill Dudley describes how Apollo came to Delphi and killed the Python/Dragoness, then claimed for himself the magnificent sacred site on the foothills of Mt. Parnassus. She describes some of the more important buildings, and writes about the ancient ritual of enquiry; she also lists some of the oracle's responses, including those regarding Christianity. It is as it says on the back cover: All you need to know about the sacred site, its myths, legends and its gods.

Readers coming to the Odyssey for the first time are often dazzled and bewildered by the wealth of material it contains which is seemingly unrelated to the central story: the main plot of Odysseus' return to Ithaca is complicated by myriad secondary narratives related by the poet and his characters, including Odysseus' own fantastic tales of Lotus Eaters, Sirens, and cannibal giants. Although these 'para-narratives' are a source of pleasure and entertainment in their own right, each also has a special relevance to its immediate context, elucidating Odysseus' predicament and also subtly influencing and guiding the audience's reception of the main story. By exploring variations on the basic story-shape, drawing on familiar tales, anecdotes, and mythology, or inserting analogous situations, they create illuminating parallels to the main narrative and prompt specific responses in readers or listeners. This is the case even when details are suppressed or altered, as the audience may still experience the reverberations of the better-known version of the tradition, and it also applies to the characters themselves, who are often provided with a model of action for imitation or avoidance in their immediate contexts.

Originally published in 1894, this book contains an exhaustive amount of information on the gods and characters in ancient Greek and Roman Myths. This is the original 1st edition by E M Berens. It includes his original notes and a pronunciation index for every uncommon word or name in the book which is not in most reprints. This is not a blurry, scanned copy of the original. It is a fresh and perfectly printed book.

Can learning Ancient Greek ever be fun? Keith McCrary sets out to show: of course it can! The book starts with the Greek alphabet, and before you know, you'll be speaking it in different rhythms, in a series of accents, and even singing it. Pictographs for the letters of the Greek alphabet are included, and there are many opportunities to learn about Greek words that have English 'cousins'. As well as learning to count to twenty, you'll learn to recite the first lines of Homer's Odyssey, some well-known philosophical sayings, and much more -- and learn some history along the way. Suitable for adult beginners as well as children, this fun, accessible book is based on the author's thirty years of experience of teaching in Steiner-Waldorf schools. Includes an audio CD with examples of songs, counting and recitals. Suitable for Class 5 in the Steiner-Waldorf curriculum.

In this work, Julia Rhyder provides new insights into the relationship between the Holiness legislation in Leviticus 17-26 and processes of cultic centralization in the Persian period. The author departs from the classical theory that Leviticus 17-26 merely presume, with minor modifications, a concept of centralization articulated in Deuteronomy. She shows how Leviticus 17-26 use ritual legislation to make a new, and distinctive case as to why the Israelites must defer to a central sanctuary, standardized ritual processes, and a hegemonic priesthood. This discourse of centralization reflects the historical challenges that faced priests in Jerusalem during the Persian era: in particular, the need to compensate for the loss of a royal sponsor, to pool communal resources in order to meet socio-economic pressures, and to find new means of negotiating with the sanctuary at Mount Gerizim and with a growing diaspora.

'Fans of Anne Carson, rejoice!... Carson's depth of knowledge about Greek mythology coupled with her poetic sensibility and illustrations is sure to breathe new life into this oft-told story.' Lit Hub H of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labours of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome. "I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.

This classic book comprehensively details the myths of Greece and Rome. Beautifully illustrated and with many chapters including 'Neptune', 'The Trojan War' and an 'Analysis of Myths', this book would be an excellent addition to the bookshelf of anyone with an interest in the subject. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Of all the divinities of classical antiquity, the Greek Hermes (Mercury in his Roman alter ego) is the most versatile, enigmatic, complex, and ambiguous. The runt of the Olympian litter, he is the god of lies and tricks, yet is also kindly towards mankind and a bringer of luck. His functions embrace both the marking of boundaries and their transgression, but also extend to commerce, lucre, and theft, as well as rhetoric and practical jokes. In another guise, he plays the role of mediator between all realms of human and divine activity, embracing heaven, earth, and the netherworld. Pursuing this elusive divinity requires a truly multidisciplinary approach, reflecting his prismatic nature, and the twenty contributions to this volume draw on a wide range of fields to achieve this, from Greek and Roman literature (epic, lyric, and drama), epigraphy, cult, and religion, to vase painting and sculpture. In offering an overview of the myriad aspects of Hermes/Mercury-including his origins, patronage of the gymnasium, and relation to other trickster figures-the volume attempts to track the god's footprints across the many domains in which he partakes. Moreover, in keeping with his deep connection to exchange, commerce, and dialogue, it aims to exemplify and further encourage discourse between Latinists and Hellenists, as well as between scholars of literary and material cultures.

The religious imagination of the Greeks, Robert Garland observes, was populated by divine beings whose goodwill could not be counted upon, and worshipers faced a heavy burden of choice among innumerable deities to whom they might offer their devotion. These deities and Athenian polytheism itself remained in constant flux as cults successively came into favor and waned. Examining the means through which the Athenians established and marketed cults, this handsomely illustrated book is the first to illuminate the full range of motives political and economic, as well as spiritual that prompted them to introduce new gods."

The religious imagination of the Greeks, Robert Garland observes, was populated by divine beings whose goodwill could not be counted upon, and worshipers faced a heavy burden of choice among innumerable deities to whom they might offer their devotion. These deities and Athenian polytheism itself remained in constant flux as cults successively came into favor and waned. Examining the means through which the Athenians established and marketed cults, this handsomely illustrated book is the first to illuminate the full range of motives political and economic, as well as spiritual that prompted them to introduce new gods."