'It will be read and re-read not as a treatise but as a story: one of the most extraordinary that has ever been written of the origins of Western self-consciousness' Simon Schama The marriage of Cadmus and Harmony was the last time the gods of Olympus feasted alongside mortals. What happened in the distant ages preceding it, and in the generations that followed, form the timeless tales of ancient Greek mythology. In this masterful retelling of the myths we think we know, Roberto Calasso illuminates the deepest questions of our existence. 'The kind of book one comes across only once or twice in one's lifetime' Joseph Brodsky 'A perfect work like no other' Gore Vidal

In recent years, the topic of ancient Greek hero cult has been the focus of considerable discussion among classicists. Little attention, however, has been paid to female heroized figures. Here Deborah Lyons argues for the heroine as a distinct category in ancient Greek religious ideology and daily practice. The heroine, she believes, must be located within a network of relations between male and female, mortal and immortal. Using evidence ranging from Homeric epic to Attic vase painting to ancient travel writing, she attempts to re-integrate the feminine into our picture of Greek notions of the hero. According to Lyons, heroines differ from male heroes in several crucial ways, among which is the ability to cross the boundaries between mortal and immortal. She further shows that attention to heroines clarifies fundamental Greek ideas of mortal/immortal relationships.

The book first discusses heroines both in relation to heroes and as a separate religious and mythic phenomenon. It examines the cultural meanings of heroines in ritual and representation, their use as examples for mortals, and their typical "biographies." The model of "ritual antagonism," in which two mythic figures represented as hostile share a cult, is ultimately modified through an exploration of the mythic correspondences between the god Dionysos and the heroines surrounding him, and through a rethinking of the relationship between Iphigeneia and Artemis. An appendix, which identifies more than five hundred heroines, rounds out this lively work.

Originally published in 1996.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Daily religious devotion in the Greek and Roman worlds centered on the family and the home. Besides official worship in rural sacred areas and at temples in towns, the ancients kept household shrines with statuettes of different deities that could have a deep personal and spiritual meaning. Roman houses were often filled with images of gods. Gods and goddesses were represented in mythological paintings on walls and in decorative mosaics on floors, in bronze and marble sculptures, on ornate silver dining vessels, and on lowly clay oil lamps that lit dark rooms. Even many modest homes had one or more religious objects that were privately venerated. Ranging from the humble to the magnificent, these small objects could be fashioned in any medium from terracotta to precious metal or stone. Showcasing the collections in the Getty Villa, this book's emphasis on the spiritual beliefs and practices of individuals promises to make the works of Greek and Roman art more accessible to readers. Compelling representations of private religious devotion, these small objects express personal ways of worshiping that are still familiar to us today. A chapter on contemporary domestic worship further enhances the relevance of these miniature sculptures for modern viewers.

Javier Teixidor has found evidence that belief in a supreme god developed during the first millennium B.C. The Phoenician and Aramaic inscriptions he discusses indicate a trend toward monotheism that facilitated the spread of Judaism, Christianity, and Islam. The author concludes that the traditional characteristics of the popular religions were preserved during this period and that the Hellenistic culture and the mystery cults did not have a significant effect on popular piety. Here, then, is a major reinterpretation of the religious life of the Near East in the Greco-Roman period based on a reliable source of information. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The ancient Athenians were "quarrelsome as friends, treacherous as neighbors, brutal as masters, faithless as servants, shallow as lovers--all of which was in part redeemed by their intelligence and creativity." Thus writes Philip Slater in this classic work on narcissism and family relationships in fifth-century Athenian society. Exploring a rich corpus of Greek mythology and drama, he argues that the personalities and social behavior of the gods were neurotic, and that their neurotic conditions must have mirrored the family life of the people who perpetuated their myths. The author traces the issue of narcissism to mother-son relationships, focusing primarily on the literary representation of Hera and the male gods and showing how it related to devalued women raising boys in an ambitious society dominated by men. "The role of homosexuality in society, fatherless families, working mothers, women's status, and violence, male pride, and male bonding--all these find their place in Slater's analysis, so honestly and carefully addressed that we see our own societal dilemmas reflected in archaic mythic narratives all the more clearly."--Richard P. Martin, Princeton University

Originally published in 1992.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This is a fascinating exploration of the role of the botanical in ancient Greek and Roman myth and classical literature. This engaging book focuses on the perennially fascinating topic of plants in Greek and Roman myth. The author, an authority on the gardens, art, and literature of the classical world, introduces the book's main themes with a discussion of gods and heroes in ancient Greek and Roman gardens. The following chapters recount the everyday uses and broader cultural meaning of plants with particularly strong mythological associations. These include common garden plants such as narcissus and hyacinth; apple and pomegranate, which were potent symbols of fertility; and sources of precious incense including frankincense and myrrh. Following the sweeping botanical commentary are the myths themselves, told in the original voice of Ovid, classical antiquity's most colourful mythographer. The volume's interdisciplinary approach will appeal to a wide audience, ranging from readers interested in archaeology, classical literature, and ancient history to garden enthusiasts. With an original translation of selections from Ovid's Metamorphoses, an extensive bibliography, a useful glossary of names and places, and a rich selection of images including exquisite botanical illustrations, this book is unparalleled in scope and realization.

The charming painter of Endymion's Sleep, Atala's Funeral and Chateaubriand's Portrait was also a poet. Thanks to his classical education, Girodet (1767-1824) was the author of free translations of ancient Greek and Latin poets. In 1808 he tried the to imitate and at the same time illustrate the Odes of Anacreon, whose edition was published posthumously. The Musee du Louvre holds the precious manuscript of this intense and complex work, in which the poetic research and graphic invention - compositions or vignettes - intertwine with the text. Only a facsimile could restore this organic whole in its integrity. This book reconstructs the history of the manuscript, the various stages of the project and the posthumous versions, and analyses the artist's aesthetic sources. Girodet's handwriting is sometimes difficult to decode, but the complete transcription allows the reader to appreciate all the refinements and to rediscover the charm of Anacreontic poetry. Text in French.

Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera.

Robin Lane Fox's Travelling Heroes: Greeks and their Myths in the Epic Age of Homer proposes a new way of thinking about ancient Greeks, showing how real-life journeys shaped their mythical tales. The tales of the ancient Greeks have inspired us for thousands of years. But where did they originate? Esteemed classicist Robin Lane Fox draws on a lifetime's knowledge of the ancient world, and on his own travels, to open up the age of Homer. His acclaimed history explores how the intrepid seafarers of eighth-century Greece sailed around the Mediterranean, encountering strange new sights - volcanic mountains, vaporous springs, huge prehistoric bones - and weaving them into the myths of gods, monsters and heroes that would become the cornerstone of Western civilization: the Odyssey and the Iliad. 'A beautiful evocation of a tantalizing world ... Travelling Heroes is a tour de force' Rowland Smith, Literary Review 'Lyrical, passionate ... his great gift is to make this long-ago world a vivid, extraordinary and sometimes frightening place ... a wonderful story' Elizabeth Speller, Sunday Times 'Original, daring and arguably life-enhancing ... produced with a sweeping narrative flourish worthy of a cinematographer or screenwriter' Paul Cartledge, Independent 'Lane Fox argues his case with tremendous style and verve ... learned, and always lively' Mary Beard, Financial Times Robin Lane Fox (b. 1946) is a Fellow of New College, Oxford, and a University Reader in Ancient History. His other books include The Classical World, Alexander the Great, Pagans and Christians and The Unauthorized Version. He was historical advisor to Oliver Stone on the making of Stone's film Alexander, for which he waived all his fees on condition that he could take part in the cavalry charge against elephants which Stone staged in the Moroccan desert.

The ancient Greeks attributed great importance to the sacred during war and campaigning, as demonstrated from their earliest texts. Among the first four lines of the Iliad, for example, is a declaration that Apollo began the feud between Achilles and Agamemnon and sent a plague upon the Greek army because its leader, Agamemnon, had mistreated Apollo's priest. In this first in-depth study of the attitude of military commanders towards holy ground, Sonya Nevin addresses the customs and conduct of these leaders in relation to sanctuaries, precincts, shrines, temples and sacral objects. Focusing on a variety of Greek kings and captains, the author shows how military leaders were expected to react to the sacred sites of their foes. She further explores how they were likely to respond, and how their responses shaped the way such generals were viewed by their communities, by their troops, by their enemies and also by those like Herodotus, Thucydides and Xenophon who were writing their lives. This is a groundbreaking study of the significance of the sacred in warfare and the wider culture of antiquity.

Sanctuaries were at the heart of Greek religious, social, political, and cultural life, however, we have a limited understanding of how sanctuary spaces, politics, and rituals intersected in the Greek cities of the Hellenistic and Republican periods. This edited collection focuses on the archaeological material of this era and how it can elucidate the complex relationship between the various forces operating on, and changing the physical space of, sanctuaries. Material such as archaeological remains, sculptures, and inscriptions provides us with concrete evidence of how sanctuaries functioned as locations of memory in a social environment dominated by the written word, and gives us insight into political choices and decisions. It also reveals changes unrecorded in surviving local or political histories. Each case study explored by this volume's contributors employs archaeology as the primary means of investigation: from art-historical approaches, to surveys and fieldwork, to re-evaluation of archival material. Hellenistic Sanctuaries represents a significant contribution to the existing bibliography on ancient Greek religion, history, and archaeology, and provides new ways of thinking about politics, rituals, and sanctuary spaces in Greece.

From the Minotaur to the Golden Fleece, what you need to know about Greek myths

Ancient Greek myths shaped and were shaped by one of the most important culture in the history of the world. Even today, stories such as Oedipus, Narcissus, Odysseus and the Golden Fleece reverberate through our popular culture. "Understand Greek Mythology" is the ideal introduction to Greek myth. The opening chapter is a detailed background to Greek culture and mythology. From there you will explore 11 well-known Greek myths, retold in modern English and teased out their meanings and cultural significance.

Charlotte Higgins' spellbinding new collection will include all the most famous Greek myths, as well as many less well known but equally intriguing ones. Here are stories of the creation, of Heracles and Theseus and Perseus, the Trojan war and its origins and aftermaths, tales of Thebes and Argos and Athens. There are stories of love and desire, adventure and magic, destructive gods, helpless humans, gender-shifting characters, resourceful witches, and the origins of birds and animals. Taking her cue from Ovid, Charlotte Higgins has an intriguing structural device to thread her stories together. Inspired by the many moments in Greek myths in which women are seen to weave stories on to textiles (such as Helen of Troy in Homer, and Arachne and Minerva in Ovid), the tales will be told as if they are scenes in the act of being woven on to textiles by women. And, while not operating as an explicitly feminist retelling, this will add a new dimension to her myths, bringing women narrators and characters into the foreground. Above all, Charlotte Higgins' Greek Myths will be an original work of literature and scholarship by an exceptionally talented writer. It will be book to be enjoyed as a work of art, a source to be consulted, a present to be given, and an object to keep and treasure.