Myths are not simple narrative plots. In ancient Greece, as in other traditional societies, these tales existed only in the poetic or artistic forms in which they were set down. To read them from an anthropological point of view means to study their meaning according to their forms of expression - epic recitation, ritual celebration of the victory of an athlete, tragic performance, erudite Alexandrian poetry, antiquarian prose text; in other words, to study the functions of Greek myths in their permanent retelling and reshaping. Falling between social reality and cultural fiction, Greek myths were evolving creations, constantly adapting themselves to new conditions of performance. Using myths such as those of Persephone, Bellerophon, Helen and Teiresias, Claude Calame presents an overview of Greek mythology as a category inseparable from the literature in which so much of it is found. The French edition of this book was first published in 2000.

From Zeus and Hephaestus to Hades and Persephone, this book reveals the origins of nearly thirty Greek gods and goddesses, how they've been worshipped across the centuries, and how you can work with them in your own practice. Jason Mankey and Astrea Taylor introduce you to the gods one by one, presenting their history, unique correspondences, and a ritual or spell for connecting with them. You'll also enjoy insightful contributions from members of the Witchcraft community who actively work with these deities. Modern Witchcraft with the Greek Gods features other mythological figures as well, such as the Titans and Primordial Forces, and it explores the spell and ritual structures of ancient times. Everything you want to know about Greek gods and how to call upon them today is in this book.

Jill Dudley relates the various myths regarding the founding of the Olympic Games. She takes the reader around the main buildings on the site where the athletes took their vows, and the victors were crowned before the cult statue of the supreme god Zeus in his temple; this statue was one of the seven wonders of the world. It is as it says on the back cover of the booklet: All you need to know about the sacred site, its myths, legends and its gods.

Most people have heard of Odysseus from Homer's Odyssey, but few know who he was or where he came from, or what part he played in the Trojan War. In this sixth Put it in Your Pocket booklet his cunning and heroism are described, as are the adventures he experienced on his homeward journey, each one testing his strength and endurance to their limit

In the Hellenistic period of Greek history, communities often offered honours and titles to representatives of certain dynasties. Modelled on the earlier civic practice of creating a cult for important mythological or divine figures, the more modern ruler cult signified which figures were important to a city and its region, and represented the city's appreciation in return for favours or military services offered. This book presents Christian Habicht's argument for the handling of these ruler cults in mainland Greece and the islands, relying upon contemporary testimony, down to 240 BCE. John Noel Dillon's translation of the 1970 German edition also presents the author's updated case studies based on inscriptional discoveries since that time. Includes updated supplemental material, additional bibliography, and detailed subject and source indexes.

Bringing together the study of the Greek classics and Indology, Arjuna-Odysseus provides a comparative analysis of the shared heritage of the Mahabharata and early Greek traditions presented in the texts of Homer and Hesiod. Building on the ethnographic theories of Durkheim, Mauss, and Dumont, the volume explores the convergences and rapprochements between the Mahabharata and the Greek texts. In exploring the networks of similarities between the two epic traditions, it also reformulates the theory of Georges Dumezil regarding Indo-European cultural comparativism. It includes a detailed comparison between journeys undertaken by the two epic heroes - Odysseus and Arjuna - and more generally, it ranges across the philosophical ideas of these cultures, and the epic traditions, metaphors, and archetypes that define the cultural ideology of ancient Greece and India. This book will be useful to scholars and researchers of Indo-European comparativism, social and cultural anthropology, classical literature, Indology, cultural and post-colonial studies, philosophy and religion, as well as to those who love the Indian and Greek epics.

This work brings together eleven of Richard Buxton's studies of Greek mythology and Greek tragedy, focusing especially on the interrelationship between the two, and their importance to the Greeks themselves. Situating and contextualizing topics and themes, such as mountains, (were)wolves, mythological names, movement/stillness, blindness, and feminization, within the world of ancient Greece - its landscapes, social and moral priorities, and mental structures - he traces the intricate variations and retellings which they underwent in Greek antiquity. Although each chapter has appeared in print in some form before, each has been thoroughly revised for the present book, taking into account recent research. The introduction sets out the principles and objectives which underlie Buxton's approach to Greek myths, and how he sees his own method in relation to those of his predecessors and contemporaries.

A Companion to Greek Mythology presents a series of essays that explore the phenomenon of Greek myth from its origins in shared Indo-European story patterns and the Greeks contacts with their Eastern Mediterranean neighbours through its development as a shared language and thought-system for the Greco-Roman world. * Features essays from a prestigious international team of literary experts * Includes coverage of Greek myth s intersection with history, philosophy and religion * Introduces readers to topics in mythology that are often inaccessible to non-specialists * Addresses the Hellenistic and Roman periods as well as Archaic and Classical Greece

The first anthology to present the entire range of ancient Greek and Roman stories-from myths and fairy tales to jokes Captured centaurs and satyrs, incompetent seers, people who suddenly change sex, a woman who remembers too much, a man who cannot laugh-these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology-from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled. Featuring nearly four hundred stories in authoritative and highly readable translations, this is the first book to offer a representative selection of the entire range of traditional classical storytelling. Complete with beautiful illustrations, this one-of-a-kind anthology will delight general readers as well as students of classics, fairy tales, and folklore.

Explore the fascinating myths of Greek and Roman civilizations! The tales of gods and heroes are often turned into tedious discourse that even Ovid would reject. This easy-to-read guide cuts out the boring details, and instead, provides you with a thrilling lesson in classic mythology. From the heights of Mt. Olympus to the depths of the Underworld, this book takes you on an unforgettable journey through all the major myths born in ancient Greece and Rome, such as Achilles's involvement in the Trojan War; Pluto's kidnapping of the beautiful Proserpina; and the slaying of Medusa by Perseus, the heroic demi-god. You'll also learn all about the wonders of the world as well as the greatest creatures ever recorded in history. Like Charon navigating the River of Wailing, Mythology 101 will guide you through the most glorious (and completely terrifying) tales the ancient world has to offer.

Knossos is one of the most important sites in the ancient Mediterranean. It remained amongst the largest settlements on the island of Crete from the Neolithic until the late Roman times, but aside from its size it held a place of particular significance in the mythological imagination of Greece and Rome as the seat of King Minos, the location of the Labyrinth and the home of the Minotaur. Sir Arthur Evans’ discovery of ‘the Palace of Minos’ has indelibly associated Knossos in the modern mind with the ‘lost’ civilisation of Bronze Age Crete. The allure of this ‘lost civilisation’, together with the considerable achievements of ‘Minoan’ artists and craftspeople, remain a major attraction both to scholars and to others outside the academic world as a bastion of a romantic approach to the past. In this volume, James Whitley provides an up-to-date guide to the site and its function from the Neolithic until the present day. This study includes a re-appraisal Bronze Age palatial society, as well as an exploration of the history of Knossos in the archaeological imagination. In doing so he takes a critical look at the guiding assumptions of Evans and others, reconstructing how and why the received view of this ancient settlement has evolved from the Iron Age up to the modern era.

A Companion to Greek Mythology presents a series of essays that explore the phenomenon of Greek myth from its origins in shared Indo-European story patterns and the Greeks contacts with their Eastern Mediterranean neighbours through its development as a shared language and thought-system for the Greco-Roman world. * Features essays from a prestigious international team of literary experts * Includes coverage of Greek myth s intersection with history, philosophy and religion * Introduces readers to topics in mythology that are often inaccessible to non-specialists * Addresses the Hellenistic and Roman periods as well as Archaic and Classical Greece

This brief but highly informative book presents an outline of Greek religion in the classical period. After surveying its main characteristics, it offers a clear and innovative view of the great gods and heroes as well as their sanctuaries and also the main myths, rituals and mysteries: from Athena to Zeus, from sacrifice to the puritan Orphics, from the Indo-European roots to the influence of the ancient Near East. The approach pays attention to the sociological, anthropological, and psychological aspects of Greek religion and also to the gender roles. By paying attention to the often modern origin of many of the notions employed in the analysis of Greek religion, it illustrates the difference between Greek polytheism and the place of religion in modern Western society. This second edition has been updated to account for the latest developments, and its bibliography makes this book very useful for students and teachers alike.

Since the first edition of "Approaches to Greek Myth" was published in 1990, interest in Greek mythology has surged. There was no simple agreement on the subject of "myth" in classical antiquity, and there remains none today. Is myth a narrative or a performance? Can myth be separated from its context? What did myths mean to ancient Greeks and what do they mean today?

Here, Lowell Edmunds brings together practitioners of eight of the most important contemporary approaches to the subject. Whether exploring myth from a historical, comparative, or theoretical perspective, each contributor lucidly describes a particular approach, applies it to one or more myths, and reflects on what the approach yields that others do not. Edmunds's new general and chapter-level introductions recontextualize these essays and also touch on recent developments in scholarship in the interpretation of Greek myth.

Contributors are Jordi Pamias, on the reception of Greek myth through history; H. S. Versnel, on the intersections of myth and ritual; Carolina Lopez-Ruiz, on the near Eastern contexts; Joseph Falaky Nagy, on Indo-European structure in Greek myth; William Hansen, on myth and folklore; Claude Calame, on the application of semiotic theory of narrative; Christiane Sourvinou-Inwood, on reading visual sources such as vase paintings; and Robert A. Segal, on psychoanalytic interpretations.

Greek mythology explored like never before

Fans of Rick Riordan’s Percy Jackson series and Edith Hamilton’s Mythology will love Greek Mythology Explained, a unique retelling of Greek mythology with valuable lessons and a lot of heart!

Fascinating tales from Greek mythology: Discover five classic Greek myths in a brand-new way! Follow characters like Icarus, Lamia, Bellerophon, Athena, Medusa and Aeros as they go off on adventures, triumph over impossible challenges, make mistakes, and become heroes and villains. With an accessible writing style that delves into the thoughts, feelings, desires, and motivations of every character, these mythic characters become humans that are relatable and spellbinding.

A deeper understanding: Greek mythology is full of valuable lessons and themes that are still relevant today. Greek Mythology Explained not only retells Greek myths in an engaging way, but it breaks them down, letting readers truly understand the meaning of every character and every story.

Readers will be:

- Entertained by creative retellings of both iconic and more obscure myths

- Gain a deeper understanding of characters from Greek mythology

- Learn how Greek myths remain relevant today

- Discover little known alternate endings and story lines found in the myths

An exciting take on mythology for kids and the whole family!

Whatever we may think of Alexander-whether Great or only lucky, a civilizer or a sociopath-most people do not regard him as a religious leader. And yet religion permeated all aspects of his career. When he used religion astutely, he and his army prospered. In Egypt, he performed the ceremonies needed to be pharaoh, and thus became a god as well as a priest. Babylon surrendered to him partly because he agreed to become a sacred king. When Alexander disregarded religion, he and his army suffered. In Iran, for instance, where he refused to be crowned and even destroyed a shrine, resistance against him mounted. In India, he killed Buddhists, Jains, and Hindus by the hundreds of thousands until his officers, men he regarded as religious companians, rebelled against him and forced him to abandon his campaign of conquest. Although he never fully recovered from this last disappointment, he continued to perform his priestly duties in the rest of his empire. As far as we know, the last time he rose from his bed was to perform a sacrifice. Ancient writers knew little about Near Eastern religions, no doubt due to the difficulty of travel to Babylon, India, and the interior of Egypt. Yet details of these exotic religions can be found in other ancient sources, including Greek, and in the last thirty years, knowledge of Alexander's time in the Near East has increased. Egyptologists and Assyriologists have written the first thorough accounts of Alexander's religious doings in Egypt and Mesopotamia. Recent archaeological work has also allowed scholars to uncover new aspects of Macedonian religious policy. Soldier, Priest, and God, the first religious biography of Alexander, incorporates this recent scholarship to provide a vivid and unique portrait of a remarkable leader.

In the Greek Classical period, the symposium-the social gathering at which male citizens gathered to drink wine and engage in conversation-was held in a room called the andron. From couches set up around the perimeter, symposiasts looked inward to the room's center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the spectre of Dionysos: the god of wine, riding in his chariot or on the back of a panther. In The World Underfoot, Hallie M. Franks takes as her subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, she presents an innovative new interpretation of the mosaic imagery as an active contributor to the symposium as a metaphorical experience. Franks argues that the images on mosaic floors, combined with the ritualized circling of the wine cup and the physiological reaction to wine during the symposium, would have called to mind other images, spaces, or experiences, and in doing so, prompted drinkers to reimagine the symposium as another kind of event-a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.

Homer's tale of the abduction of Helen to Troy and the ten-year war to bring her back to Greece has fascinated mankind for centuries since he related it in The Iliad and The Odyssey. More recently, it has given rise to countless scholarly articles and books, extensive archaeological excavations, epic movies, television documentaries, stage plays, art and sculpture, even souvenirs and collectibles. However, while the ancients themselves thought that the Trojan War took place and was a pivotal event in world history, scholars during the Middle Ages and into the modern era derided it as a piece of fiction. This book investigates two major questions: did the Trojan War take place and, if so, where? It ultimately demonstrates that a war or wars in the vicinity of Troy probably did take place in some way, shape, or form during the Late Bronze Age, thereby forming the nucleus of the story that was handed down orally for centuries until put into essentially final form by Homer. However, Cline suggests that although a Trojan War (or wars) probably did take place, it was not fought because of Helen's abduction; there were far more compelling economic and political motives for conflict more than 3,000 years ago. Aside from Homer, the book examines various classical literary sources: the Epic Cycle, a saga found at the Hittite capital of Hattusas, treatments of the story by the playwrights of classical Greece, and alternative versions or continuations of the saga such as Virgil's Aeneid, which add detail but frequently contradict the original story. Cline also surveys archaeological attempts to document the Trojan War through excavations at Hissarlik, Turkey, especially the work of Heinrich Schliemann and his successors Wilhelm Doerpfeld, Carl Blegen, and Manfred Korfmann. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Addressing the role which divination played in ancient Greek society, this volume deals with various forms of prophecy and how each was utilised and for what purpose. Chapters bring together key types of divining, such as from birds, celestial phenomena, the entrails of sacrificed animals and dreams. Oracular centres delivered prophetic pronouncements to enquirers, but in addition, there were written collections of oracles in circulation. Many books were available on how to interpret dreams, the birds and entrails, and divination as a religious phenomenon attracted the attention of many writers. Expert diviners were at the heart of Greek prophecy, whether these were Apollo's priestesses delivering prose or verse answers to questions put to them by consultants, diviners known as manteis, who interpreted entrails and omens, the chresmologoi, who sang the many oracles circulating orally or in writing, or dream interpreters. Divination was utilised not only to foretell the future but also to ensure that the individual or state employing divination acted in accordance with that divinely prescribed future; it was employed by all and had a crucial role to play in what courses of action both states and individuals undertook. Specific attention is paid in this volume not only to the ancient written evidence, but to that of inscriptions and papyri, with emphasis placed on the iconography of Greek divination.

Few classical stories are as exciting as that of Jason and the Golden Fleece. The legend of the boy, who discovers a new identity as son of a usurped king and leads a crew of demi-gods and famous heroes, has resonated through the ages, rumbling like the clashing rocks, which almost pulverised the Argo. The myth and its reception inspires endless engagements: while it tells of a quest to the ends of the earth, of the tyrants Pelias and Aetes, of dragons' teeth, of the loss of Hylas (beloved of Hercules) stolen away by nymphs, and of Jason's seduction of the powerful witch Medea (later betrayed for a more useful princess), it speaks to us of more: of gender and sexuality; of heroism and lost integrity; of powerful gods and terrifying monsters; of identity and otherness; of exploration and exploitation. The Argonauts are emblems of collective heroism, yet also of the emptiness of glory. From Pindar to J. W. Waterhouse, Apollonius of Rhodes to Ray Harryhausen, and Robert Graves to Mary Zimmerman, the Argonaut myth has produced later interpretations as rich, salty and complex as the ancient versions. Helen Lovatt here unravels, like untangled sea-kelp, the diverse strands of the narrative and its numerous and fascinating afterlives. Her book will prove both informative and endlessly entertaining to those who love classical literature and myth.

The first anthology ever to present the entire range of ancient Greek and Roman stories--from myths and fairy tales to jokes Captured centaurs and satyrs, talking animals, people who suddenly change sex, men who give birth, the temporarily insane and the permanently thick-witted, delicate sensualists, incompetent seers, a woman who remembers too much, a man who cannot laugh--these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology--from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled. Featuring nearly four hundred stories in authoritative and highly readable translations, this is the first book to offer a representative selection of the entire range of traditional classical storytelling. Set mostly in the world of humans, not gods, these stories focus on figures such as lovers, tricksters, philosophers, merchants, rulers, athletes, artists, and soldiers. The narratives range from the well-known--for example, Cupid and Psyche, Diogenes and his lantern, and the tortoise and the hare--to lesser-known tales that deserve wider attention. Entertaining and fascinating, they offer a unique window into the fantasies, anxieties, humor, and passions of the people who told them. Complete with beautiful illustrations by Glynnis Fawkes, a comprehensive introduction, notes, and more, this one-of-a-kind anthology will delight general readers as well as students of classics, fairy tales, and folklore.

Was Ancient Greek religion really 'mere ritualism'? Early Christians denounced the pagans for the disorderly plurality of their cults, and reduced Greek religion to ritual and idolatry; protestant theologians condemned the pagan 'religion of form' (with Catholicism as its historical heir). For a long time, scholars tended to conceptualize Greek religion as one in which belief did not matter, and religiosity had to do with observance of rituals and religious practices, rather than with worshipers' inner investment. But what does it mean when Greek texts time and again speak of purity of mind, soul, and thoughts? This book takes a radical new look at the Ancient Greek notions of purity and pollution. Its main concern is the inner state of the individual worshipper as they approach the gods and interact with the divine realm in a ritual context. It is a book about Greek worshippers' inner attitudes towards the gods and rituals, and about what kind of inner attitude the Greek gods were envisaged to expect from their worshippers. In the wider sense, it is a book about the role of belief in ancient Greek religion. By exploring the Greek notions of inner purity and pollution from Hesiod to Plato, the significance of intrinsic, faith-based elements in Greek religious practices is revealed - thus providing the first history of the concepts of inner purity and pollution in early Greek religion.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. At the heart of this volume are three trials held in Athens in the fourth century BCE. The defendants were all women and in each case the charges involved a combination of ritual activities. Two were condemned to death. Because of the brevity of the ancient sources, and their lack of agreement, the precise charges are unclear, and the reasons for taking these women to court remain mysterious. Envy, Poison, and Death takes the complexity and confusion of the evidence not as a riddle to be solved, but as revealing multiple social dynamics. It explores the changing factors - material, ideological, and psychological - that may have provoked these events. It focuses in particular on the dual role of envy (phthonos) and gossip as processes by which communities identified people and activities that were dangerous, and examines how and why those local, even individual, dynamics may have come to shape official civic decisions during a time of perceived hardship. At first sight so puzzling, these trials reveal a vivid picture of the socio-political environment of Athens during the early-mid fourth century BCE, including responses to changes in women's status and behaviour, and attitudes to ritual activities within the city. The volume reveals some of the characters, events, and even emotions that would help to shape an emergent concept of magic: it suggests that the boundary of acceptable behaviour was shifting, not only within the legal arena but also through the active involvement of society beyond the courts.

The nineteenth century is a key period in the history of the interpretation of the Greek gods. The Greek Gods in Modern Scholarship examines how German and British scholars of the time drew on philology, archaeology, comparative mythology, anthropology, or sociology to advance radically different theories on the Greek gods and their origins. For some, they had been personifications of natural elements, for others, they had begun as universal gods like the Christian god, yet for others, they went back to totems or were projections of group unity. The volume discusses the views of both well-known figures like K. O. Muller (1797-1840), or Jane Harrison (1850-1928), and of forgotten, but important, scholars like F. G. Welcker (1784-1868). It explores the underlying assumptions and agendas of the rival theories in the light of their intellectual and cultural context, laying stress on how they were connected to broader contemporary debates over fundamental questions such as the origins and nature of religion, or the relation between Western culture and the 'Orient'. It also considers the impact of theories from this period on twentieth- and twenty-first-century scholarship on Greek religion and draws implications for the study of the Greek gods today.