Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera.

The Passenger Pigeon in Pennsylvania, published by the Altoona Tribune Company in 1919, appeared just five years after the bird's extinction worldwide. The volume contains observations and reflections on the migration patterns and behavior of the pigeon, as well as contributions from local amateur ornithologists and nature enthusiasts, including a chapter written by Henry Shoemaker. The work explores folklore and legends surrounding the passenger pigeon, its typical behavior and biology, a history of its place in the Keystone State, and an analysis of its decline and disappearance, accompanied by eyewitness accounts from bird-watchers in the Susquehanna Valley and the Appalachian region.

Greek and Roman mythology has fascinated people for more than two millennia, and its influence on cultures throughout Europe, America, North Africa, the Middle East, and elsewhere attests to the universal appeal of the stories. ""Encyclopedia of Greek and Roman Mythology"" examines the best-known figures of Greek and Roman mythology together with the great works of classic literature that are the sources for our mythological understanding. This new encyclopedia presents ancient mythology from a literary perspective and features numerous illustrations from both ancient and modern works of fine art to show how myths have been transmitted in visual form through the ages. The entries include: Greek and Roman gods and heroes, such as Athena, Achilles, Apollo, Heracles, Odysseus, Orpheus, Poseidon, and Zeus; Mythological creatures, such as Cerberus, the Gorgons, the Minotaur, and Pegasus; and great works of literature that provide the sources for classical mythology, including the plays of Aeschylus, Sophocles, and Euripides; the ""Aeneid of Virgil""; the ""Iliad and the Odyssey"" of Homer; and the ""Metamorphoses"" of Ovid and much more.

Women's mobility is central to understanding cultural constructions of gender. Regarding ancient cultures, including ancient Greece, a re-evaluation of women's mobility within the household and beyond it is currently taking place. This invites an informed analysis of female mobility in Greek myth, under the premise that myth may open a venue to social ideology and the imaginary. Female Mobility and Gendered Space in Ancient Greek Myth offers the first comprehensive analysis of this topic. It presents close readings of ancient texts, engaging with feminist thought and the 'mobility turn'. A variety of Olympian goddesses and mortal heroines are explored, and the analysis of their myths follows specific chronological considerations. Female mobility is presented in quite diverse ways in myth, reflecting cultural flexibility in imagining mobile goddesses and heroines. At the same time, the out-of-doors spaces that mortal heroines inhabit seem to lack a public or civic quality, with the heroines being contained behind 'glass walls'. In this respect, myth seems to reproduce the cultural limitations of ancient Greek social ideology on mobility, inviting us to reflect not only on the limits of mythic imagination but also on the timelessness of Greek myth.

Hiera kala presents a collection, analysis and interpretation of the representations of animal sacrifice from ancient Greece. The Archaic and Classical material is dealt with comprehensively. Later evidence is adduced more selectively, for the sake of comparison. All aspects of Greek sacrifice that are (or appear to be) represented in the iconographical material are treated in depth; interpretations are based on a combined study of the archaeological, the epigraphical and the literary data. Full catalogues of vase paintings and votive reliefs with depictions of sacrifice are included. A generous selection of these are illustrated in more than 200 figures.