Abraham, whom the apostle Paul calls the "father of us all" (Rom 4:16), was a central figure in Judaism from the outset and came to be important in Christianity and Islam. The Abraham tradition is an issue of narrative and counter-narrative, memory and counter-memory. Moreover, Abraham's family is brought in as a network of meaning to express opposition, antithesis or common ground within and between different religious movements. The contributions to this volume discuss the presentation and reception of Abraham's family in Judaism, Christianity, and Islam. The topics cover Hebrew Bible/Old Testament, Second Temple writings, New Testament, Rabbinic literature, Greek, Latin and Syriac church fathers, as well as Jewish medieval interpretation and a twelfth-century Arabic travel report of a pilgrimage to Mecca.

Religion was integral to the conduct of war in the ancient world and the Greeks were certainly no exception. No campaign was undertaken, no battle risked, without first making sacrifice to propitiate the appropriate gods (such as Ares, god of War) or consulting oracles and omens to divine their plans. Yet the link between war and religion is an area that has been regularly overlooked by modern scholars examining the conflicts of these times. This volume addresses that omission by drawing together the work of experts from across the globe. The chapters have been carefully structured by the editors so that this wide array of scholarship combines to give a coherent, comprehensive study of the role of religion in the wars of the Archaic and Classical Greek world. Aspects considered in depth will include: Greek writers on religion and war; declarations of war; fate and predestination, the sphagia and pre-battle sacrifices; omens, oracles and portents, trophies and dedications to cult centres; militarized deities; sacred truces and festivals; oaths and vows; religion & Greek military medicine.

James A. Sanders has been at the forefront of the study of canon formation, history of interpretation, and textual criticism, specializing in the Dead Sea Scrolls and the use of the Old Testament in the New. Like no one else, he is able to bring together exegetical detail with hermeneutical and theological insight. He moves deftly from exegetical, critical detail to hermeneutical options and overarching theological implications. In this important collection of essays we have the mature fruit of decades of research, including careful engagement with ancient texts and fair-minded ecumenical discourse with the greatest minds in the field. These studies laid the foundation on which today's scholarly discussion is focused.

Focusing on Judean-Samarian interactions in Persian, Hellenistic, and Roman times, Gary N. Knoppers explores both commonalities and differences, rivalries and relationships, as these communities engaged one another in greater depth and complexity than scholars have previously thought. Some essays elucidate archaeological and epigraphic discoveries (Jerusalem, Mt. Gerizim excavations and inscriptions), while others illumine Jewish (Ezra, Chronicles, Josephus, Pseudo-Philo) and Samaritan (Samaritan 10th commandment, the Chronicon Samaritanum) literary texts. How Judeans and Samarians responded to competing claims to Israel's past by reinterpreting shared scriptures is a unifying theme in these eleven studies.

In the beginning, everything was fine.* And then along came Zeus. *more or less Ahh Greek myths. Those glorious tales of heroism, honour and... petty squabbles, soap-opera drama and more weird sex than Fifty Shades of Grey could shake a stick at! It's about time we stopped respecting myths and started laughing at them. Did you know Aphrodite, goddess of love and beauty, was born of some discarded genitals? Or that Hera threw her own son off a mountain because he was ugly? Or that Apollo once kidnapped a boat full of people while pretending to be a dolphin? And let's not even get started on Zeus - king of the gods, ruler of the skies and a man who's never heard of self-control. In fact, if there's one thing most Greek myths have in common, it's that all the drama could have been avoided if SOMEONE could keep it in their toga... Horrible Histories writer Susie Donkin takes us on a hilarious romp through mythology and the many times the gods (literally) screwed everything up! Stephen Fry's Mythos by way of Drunk History, Zeus is a Dick is perfect for those who like their myths with a heavy dollop of satire. 'Who knew mythology was so bonkers? I am grateful - it had me laughing from the first page to the last.' - Miranda Hart 'It's about time someone called him out on all this' - Hera, goddess of marriage, wife of Zeus 'Worst. Father. Ever.' - Artemis, goddess of the hunt, daughter of Zeus 'Oh yeah, focus on him. I never did anything wrong. Nothing to see here' - Poseidon, god of the seas, brother of Zeus 'Just a real dick, honestly' - Many, many people

'A great storyteller' Madeline Miller, author of Circe In this powerful new collection, Charlotte Higgins foregrounds Greek mythology's most enduring heroines. Here are the myths of Heracles and Theseus, the Trojan war, Thebes and Argos and Athens. They are stories of love and desire, adventure and magic, destructive gods, helpless humans, fantastical creatures and resourceful witches. In this telling the female characters take centre stage as Athena, Helen, Circe, Penelope and others weave these stories into elaborate imagined tapestries. In Charlotte Higgins's thrilling new interpretation of these ancient stories, their tales combine to form a dazzling, sweeping epic of storytelling. With a series of original drawings by Chris Ofili.

Penguin presents the unabridged audio CD edition of Mythos written and read by Stephen Fry. THE TIMES AUDIOBOOK OF THE WEEK 'Perfect for the 21st Century. Ebullient, funny, Fry retells the Greek myths with elegance' The Times 'A cracking good story' The Times Literary Supplement 'A wondrous new immersion in ancient stories we only thought we knew. Page to page, Mythos is brilliant, funny, erudite, inventive, surprising and enthralling' Richard North Patterson 'Fry's lively writing certainly conveys his lifelong passion for Greek myths . . . It's a rollicking good read' The Independent _________ No one loves and quarrels, desires and deceives as boldly and brilliantly as Greek gods and goddesses. They are like us, only more so - their actions and adventures scrawled across the heavens above. From the birth of the universe to the creation of humankind, Stephen Fry - who fell in love with these stories as a child - retells these myths for our tragic, comic, fateful age. Witness Athena born from the cracking open of Zeus's great head and follow Persephone down into the dark realm of Hades. Experience the terrible and endless fate of Prometheus after his betrayal of Zeus and shiver as Pandora opens her jar of evil torments. The Greek gods are the best and worst of us, and in Stephen Fry's hands they tell us who we are. Mythos - smart, funny, and above all great fun - is the retelling we deserve by a man who has been entertaining the nation for over four decades. 'A cracking good story' The Times Literary Supplement

The tale of the combat between the Storm-god and the Sea that began circulating in the early second millennium BCE was one of the most well-known ancient Near Eastern myths. Its widespread dissemination in distinct versions across disparate locations and time periods - Syria, Egypt, Anatolia, Ugarit, Mesopotamia, and Israel - calls for analysis of all the textual variants in order to determine its earliest form, geo-cultural origin, and transmission history. In undertaking this task, Noga Ayali-Darshan examines works such as the Astarte Papyrus, the Pisaisa Myth, the Songs of Hedammu and Ullikummi, the Baal Cycle, Enuma elis, and pertinent biblical texts. She interprets these and other related writings philologically according to their provenance and comparatively in the light of parallel texts. The examination of this story appearing in all the ancient Near Eastern cultures also calls for a discussion of the theology, literature, and history of these societies and the way they shaped the local versions of the myth.

In this volume, scholars of Judaism, Christianity, and late antique religion demonstrate how special attention to the ritual and rhetorical functions of space can improve modern interpretations of ancient literary, liturgical, and ritual texts. Each chapter is concerned with reconstructing the dynamic interaction between space and text. Demonstrating the pliability of the idea of space, the contributions in this volume span from Second Temple debates over Eden to Byzantine Christian hymnography. In so doing, they offer a number of answers to the seemingly simple question: What difference does space make for how modern scholars interpret ancient texts? The nine contributions in this volume are divided into the three interrelated topics of the rhetorical construction of places both earthly and cosmic, the positioning of people in religious space, and the performance of ritual texts in place.

Penguin presents the CD edition of Heroes written and read by Stephen Fry. Mortals and Monsters. Quests and Adventures . . . __________ There are Heroes - and then there are Greek Heroes. Few mere mortals have ever embarked on such bold and heart-stirring adventures, overcome myriad monstrous perils, or outwitted scheming vengeful gods, quite as stylishly and triumphantly as Greek heroes. In this companion to his bestselling Mythos, Stephen Fry brilliantly retells these dramatic, funny, tragic and timeless tales. Join Jason aboard the Argo as he quests for the Golden Fleece. See Atalanta - who was raised by bears - outrun any man before being tricked with golden apples. Witness wily Oedipus solve the riddle of the Sphinx and discover how Bellerophon captures the winged horse Pegasus to help him slay the monster Chimera. Filled with white-knuckle chases and battles, impossible puzzles and riddles, acts of base cowardice and real bravery, not to mention murders and selfless sacrifices, Heroes is the story of what we mortals are truly capable of - at our worst and our very best. ___________ 'Ebullient and funny' The Times 'Entertaining and edifying' Daily Telegraph 'A rollicking good read' Independent 'Fry exhibits enormous erudition and enthusiasm' Mail on Sunday 'The Greek gods of the past become relatable as pop culture, modern literature and music are woven throughout. Joyfully informal yet full of the literary legacy' Guardian

"Jewish-Christianity" is a contested category in current research. But for precisely this reason, it may offer a powerful lens through which to rethink the history of Jewish/Christian relations. Traditionally, Jewish-Christianity has been studied as part of the origins and early diversity of Christianity. Collecting revised versions of previously published articles together with new materials, Annette Yoshiko Reed reconsiders Jewish-Christianity in the context of Late Antiquity and in conversation with Jewish studies. She brings further attention to understudied texts and traditions from Late Antiquity that do not fit neatly into present day notions of Christianity as distinct from Judaism. In the process, she uses these materials to probe the power and limits of our modern assumptions about religion and identity.

The Passenger Pigeon in Pennsylvania, published by the Altoona Tribune Company in 1919, appeared just five years after the bird's extinction worldwide. The volume contains observations and reflections on the migration patterns and behavior of the pigeon, as well as contributions from local amateur ornithologists and nature enthusiasts, including a chapter written by Henry Shoemaker. The work explores folklore and legends surrounding the passenger pigeon, its typical behavior and biology, a history of its place in the Keystone State, and an analysis of its decline and disappearance, accompanied by eyewitness accounts from bird-watchers in the Susquehanna Valley and the Appalachian region.

In German-speaking countries, the role of the diaconate has been strongly influenced by nineteenth-century ideas of diakonia as service towards the poor. As important as the social initiatives stemming from this perspective have been, in order to correctly understand deacons and diakonia in the early church, we must go back to the sources. For this volume, focused on the first two centuries of Christianity, scholars from a range of backgrounds consider the use of diakonos and related words in the New Testament and extra-biblical sources, both Christian and otherwise. These texts reveal what deacons actually did, helping us to understand the past and giving guidance for the present, particularly in ecumenical discussions concerning the ministry.

Over the past decades, biblical scholars have gradually become more aware of the importance of the social sciences for their own field. This has produced a steady flow of studies informed by work that was done in the fields of group formation psychology, the sociology of emerging movements and the sociology of religion, and historical anthropology. This volume offers the proceedings of a conference that brought together a number of expert biblical scholars, specialists of ancient religious practices, and proponents of an anthropological approach to ancient Christian and Greco-Roman religious tradition. It was the explicit purpose not to focus exclusively on purely methodological reflections, but to explore and evaluate how methodological concepts and constructs can be developed and then also checked in applying them on specific cases and topics that are typical for understanding earliest Christianity.

Robin Lane Fox's Travelling Heroes: Greeks and their Myths in the Epic Age of Homer proposes a new way of thinking about ancient Greeks, showing how real-life journeys shaped their mythical tales. The tales of the ancient Greeks have inspired us for thousands of years. But where did they originate? Esteemed classicist Robin Lane Fox draws on a lifetime's knowledge of the ancient world, and on his own travels, to open up the age of Homer. His acclaimed history explores how the intrepid seafarers of eighth-century Greece sailed around the Mediterranean, encountering strange new sights - volcanic mountains, vaporous springs, huge prehistoric bones - and weaving them into the myths of gods, monsters and heroes that would become the cornerstone of Western civilization: the Odyssey and the Iliad. 'A beautiful evocation of a tantalizing world ... Travelling Heroes is a tour de force' Rowland Smith, Literary Review 'Lyrical, passionate ... his great gift is to make this long-ago world a vivid, extraordinary and sometimes frightening place ... a wonderful story' Elizabeth Speller, Sunday Times 'Original, daring and arguably life-enhancing ... produced with a sweeping narrative flourish worthy of a cinematographer or screenwriter' Paul Cartledge, Independent 'Lane Fox argues his case with tremendous style and verve ... learned, and always lively' Mary Beard, Financial Times Robin Lane Fox (b. 1946) is a Fellow of New College, Oxford, and a University Reader in Ancient History. His other books include The Classical World, Alexander the Great, Pagans and Christians and The Unauthorized Version. He was historical advisor to Oliver Stone on the making of Stone's film Alexander, for which he waived all his fees on condition that he could take part in the cavalry charge against elephants which Stone staged in the Moroccan desert.

Like Philo and Josephus, as well as those who earlier produced the Septuagint and the Hellenistic Jewish fragmentary texts, the writers of the New Testament were Jews writing in Greek. They may have been articulating and promoting a particular form of Jewish messianism that eventually became a distinctive form of religious belief, but in the first and early second centuries, those Christ-followers who were writing in various genres operated with many of the same assumptions as their Jewish counterparts in the land of Israel and in other places such as Alexandria and Rome. This collection of essays, spanning the scholarly career of Carl R. Holladay, investigates the Hellenistic Jewish writings in their own contexts and explores how they illuminate the writings of the New Testament. Included are six new essays on such topics as Hellenistic Judaism, the Beatitudes, and Luke-Acts.

'Symbolising' - i.e., representing through the use of media - is a more elementary, more foundational activity than the self-conscious use of the intellect. Its exploration is central to this investigation of the transformation of the pre-exilic Yahweh religion into the monotheism of the post-exilic period. That transformation was triggered by a new constellation of key media in the pre-exilic and exilic periods: writing, images, and money. The central objective is to understand how their use contributed to a decisive increase in abstraction in representation and led to changes in the conceptualisation of divine presence and its representation that ultimately resulted in the transition from monolatry to monotheism. In this study, Joachim Schaper explores neglected areas of Judahite material culture and contributes to an in-depth reconstruction of Judah's religious history in its most important epoch, and thus of one of the key developments in the religious history of humanity.

A BBC RADIO 4 BOOK OF THE YEAR LONGLISTED FOR THE ANGLO-HELLENIC LEAGUE RUNCIMAN AWARD 2022 'Peter Fiennes's road trip around Greece [is] engagingly described' Mary Beard, TLS 'Fiennes is a brilliant and generous guide through Greece' Observer 'A wonderful... really profound meditation on what it means to hope... a gorgeous excursion into Greece and across the centuries on an environmental quest' BBC Radio 4 Open Book Book of the Year choice by Anita Roy What do the Greek myths mean to us today? It's now a golden age for these tales - they crop up in novels, films and popular culture. But what's the modern relevance of Theseus, Hera and Pandora? Were these stories ever meant for children? And what's to be seen now at the places where heroes fought and gods once quarrelled? Peter Fiennes travels to the sites of some of the most famous Greek myths, on the trail of hope, beauty and a new way of seeing what we have done to our world. Fiennes walks through landscapes - stunning and spoiled - on the trail of dancing activists and Arcadian shepherds, finds the 'most beautiful beach in Greece', consults the Oracle, and loses himself in the cities, remote villages and ruins of this storied land.

With her repulsive face and head full of living, venomous snakes, Medusa is petrifying--quite literally, since looking directly at her turned people to stone. Ever since Perseus cut off her head and presented it to Athena, she has been a woman of many forms: a dangerous female monster that had to be destroyed, an erotic power that could annihilate men, and, thanks to Freud, a woman whose hair was a nest of terrifying penises that signaled castration. She has been immortalized by artists from Leonardo da Vinci to Salvador Dali and was the emblem of the Jacobins after the French Revolution. Today, she's viewed by feminists as a noble victim of patriarchy and used by Versace in the designer's logo for men's underwear, haute couture, and exotic dinnerware. She even gives her name to a sushi roll on a Disney resort menu. Why does Medusa continue to have this power to transfix us? David Leeming seeks to answer this question in "Medusa," a biography of the mythical creature. Searching for the origins of Medusa's myth in cultures that predate ancient Greece, Leeming explores how and why the mythical figure of the gorgon has become one of the most important and enduring ideas in human history. From an oil painting by Caravaggio to "Clash of the Titans" and "Dungeons and Dragons," he delves into the many depictions of Medusa, ultimately revealing that her story is a cultural dream that continues to change and develop with each new era. Asking what the evolution of the Medusa myth discloses about our culture and ourselves, this book paints an illuminating portrait of a woman who has never ceased to enthrall.

From the Minotaur to the Golden Fleece, what you need to know about Greek myths

Ancient Greek myths shaped and were shaped by one of the most important culture in the history of the world. Even today, stories such as Oedipus, Narcissus, Odysseus and the Golden Fleece reverberate through our popular culture. "Understand Greek Mythology" is the ideal introduction to Greek myth. The opening chapter is a detailed background to Greek culture and mythology. From there you will explore 11 well-known Greek myths, retold in modern English and teased out their meanings and cultural significance.

The last major work of the giant of the field. Martin P. Nilsson set himself the task of tracing the elements of Greekmythology, as they appear in Homer's Iliad, to their source in Mycenaean culture, a much earlier period. His conclusions, drawn from a very limited empirical material - archaeology, very few relevant Linear B texts - are remarkably compelling. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

The last major work of the giant of the field. Martin P. Nilsson set himself the task of tracing the elements of Greekmythology, as they appear in Homer's Iliad, to their source in Mycenaean culture, a much earlier period. His conclusions, drawn from a very limited empirical material - archaeology, very few relevant Linear B texts - are remarkably compelling. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

Packed with action, adventure, and intrigue, Jason is perfect for fans of Christian Cameron and Madeline Miller. They may have won the prize, but will any of them make it home alive? Jason has fulfilled the mission set him by his uncle, the scheming King Pelias of Iolkos: he and the Argonauts have won the fabled Golden Fleece of Colchis. Jason dreams of glory - of taking his uncle's throne, rightfully his - and, like his warrior shipmates, of home. But it is not only Pelias who wishes Jason ill. Before the Argonauts can make it back to Iolkos, they must contend with a legion of foes who would see them dead - and a web of allies who are not quite what they seem. Jason and his warriors must outwit the recondite Circe and the spies of mighty Troy, overcome hostile tribes beyond the Danube, and sail the troubled waters of the Archipelagos, where the Sirens wait to snare unwary seafarers. Yet Jason's perils are only beginning, for he will soon discover that a truer evil lies closer to home... 'A bold and thrilling voyage that plunges you deep into the world of ancient myth with every stroke of Jason's oar. Knowles's storytelling captured my imagination from the very first page. It is wonderfully atmospheric' Daisy Dunn, editor of ARGO: A Hellenic Review, and author of Of Gods and Men: 100 Stories from Ancient Greece & Rome Reviewers on Mark Knowles: 'A deeply researched historical epic, so brilliantly brought to life I could taste the salt air on my tongue' Adam Lofthouse 'What a spectacular triumph! Knowles has taken a reassuringly familiar legend and elevated it into a new, realistic and engrossing story' Sam Taw

This book uses the mythological hero Heracles as a lens for investigating the nature of heroic violence in Archaic and Classical Greek literature, from Homer through to Aristophanes. Heracles was famous for his great victories as much as for his notorious failures. Driving each of these acts is his heroic violence, an ambivalent force that can offer communal protection as well as cause grievous harm. Drawing on evidence from epic, lyric poetry, tragedy, and comedy, this work illuminates the strategies used to justify and deflate the threatening aspects of violence. The mixed results of these strategies also demonstrate how the figure of Heracles inherently - and stubbornly - resists reform. The diverse character of Heracles' violent acts reveals an enduring tension in understanding violence: is violence a negative individual trait, that is to say the manifestation of an internal state of hostility? Or is it one specific means to a preconceived end, rather like an instrument whose employment may or may not be justified? Katherine Lu Hsu explores these evolving attitudes towards individual violence in the ancient Greek world while also shedding light on timeless debates about the nature of violence itself.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1942.