Originally published in 1902, this book provides an extensive survey of the tradition of votive offerings in ancient Greece. Rouse details the various motives behind offerings, including propitiation, tithes, and domestic purposes, drawing on the evidence of inscriptions and ancient eyewitnesses, and also examines ancient votive formulae. Thirteen indices containing an exhaustive list of epigraphical references to votive offerings at various shrines are also included. This well-written and richly-illustrated book will be of value to anyone with an interest in ancient Greek religion and the history of votive offerings.

This unique and entertaining travel guide to Greek waters recreates parts of voyages undertaken in myth, anchoring off landmarks or ports associated with ancient legends. It follows the trails of Odysseus, Hercules, and Jason and the Argonauts, as well as visiting the sites where Poseidon lost his trident (off Paxos) and built his temple (on the Saronic Gulf), the cliff where Theseus's father threw himself to his death after fearing his son had been killed by the minotaur, and Troy, the remains of which survive as a reminder of the city that withstood a 10-year siege. With almost 6,000 islands in the Aegean and Ionian Seas, Greece is a maritime nation like no other - and according to its mythology this has been the case since the days when seafarers believed their fortunes, good or ill, lay in the hands of Poseidon. Sailing through these crystal clear waters today is a voyage into history, whether true or legendary. Retelling all the myths, from the very well-known to the less familiar, In the Wake of the Gods is a cruising companion to be read and enjoyed in its own right. With the author's in depth knowledge of the region, it is also packed with useful and practical pointers for pilotage and passage planning, including information about prevailing winds and anchoring, along with charts and photography.

This volume assembles fourteen highly influential articles written by Michael H. Jameson over a period of nearly fifty years, edited and updated by the author himself. They represent both the scope and the signature style of Jameson's engagement with the subject of ancient Greek religion. The collection complements the original publications in two ways: firstly, it makes the articles more accessible; and secondly, the volume offers readers a unique opportunity to observe that over almost five decades of scholarship Jameson developed a distinctive method, a signature style, a particular perspective, a way of looking that could perhaps be fittingly called a 'Jamesonian approach' to the study of Greek religion. This approach, recognizable in each article individually, becomes unmistakable through the concentration of papers collected here. The particulars of the Jamesonian approach are insightfully discussed in the five introductory essays written for this volume by leading world authorities on polis religion.

The 'Orphic' gold tablets, tiny scraps of gold foil found in graves throughout the ancient Greek world, are some of the most fascinating and baffling pieces of evidence for ancient Greek religion. This collection brings together a number of previously published and unpublished studies from scholars around the world, making accessible to a wider audience some of the new methodologies being applied to the study of these tablets. The volume also contains an updated edition of the tablet texts, reflecting the most recent discoveries and accompanied by English translations and critical apparatus. This survey of trends in the scholarship, with an up-to-date bibliography, not only provides an introduction to the serious study of the tablets, but also illuminates their place within scholarship on ancient Greek religion.

Myths are not simple narrative plots. In ancient Greece, as in other traditional societies, these tales existed only in the poetic or artistic forms in which they were set down. To read them from an anthropological point of view means to study their meaning according to their forms of expression - epic recitation, ritual celebration of the victory of an athlete, tragic performance, erudite Alexandrian poetry, antiquarian prose text; in other words, to study the functions of Greek myths in their permanent retelling and reshaping. Falling between social reality and cultural fiction, Greek myths were evolving creations, constantly adapting themselves to new conditions of performance. Using myths such as those of Persephone, Bellerophon, Helen and Teiresias, Claude Calame presents an overview of Greek mythology as a category inseparable from the literature in which so much of it is found. The French edition of this book was first published in 2000.

First published in 1900, this book contains the text of two lectures delivered at the Royal Institution of Great Britain on the subject of the temples of Asklepios found in Athens and Epidauros. The text is accompanied by photographs of statuary and buildings from both sites, as well as drawings with suggested reproductions of how the temples would have looked in antiquity. This book will be of value to anyone with an interest in ancient religion.

This book examines the fragmentary and contradictory evidence for Orpheus as the author of rites and poems to redefine Orphism as a label applied polemically to extra-ordinary religious phenomena. Replacing older models of an Orphic religion, this richer and more complex model provides insight into the boundaries of normal and abnormal Greek religion. The study traces the construction of the category of 'Orphic' from its first appearances in the Classical period, through the centuries of philosophical and religious polemics, especially in the formation of early Christianity and again in the debates over the origins of Christianity in the nineteenth and twentieth centuries. A paradigm shift in the study of Greek religion, this study provides scholars of classics, early Christianity, ancient religion and philosophy with a new model for understanding the nature of ancient Orphism, including ideas of afterlife, cosmogony, sacred scriptures, rituals of purification and initiation, and exotic mythology.

Originally published in 1926, this book contains the ancient Greek text of the fourth-century treatise Concerning the Gods and the Universe by Sallustius. Nock provides an English translation on each facing page, as well as a critical apparatus and a detailed set of prolegomena on the historical background, sources, style and transmission of the philosophical essay. This book will be of value to anyone with an interest in late Roman philosophy and in the pagan response to early Christianity.

From the age of Homer until late antiquity the culture of ancient Greece and Rome was permeated by images of Greek myths. Gods and heroes were represented as statues, on vase and wall paintings, on temples, on sarcophagi as well as on other media. This book offers, for the first time, a concise introduction into the interpretation of images of Greek myths. Its main aim is to make the pictorial versions of the myths comprehensible on their own terms. Ancient artists were well aware of the potential but also the limitations of these 'silent' images and of the strategies that made them 'speak' to the audience/viewer. The book combines detailed explanation of theoretical and methodological issues with exhaustive discussion of case studies. It will be useful and stimulating for all undergraduate and graduate students taking courses in classical mythology and ancient art."

From the age of Homer until late antiquity the culture of ancient Greece and Rome was permeated by images of Greek myths. Gods and heroes were represented as statues, on vase and wall paintings, on temples, on sarcophagi as well as in other media. This 2011 book provides a concise introduction to the interpretation of the images of Greek myths. Its main aim is to make the pictorial versions of the myths comprehensible on their own terms. Ancient artists were well aware of the potential - but also the limitations - of these 'silent' images and of the strategies that made them 'speak' to the audience/viewer. The book explains the theoretical and methodological issues at stake and discusses in detail a number of case studies. It will be useful and stimulating for all undergraduate and graduate students taking courses in classical mythology and ancient art.

The 'Orphic' gold tablets, tiny scraps of gold foil found in graves throughout the ancient Greek world, are some of the most fascinating and baffling pieces of evidence for ancient Greek religion. This collection brings together a number of previously published and unpublished studies from scholars around the world, making accessible to a wider audience some of the new methodologies being applied to the study of these tablets. The volume also contains an updated edition of the tablet texts, reflecting the most recent discoveries and accompanied by English translations and critical apparatus. This survey of trends in the scholarship, with an up-to-date bibliography, not only provides an introduction to the serious study of the tablets, but also illuminates their place within scholarship on ancient Greek religion.

Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.

Late Bronze Age tombs in Greece and their attendant mortuary practices have been a topic of scholarly debate for over a century, dominated by the idea of a monolithic culture with the same developmental trajectories throughout the region. This book contributes to that body of scholarship by exploring both the level of variety and of similarity that we see in the practices at each site and thereby highlights the differences between communities that otherwise look very similar. The introduction of wealthy burials in the transition from the Middle Helladic period and the building of elaborate tombs during the Late Bronze Age underscores a long-acknowledged change in cultural importance of burials and their locations for contemporary society. Initially archaeologists were interested in these tombs because of the impressive finds that were discovered in them, but as the body of literature on mortuary rituals has grown more recently these tombs have been utilized as lenses through which we can study the related society in novel ways. By bringing together an international group of scholars working on tombs and cemeteries on mainland Greece, Crete, and in the Dodecanese we are afforded a unique view of the development and diversity of these communities. The papers provide a penetrative analysis of the related issues by discussing tombs connected with sites ranging in size from palaces to towns to villages and in date from the start to the end of the Late Bronze Age. Death in Late Bronze Age Greece contextualizes the mortuary studies in recent debates on diversity at the main palatial and secondary sites and between the economic and political strategies and practices throughout Greece. The papers in the volume illustrate the pervasive connection between the mortuary sphere and society through the creation and expression of cultural narratives, and draw attention to the social tensions played out in the mortuary arena.

The first anthology to present the entire range of ancient Greek and Roman stories-from myths and fairy tales to jokes Captured centaurs and satyrs, incompetent seers, people who suddenly change sex, a woman who remembers too much, a man who cannot laugh-these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology-from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled. Featuring nearly four hundred stories in authoritative and highly readable translations, this is the first book to offer a representative selection of the entire range of traditional classical storytelling. Complete with beautiful illustrations, this one-of-a-kind anthology will delight general readers as well as students of classics, fairy tales, and folklore.

In the Greek Classical period, the symposium-the social gathering at which male citizens gathered to drink wine and engage in conversation-was held in a room called the andron. From couches set up around the perimeter, symposiasts looked inward to the room's center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the spectre of Dionysos: the god of wine, riding in his chariot or on the back of a panther. In The World Underfoot, Hallie M. Franks takes as her subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, she presents an innovative new interpretation of the mosaic imagery as an active contributor to the symposium as a metaphorical experience. Franks argues that the images on mosaic floors, combined with the ritualized circling of the wine cup and the physiological reaction to wine during the symposium, would have called to mind other images, spaces, or experiences, and in doing so, prompted drinkers to reimagine the symposium as another kind of event-a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.

A Companion to Greek Mythology presents a series of essays that explore the phenomenon of Greek myth from its origins in shared Indo-European story patterns and the Greeks contacts with their Eastern Mediterranean neighbours through its development as a shared language and thought-system for the Greco-Roman world. * Features essays from a prestigious international team of literary experts * Includes coverage of Greek myth s intersection with history, philosophy and religion * Introduces readers to topics in mythology that are often inaccessible to non-specialists * Addresses the Hellenistic and Roman periods as well as Archaic and Classical Greece

This work brings together eleven of Richard Buxton's studies of Greek mythology and Greek tragedy, focusing especially on the interrelationship between the two, and their importance to the Greeks themselves. Situating and contextualizing topics and themes, such as mountains, (were)wolves, mythological names, movement/stillness, blindness, and feminization, within the world of ancient Greece - its landscapes, social and moral priorities, and mental structures - he traces the intricate variations and retellings which they underwent in Greek antiquity. Although each chapter has appeared in print in some form before, each has been thoroughly revised for the present book, taking into account recent research. The introduction sets out the principles and objectives which underlie Buxton's approach to Greek myths, and how he sees his own method in relation to those of his predecessors and contemporaries.

Explore the fascinating myths of Greek and Roman civilizations! The tales of gods and heroes are often turned into tedious discourse that even Ovid would reject. This easy-to-read guide cuts out the boring details, and instead, provides you with a thrilling lesson in classic mythology. From the heights of Mt. Olympus to the depths of the Underworld, this book takes you on an unforgettable journey through all the major myths born in ancient Greece and Rome, such as Achilles's involvement in the Trojan War; Pluto's kidnapping of the beautiful Proserpina; and the slaying of Medusa by Perseus, the heroic demi-god. You'll also learn all about the wonders of the world as well as the greatest creatures ever recorded in history. Like Charon navigating the River of Wailing, Mythology 101 will guide you through the most glorious (and completely terrifying) tales the ancient world has to offer.

Hero and Leander are the protagonists in a classical tale of epic but tragic love. Hero lives secluded in a tower on the European shore of the Hellespont, and Leander on the opposite side of the passage. Since they cannot hope to marry, the couple resolves to meet in secret: each night he swims across to her, guided by the light of her torch. But the time comes when a winter storm kills both the light and Leander. At dawn, Hero sees her lover's mangled body washed ashore, and so hurls herself from the tower to meet him in death. Silvia Montiglio here shows how and why this affecting story has proved to be one of the most popular and perennial mythologies in the history of the West. Discussing its singular drama, danger, pathos and eroticism, the author explores the origin of the legend and its rich and varied afterlives. She shows how it was used by Greek and Latin writers; how it developed in the Middle Ages - notably in the writings of Christine de Pizan - and Renaissance; how it inspired Byron to swim the Dardanelles; and how it has lived on in representations by artists including Rubens and Frederic Leighton.

Bringing together the study of the Greek classics and Indology, Arjuna-Odysseus provides a comparative analysis of the shared heritage of the Mahabharata and early Greek traditions presented in the texts of Homer and Hesiod. Building on the ethnographic theories of Durkheim, Mauss, and Dumont, the volume explores the convergences and rapprochements between the Mahabharata and the Greek texts. In exploring the networks of similarities between the two epic traditions, it also reformulates the theory of Georges Dumezil regarding Indo-European cultural comparativism. It includes a detailed comparison between journeys undertaken by the two epic heroes - Odysseus and Arjuna - and more generally, it ranges across the philosophical ideas of these cultures, and the epic traditions, metaphors, and archetypes that define the cultural ideology of ancient Greece and India. This book will be useful to scholars and researchers of Indo-European comparativism, social and cultural anthropology, classical literature, Indology, cultural and post-colonial studies, philosophy and religion, as well as to those who love the Indian and Greek epics.

Few classical stories are as exciting as that of Jason and the Golden Fleece. The legend of the boy, who discovers a new identity as son of a usurped king and leads a crew of demi-gods and famous heroes, has resonated through the ages, rumbling like the clashing rocks, which almost pulverised the Argo. The myth and its reception inspires endless engagements: while it tells of a quest to the ends of the earth, of the tyrants Pelias and Aetes, of dragons' teeth, of the loss of Hylas (beloved of Hercules) stolen away by nymphs, and of Jason's seduction of the powerful witch Medea (later betrayed for a more useful princess), it speaks to us of more: of gender and sexuality; of heroism and lost integrity; of powerful gods and terrifying monsters; of identity and otherness; of exploration and exploitation. The Argonauts are emblems of collective heroism, yet also of the emptiness of glory. From Pindar to J. W. Waterhouse, Apollonius of Rhodes to Ray Harryhausen, and Robert Graves to Mary Zimmerman, the Argonaut myth has produced later interpretations as rich, salty and complex as the ancient versions. Helen Lovatt here unravels, like untangled sea-kelp, the diverse strands of the narrative and its numerous and fascinating afterlives. Her book will prove both informative and endlessly entertaining to those who love classical literature and myth.

Divination and Human Nature casts a new perspective on the rich tradition of ancient divination-the reading of divine signs in oracles, omens, and dreams. Popular attitudes during classical antiquity saw these readings as signs from the gods while modern scholars have treated such beliefs as primitive superstitions. In this book, Peter Struck reveals instead that such phenomena provoked an entirely different accounting from the ancient philosophers. These philosophers produced subtle studies into what was an odd but observable fact-that humans could sometimes have uncanny insights-and their work signifies an early chapter in the cognitive history of intuition. Examining the writings of Plato, Aristotle, the Stoics, and the Neoplatonists, Struck demonstrates that they all observed how, setting aside the charlatans and swindlers, some people had premonitions defying the typical bounds of rationality. Given the wide differences among these ancient thinkers, Struck notes that they converged on seeing this surplus insight as an artifact of human nature, projections produced under specific conditions by our physiology. For the philosophers, such unexplained insights invited a speculative search for an alternative and more naturalistic system of cognition. Recovering a lost piece of an ancient tradition, Divination and Human Nature illustrates how philosophers of the classical era interpreted the phenomena of divination as a practice closer to intuition and instinct than magic.

'Reading this book is like sitting in the pub listening to a good friend tell you stories. It does what only the best retellings can and makes you see the myth anew' Daisy Johnson That was the start of it. A terrible business altogether. Oh, it was all kept off the news, for the sake of the talks and the ceasefire. But them that were around that part of the country remember every bit. Wait now till you hear the rest. Northern Ireland, 1996. After twenty-five years of conflict, the IRA and the British have agreed an uneasy ceasefire, as a first step towards lasting peace. But if decades of savage violence are leading only to smiles and handshakes, those on the ground in the border country will start to question what exactly they have been fighting for. When an IRA man's wife turns informer, he and his brother gather their old comrades for an assault on the local army base. But the squad's feared sniper suddenly refuses to fight, and the SAS are sent in to crush this rogue terror cell before it can wreck the fragile truce, and drag the whole region back to the darkest days of the Troubles. Inspired by the oldest war story of them all, this powerful new Irish novel explores the brutal glory of armed conflict, and the bitter tragedy of those on both sides who offer their lives to defend the honour of their country.

Studies on the Derveni Papyrus, volume II brings together two new editions of the first fragmentarily extant columns of the Derveni Papyrus and seven scholarly articles devoted to their interpretation. The Derveni Papyrus is by far the most important textual discovery of the 20th century regarding early Greek philosophy, religion, exegetical theory and practice, linguistic ideas, and a host of other areas and issues. But the editorial and interpretative history of this extraordinary document has been very checkered. While the interpretation of the better preserved later columns is still highly controversial in many regards, at least the text of those columns has by and large found a scholarly consensus; but the editorial and interpretative situation with the worse preserved first columns is quite different. This volume offers not one but two editions of the first columns, by Richard Janko and by Valeria Piano, given that it is not currently possible to agree upon a single edition; and it explains clearly and in detail the papyrological problems and doubts that lead to these two editions, making it possible for readers (even non-papyrologists) to form their own informed judgment about the most likely readings to be adopted. Furthermore, it contains a number of articles by leading scholars on the Derveni Papyrus, above all offering original solutions to the question of the relation between the earlier and the later columns, but also providing analysis and interpretation of other, related problems.

A Companion to Greek Mythology presents a series of essays that explore the phenomenon of Greek myth from its origins in shared Indo-European story patterns and the Greeks contacts with their Eastern Mediterranean neighbours through its development as a shared language and thought-system for the Greco-Roman world. * Features essays from a prestigious international team of literary experts * Includes coverage of Greek myth s intersection with history, philosophy and religion * Introduces readers to topics in mythology that are often inaccessible to non-specialists * Addresses the Hellenistic and Roman periods as well as Archaic and Classical Greece